Füge eine Handlung in deiner Sprache hinzuA lonely middle-aged woman meets a younger man, but their relationship is threatened after the man's troubled past reveals itself.A lonely middle-aged woman meets a younger man, but their relationship is threatened after the man's troubled past reveals itself.A lonely middle-aged woman meets a younger man, but their relationship is threatened after the man's troubled past reveals itself.
- Auszeichnungen
- 1 wins total
- Mexican Vendor
- (Nicht genannt)
- Concert Attendee
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- Butcher
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- Mr. Magoo
- (Archivtonaufnahmen)
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- Minor Role
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Handlung
WUSSTEST DU SCHON:
- WissenswertesIn an interview for a much later documentary on Joan Crawford, Cliff Robertson recounts his first meeting with her, at her house. Already somewhat intimidated by working with the legendary Crawford, he is let in, then hears her call from poolside, where she's sunning, "Come on out, dear boy. We've been waiting for you." Robertson has nothing but admiration for Crawford's talent and incredible technical discipline. At one point, Director Robert Aldrich wanted Crawford to cry, but only slightly - a tear or two. "Which eye?" Robertson recalls Crawford asking. Then repeats the anecdote, amazed, "'Which EYE?'"
- Zitate
Virginia: Sure, he should be committed!
Milly: Of course, you'd want me to commit him, get him out of your life, put him away permanently someplace where he can never again remind either one of you of your horrible guilt; how you and you had committed the ugliest of all possible sins, so ugly that it drove him into the state he's in now!
Mr. Hanson: What kind of a woman are you to be satisfied with only half a man? There must be so...
Milly: Even when he doesn't know what he's doing, he's a saner man than you are! He's decent and proud. Can you say the same for yourselves? Where's your decency? In what garbage dump, Mr. Hanson? And where's yours, you tramp?
Mr. Hanson: I don't have to listen to that!
Virginia: She's the one who's crazy!
Mr. Hanson: She has to be crazy to put up with that weakling!
Milly: You, his loving, doting fraud of a father! And you, you SLUT! You're both so consumed with evil, so ROTTEN! Your filthy souls are too evil for Hell itself!
- Crazy CreditsOpening credits are shown over a background of...... leaves.
- VerbindungenFeatured in Joan Crawford: Always the Star (1996)
- SoundtracksAutumn Leaves
(Les Feuilles Mortes)
Music by Joseph Kosma
French lyrics by Jacques Prévert
English lyrics by Johnny Mercer
Performed by Nat 'King' Cole
'Autumn Leaves' is not going to connect with everybody, am aware that some respected critics and fellow prolific reviewers didn't care for the film. For me though, it was very good and a near-must see for anybody that likes Crawford, Robertson and Aldrich. Can totally see why Crawford herself thought highly of the film and her reasoning mirrors my feelings on it (also agree with her that it should be better known), and to me it is among Aldrich's better films if not quite in the same league as the likes of 'Whatever Happened to Baby Jane' and 'Attack'.
It is not a perfect film. With my biggest reservation being the ending, which for me and some others was too abrupt and tonally was completely at odds with what came before. For a quite dark story to end on such a jarringly pat note was a shame.
Maybe the film is a little too long as well.
Crawford on the other hand is in a role that she was born to play and pulls out all the way. Robertson gives a very distinguished turn in a not easy role to play and actually appreciated that he doesn't go over the top, a big trap for a character that changes as much as he does here. He works very well together with Crawford and personally didn't think that they were too much of a mismatch together in age and acting style and that their styles of acting didn't clash too much, actually thought that the more understand acting of Robertson contrasted well with Crawford's. Lorne Green and particularly Vera Miles are very good in support and Aldrich directs beautifully with material that he is completely at ease with, thematically this is already classic Aldrich.
Visually, 'Autumn Leaves' is handsomely mounted and photographed with a real sense of atmosphere. The music is haunting and sears in intensity, without intruding too much. The script is soap opera but intelligently written and naturally flowing soap opera that doesn't get too overwrought or heavy-handed. The story deserved a much better ending, but the psychological aspect is hard-hitting and pulls no punches (regardless of any debate on how well it has dated) and it is very intense and moving.
On the whole, very good with a lot of things that come off greatly. 8/10
- TheLittleSongbird
- 11. Feb. 2020
- Permalink
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Details
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1