Später Frühling

Originaltitel: Banshun

1949
Not Rated
1 Std. 50 Min.

IMDb-BEWERTUNG

8,2/10

19.987

IHRE BEWERTUNG

Setsuko Hara and Chishû Ryû in Später Frühling (1949)

Three Reasons Criterion Trailer for Late Spring

trailer wiedergeben1:29

1 Video

50 Fotos

Comedy Drama

Füge eine Handlung in deiner Sprache hinzuSeveral people try to talk 27-year-old Noriko into marrying, but all she wants is to keep on caring for her widowed father.Several people try to talk 27-year-old Noriko into marrying, but all she wants is to keep on caring for her widowed father.Several people try to talk 27-year-old Noriko into marrying, but all she wants is to keep on caring for her widowed father.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

8,2/10

19.987

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 5 wins total

Wissenswertes
Most of the movie takes place in Kita-Kamakura, about 30 miles from downtown Tokyo. Several years after the release of the film, the director, 'Yasujiro Ozu', moved with his mother to the area and spent the rest of his life there. (His tomb is also located there.) Furthermore, the film's star, Setsuko Hara, also eventually moved to the area and, as of May 2013, reportedly still lived there under her birth name, Masae Aida.

Patzer
A camera/dolly shadow is visible on the sidewalk as it follows Noriko walking.

Zitate
Shukichi Somiya: Marriage may not mean happiness from the start. To expect such immediate happiness is a mistake. Happiness isn't something you wait around for. It's something you create yourself. Getting married isn't happiness. Happiness lies in the forging of a new life shared together. It may take a year or two, maybe even five or ten. Happiness comes only through effort. Only then can you claim to be man and wife.

Verbindungen
Featured in Shôchiku eiga sanjû-nen: Omoide no album (1950)

Benutzerrezensionen102

Rezension

Ausgewählte Rezension

A Master of understated elegance

"Late Spring" (Japanese, 1949): Every time I see another Yasujiro Ozu film, I am more amazed and further impressed. As a director, he was a master of understated elegance. Think of him as a moving wood block print, or an extended Haiku poem. His images, symbols, photography, composition, editing, dialog, story they're all controlled to a masterful degree, and patiently lead you from one point to another. "Late Sprint" is the story about an older daughter who has never left her father. She is completely satisfied to stay at home caring for him (the mother died many years earlier). Everyone is concerned about her, applies pressure, and she resists. The father realizes it is he alone who might convince her to enter Life on new terms. Do NOT take Ozu's landscapes and city scenes as mere non-story scenery. Instead, watch for them to represent current conditions, emotions, and truths.