IMDb-BEWERTUNG
6,9/10
2116
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe story of the successful Tin Pan Alley songwriting team of Bert Kalmar and Harry Ruby is told loosely and lightheartedly.The story of the successful Tin Pan Alley songwriting team of Bert Kalmar and Harry Ruby is told loosely and lightheartedly.The story of the successful Tin Pan Alley songwriting team of Bert Kalmar and Harry Ruby is told loosely and lightheartedly.
- Für 1 Oscar nominiert
- 1 Gewinn & 3 Nominierungen insgesamt
Gloria DeHaven
- Mrs. Carter De Haven
- (as Gloria De Haven)
Harry Mendoza
- The Great Mendoza
- (as The Great Mendoza)
Jean Adcock
- Woman
- (Nicht genannt)
Richard Allan
- Chorus Boy
- (Nicht genannt)
William Bailey
- Man in Audience
- (Nicht genannt)
Harry Barris
- Pianist at Party
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesBert Kalmar and Harry Ruby were friends of Fred Astaire from their early days together in vaudeville. Astaire said the film was one of his all-time favorites.
- PatzerThe stills of the The Marx Brothers (three rather than four) outside the opening of Animal Crackers (Broadway, 1928) is actually from Die Marx Brothers im Kaufhaus (1941).
- Zitate
Bert Kalmar: I wouldn't write that song with you if you begged me.
Harry Ruby: Begged ya? I didn't even ask ya.
Bert Kalmar: I guess you just can't help it, Harry. I feel sorry for you.
Harry Ruby: Feel sorry for me? You must think I'm just a...
Bert Kalmar: I could tell you what I think of you in just three little words. You're a dope!
- Crazy CreditsThe opening and end titles use various first pages of Kalmar-Ruby sheet music as backgrounds.
- VerbindungenFeatured in Metro-Goldwyn-Mayer's World Famous Musical Hits! (1962)
- SoundtracksWhere Did You Get That Girl?
(uncredited)
Written Harry Puck, Bert Kalmar
Sung and Danced by Fred Astaire, Vera-Ellen (dubbed by Anita Ellis)
Ausgewählte Rezension
... because the whole thing goes down so easy.
It's an odd combination - Red Skelton and Fred Astaire. It was the only time that they ever played opposite one another. They were both in a couple of the big MGM ensemble musicals of the era - "Ziegfeld Follies" comes to mind - but they didn't do anything together in them. That's too bad, because their styles seem to bring out the best in each other as far as acting goes. Fred becomes more of a comic. Red becomes subdued.
This is the very fictionalized biopic of songwriting team Bert Kalmar (Fred Astaire) and Harry Ruby (Red Skelton). In the film, Kalmar is a dancer who is a part time playwright and magician. One night when Kalmar is performing his magic act, Ruby, a stagehand, manages to accidentally destroy everything single-handedly, causing Kalmar to get laughed off the stage. This is the "meet cute" phase. When Kalmar injures his knee and must lay off dancing for two years, he becomes a full-time songwriter and ends up reluctantly partnered with Ruby, who he still blames for ruining his act that one time. Of course, reluctance turns to friendship and great success. There are squabbles along the way and Kalmar and his wife (Vera Ellen of the tiny waistline) step in to discretely disrupt Ruby's bad romantic choices.
The squabbles are short lived and on the surface, for there really are no villains in this film, not even a buffoonish one like Singin' In the Rain's Lena Lamont. It's just the great balance of comedy, music, and heart that many of MGM's other musicals wanted to be but just could not quite accomplish. This one has aged very well, and I'd recommend it.
It's an odd combination - Red Skelton and Fred Astaire. It was the only time that they ever played opposite one another. They were both in a couple of the big MGM ensemble musicals of the era - "Ziegfeld Follies" comes to mind - but they didn't do anything together in them. That's too bad, because their styles seem to bring out the best in each other as far as acting goes. Fred becomes more of a comic. Red becomes subdued.
This is the very fictionalized biopic of songwriting team Bert Kalmar (Fred Astaire) and Harry Ruby (Red Skelton). In the film, Kalmar is a dancer who is a part time playwright and magician. One night when Kalmar is performing his magic act, Ruby, a stagehand, manages to accidentally destroy everything single-handedly, causing Kalmar to get laughed off the stage. This is the "meet cute" phase. When Kalmar injures his knee and must lay off dancing for two years, he becomes a full-time songwriter and ends up reluctantly partnered with Ruby, who he still blames for ruining his act that one time. Of course, reluctance turns to friendship and great success. There are squabbles along the way and Kalmar and his wife (Vera Ellen of the tiny waistline) step in to discretely disrupt Ruby's bad romantic choices.
The squabbles are short lived and on the surface, for there really are no villains in this film, not even a buffoonish one like Singin' In the Rain's Lena Lamont. It's just the great balance of comedy, music, and heart that many of MGM's other musicals wanted to be but just could not quite accomplish. This one has aged very well, and I'd recommend it.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Three Little Words?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Three Little Words
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.470.000 $ (geschätzt)
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Drei kleine Worte (1950) officially released in India in English?
Antwort