IMDb-BEWERTUNG
7,0/10
2811
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuRomantic misunderstandings abound when spouses suspect each other of being unfaithful, and a nightclub singer takes a cruise under a false identity.Romantic misunderstandings abound when spouses suspect each other of being unfaithful, and a nightclub singer takes a cruise under a false identity.Romantic misunderstandings abound when spouses suspect each other of being unfaithful, and a nightclub singer takes a cruise under a false identity.
- Für 2 Oscars nominiert
- 2 Nominierungen insgesamt
John Berkes
- The Drunk
- (as Johnny Berkes)
John Alvin
- Charles - Travel Agent
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAccording to her 1975 autobiography, "Doris Day: Her Own Story" (co-written with A.E. Hotchner), Miss Day attended a show-biz party the night before she planned to leave for New York City. Also at the gathering was lyric writer Sammy Cahn who, taking Doris aside, explained that she would be the right match for the Cahn-Jule Styne score of this upcoming film. When, at Mr. Cahn's urging, Doris sang "Embraceable You" (music by George Gershwin, lyrics by Ira Gershwin) for the party crowd, she was heard by director Michael Curtiz, who then asked her to test for the role of Georgia Garrett.
- Zitate
Michael Kent: Are you a good detective?
Peter Virgil: Naturally, why?
Michael Kent: Where did you do your traning?
Peter Virgil: In the army. Intelligence G2.
Michael Kent: Well how are you at the job?
Peter Virgil: We won the war didn't we?
- Crazy CreditsThe credits is opened by a businessman's hand and each credit has a different tropical and paradise scene.
- Alternative VersionenThere is an Italian edition of this film on DVD, distributed by DNA Srl: "AMORE SOTTO COPERTA (1948) + CALAMITY JANE (1953)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- VerbindungenEdited into Hase à la Carte (1951)
- SoundtracksPut 'em in a Box, Tie 'em with a Ribbon (and Throw 'em in the Deep Blue Sea)
(uncredited)
Music by Jule Styne
Lyrics by Sammy Cahn
Sung by Doris Day and the Page Cavanaugh Trio
Ausgewählte Rezension
Make no mistake, this is Doris Day's movie, first one or not. And that's no small accomplishment. She is up against not just two, but three veteran scene-stealers in Oscar Levant, "Cuddles" Szakall and Jack Carson. Yet the sheer naturalness of her winning personality is enough to launch one of Hollywood's most successful screen careers.
On the whole, it's an entertaining film, especially the first third where Day's high spirits are allowed to shine. Once the shipboard romance takes over, things slow down and the mood shifts. Whatever his other many talents, the versatile Jack Carson is a character actor, not a leading man. Too bad he gets romantically serious and we lose his light comedic talents. And, of course, there's the professional wit, the very unHollywood-looking Oscar Levant, always livening things up with a mordant quip.
What a gorgeous movie to look at. The Technicolor is outstanding. Note how well the colors are coordinated, especially the scenes in Rio. This is a neglected phase of movie-making, and here the art director and set designer both deserve industry awards. The plot's fairly clever, having to do with a marital mix-up that keeps the audience interested without straining. Nonetheless, it's Day's movie, showing what an engaging screen personality she is-- too bad she became mockingly identified as America's "professional virgin". Here, her rendition of "It's Magic" is just that. Magic!
On the whole, it's an entertaining film, especially the first third where Day's high spirits are allowed to shine. Once the shipboard romance takes over, things slow down and the mood shifts. Whatever his other many talents, the versatile Jack Carson is a character actor, not a leading man. Too bad he gets romantically serious and we lose his light comedic talents. And, of course, there's the professional wit, the very unHollywood-looking Oscar Levant, always livening things up with a mordant quip.
What a gorgeous movie to look at. The Technicolor is outstanding. Note how well the colors are coordinated, especially the scenes in Rio. This is a neglected phase of movie-making, and here the art director and set designer both deserve industry awards. The plot's fairly clever, having to do with a marital mix-up that keeps the audience interested without straining. Nonetheless, it's Day's movie, showing what an engaging screen personality she is-- too bad she became mockingly identified as America's "professional virgin". Here, her rendition of "It's Magic" is just that. Magic!
- dougdoepke
- 26. Juli 2008
- Permalink
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Romance on the High Seas?Powered by Alexa
Details
- Laufzeit1 Stunde 39 Minuten
- Seitenverhältnis
- 1.37 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Zaubernächte in Rio (1948) officially released in India in English?
Antwort