Ein heruntergekommener Drehbuchautor schreibt für einen früheren Stummfilmstar, der von der Leinwand Hollywoods verschwunden ist, ein Drehbuch.Ein heruntergekommener Drehbuchautor schreibt für einen früheren Stummfilmstar, der von der Leinwand Hollywoods verschwunden ist, ein Drehbuch.Ein heruntergekommener Drehbuchautor schreibt für einen früheren Stummfilmstar, der von der Leinwand Hollywoods verschwunden ist, ein Drehbuch.
- 3 Oscars gewonnen
- 19 Gewinne & 20 Nominierungen insgesamt
Larry J. Blake
- 1st Finance Man
- (as Larry Blake)
Fred Aldrich
- Cop Who Drags Joe's Body from Pool
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesUnlike the character she played, Gloria Swanson had accepted the fact that the movies didn't want her anymore and had moved to New York, where she worked on radio and, later, television. Although she had long before ruled out the possibility of a movie comeback, she was nevertheless highly intrigued when she got the offer to play the lead.
- PatzerWhen Max is telling Joe about directing Madam's first pictures, there is a bad dub of the word "sixteen". After the Roscoe 'Fatty' Arbuckle trial and the subsequent establishment of the Hays Office to enforce the new Production Code, the producers were concerned that the original age of 14 would be considered child porn and had the line changed in post.
- Zitate
Joe Gillis: Wait a minute, haven't I seen you before? I know your face.
Norma Desmond: Get out! Or shall I call my servant?
Joe Gillis: You're Norma Desmond. You used to be in silent pictures. You used to be big.
Norma Desmond: I *am* big. It's the *pictures* that got small.
- Crazy CreditsThe Paramount logo appears as a transparency over the opening shot. The words "Sunset Blvd." are shown stenciled on the curb of that street.
- VerbindungenEdited into Les Amoureux du cinéma (1987)
- SoundtracksThe Paramount-Don't-Want-Me Blues
(1950) (uncredited)
Written by Jay Livingston and Ray Evans
Performed by Jay Livingston and Ray Evans at Artie's party
Ausgewählte Rezension
I have yet to see a Billy Wilder film that I haven't loved, and Sunset Boulevard is definitely one of those films. It's interesting to watch the film during different times in one's life when I was a child watching this film, I thought the story was good and that Norma Desmond (Swanson) was a pretty scary lady. In my teens/college years, I appreciated it as a certified classic and for its commentary on Hollywood. Now, in my late 20's and early 30's I found it to have a different impact on me I was saddened by Desmond's mental illness, and when she makes her final descent down her staircase and utters her famous line as the camera pans the faces of the people around her, so full of pity, and the care her butler/ex-husband takes to make sure she's happy for maybe the last time in her life made more of an impact on me than any other time in the 20-odd times I've seen this film. There are only a small handful of central characters in Sunset Boulevard and they are so richly written that this film will remain timeless. There are not a lot of `dated' themes in this film the circle of life that is Hollywood isn't going to be much more evolved in 2050 than it was in 1950. If you haven't seen this film, watch it because there is something for just about anyone in this film.
--Shelly
--Shelly
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- El ocaso de una vida
- Drehorte
- 10060 Sunset Blvd, Los Angeles, Kalifornien, USA(Norma Desmond's driveway gate)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.752.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 299.645 $
- Eröffnungswochenende in den USA und in Kanada
- 169.067 $
- 13. Mai 2018
- Weltweiter Bruttoertrag
- 309.467 $
- Laufzeit1 Stunde 50 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
What was the official certification given to Boulevard der Dämmerung (1950) in Japan?
Antwort