Triumphbogen

Originaltitel: Arch of Triumph

1948
Approved
2 Std.

IMDb-BEWERTUNG

6,3/10

2010

IHRE BEWERTUNG

Ingrid Bergman and Charles Boyer in Triumphbogen (1948)

Illegal refugees lead dark lives in pre-World War II Paris.

trailer wiedergeben2:29

1 Video

75 Fotos

Tragic Romance Drama Romance War

Füge eine Handlung in deiner Sprache hinzuIllegal refugees lead dark lives in pre-World War II Paris.Illegal refugees lead dark lives in pre-World War II Paris.Illegal refugees lead dark lives in pre-World War II Paris.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

6,3/10

2010

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 3 wins total

Wissenswertes
The rough cut of the film ran four hours. In reducing it to two hours, several actors were cut, including Ruth Warrick. She does appear briefly in the restored 133-minute version.

Patzer
When Ravic takes his gun and goes to look for Haake in the streets, the first shot of him has been reversed for some reason as evidenced by the signs he passes, which are backwards.

Zitate
Joan Madou: He wanted to kill me. They always talk about it but they never do.
[laughs]
Joan Madou: You wouldn't want to kill me.

Verbindungen
Featured in Legendy mirovogo kino: Charles Boyer

Soundtracks
Long After Tonight
(1948) (uncredited)
Music by Rudolph Polk
Music by adapted from the Russian folk song "Prochlada"
Lyrics by Ervin Drake and Jimmy Shirl
Sung by an uncredited singer dubbing Ingrid Bergman at the Scheherazade casino

Benutzerrezensionen42

Ausgewählte Rezension

9/10

A fine film of war-time Paris

Pay no attention to high-brow detractors; if you want to see a luminous Ingrid Bergman and a world-weary Charles Boyer at their film noir best, run--do not walk--to your nearest store and buy this film (VHS only, unfortunately).

Do not expect sparks to fly between these war-time lovers--Bergman as a kept woman carried along willy-nilly by forces beyond her control, and Boyer as a physician and resistance member on the run in occupied Paris--their encounters are brief and ill-starred, save only for the deep tenderness that occasionally surfaces, especially at the film's end.

Casablanca it's not, but it will disappoint no lover of this genre.