Der Spieler

Originaltitel: The Great Sinner

1949
Approved
1 Std. 50 Min.

IMDb-BEWERTUNG

6,6/10

1663

IHRE BEWERTUNG

A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits the ultimate degradation of robbing a church poor box in order to feed his compulsion.

trailer wiedergeben2:52

1 Video

39 Fotos

Drama

Füge eine Handlung in deiner Sprache hinzuIn the 1860s, in the casino resort town of Wiesbaden, Germany, a reformed gambling addict, Pauline Ostrovsky, tenderly nurses the talented Russian writer Fedja, who is a physical wreck.In the 1860s, in the casino resort town of Wiesbaden, Germany, a reformed gambling addict, Pauline Ostrovsky, tenderly nurses the talented Russian writer Fedja, who is a physical wreck.In the 1860s, in the casino resort town of Wiesbaden, Germany, a reformed gambling addict, Pauline Ostrovsky, tenderly nurses the talented Russian writer Fedja, who is a physical wreck.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

6,6/10

1663

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Secretary
(as Frederick Ledebur)

Ludwig Donath

Doctor

Curt Bois

Jeweler

Ludwig Stössel

Hotel Manager
(as Ludwig Stossel)

Ernö Verebes

Valet
(as Erno Verebes)

Fred Aldrich

Gambling Casino Patron
(Nicht genannt)

James Anderson

Nervous Young Gambler
(Nicht genannt)

John Arnold

Croupier
(Nicht genannt)

Hanna Axmann-Rezzori

Staring Casino Patron
(Nicht genannt)

William Bailey

Gambling Casino Accountant
(Nicht genannt)

Martha Bamattre

Female Fountain Attendant
(Nicht genannt)

Handlung

Ändern

WUSSTEST DU SCHON:

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Wissenswertes
Deborah Kerr was initially scheduled to co-star with Gregory Peck. Then Lana Turner was slotted for the role, and then withdrawn from the production due to her extended European honeymoon with Henry J. Topping, Jr. Finally, Ava Gardner was cast in what turned out to be the first of three films to co-star the pair, along with Schnee am Kilimandscharo (1952) and Das letzte Ufer (1959).

Patzer
On numerous occasions during the long Roulette game when the "No more bets" call is made, the wheel is shown to be turning pretty slowly; yet immediately afterwards as the ball is getting ready to drop into the slot, the wheel is suddenly turning much more rapidly.

Zitate
Pauline Ostrovsky: Oh, you can count on my vanity. No matter what you say I'll regard it as a compliment.
Fedja: All right, if you insist. To one of the most corrupt women I've ever met.
Pauline Ostrovsky: Corrupt?
Fedja: Corrupt, confused, frustrated, and empty.
Pauline Ostrovsky: But in a charming sort of way, you'll admit.
Fedja: Well charm, my dear is your gambling capital. You toss it on the table like money, like everything else, even a dying grandmother.
Pauline Ostrovsky: When a man takes the trouble to be so rude to a woman, he is usually falling in love with her.
Fedja: You're not a woman. You are a symptom.
Pauline Ostrovsky: Of what?
Fedja: Of one of the worlds deadliest diseases, sophistication. More champagne?
Pauline Ostrovsky: What else am I?
Fedja: You are irritatingly beautiful.
Pauline Ostrovsky: Well, at last!
Fedja: And everything, I reject.

Verbindungen
Edited into Hollywood: The Dream Factory (1972)

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Magnificent!

The people who are raking this little gem over the coals must either 1) not really like movies; 2) have seen the film on a bad videotape; or if we want to be generous, 3) be having a bad day.

I just came from a screening of a beautiful 35mm print, and I loved it! LOVED IT! Granted, the Christian allegory is laid on a bit thick at times, but the performances are wonderful, and the story will resonate with anyone mature enough to have grappled with his/her own dark side. It's a story of sacrifice and redemption, truly a battle writ large between good and evil.

I also highly suspect that Jacques Demy's BAY OF ANGELS (1963) is an homage to this film. Both use the casino as an apt metaphor for Hell, and in both films, characters are saved by love.

Siodmak is one of the great, underrated filmmakers of the 1940s, and while I don't like this film quite as much as his films noirs (The Killers, Criss-Cross) or his other masterful period drama, The Spiral Staircase, I do think The Great Sinner will satisfy anyone who appreciates the classical Hollywood style.