Ein Trio von Betrügern, angeführt von einem einsamen Schwindler, muss sich mit seinem Broterwerb und familiärem Druck auseinandersetzen.Ein Trio von Betrügern, angeführt von einem einsamen Schwindler, muss sich mit seinem Broterwerb und familiärem Druck auseinandersetzen.Ein Trio von Betrügern, angeführt von einem einsamen Schwindler, muss sich mit seinem Broterwerb und familiärem Druck auseinandersetzen.
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- 2 Nominierungen insgesamt
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WUSSTEST DU SCHON:
- WissenswertesDie Schwindler (1955) is both a stand-alone movie and the centerpiece of Federico Fellini's unofficial "trilogy of loneliness," preceded by Das Lied der Straße (1954) and followed by Die Nächte der Cabiria (1957). All three are key works marking the last great moments of Italian neorealism, which was waning as central figures like Roberto Rossellini and Vittorio De Sica moved on to different genres. In the 1950s, he still held the neorealist conviction that nothing is more dramatic than the lives of ordinary people transferred to the screen with a minimum of embellishment.
- Zitate
Augusto: We've gotta figure out something better. We can't go on like this.
Roberto: Who's saying we should? I'm not an idiot. This is just for fun, just to keep us going. I'm going to sing. When I save up some money, I'll take lessons. I've bought all the Johnnie Ray's records. He's really my style.
Augusto: You'll never take lessons.
Roberto: I'm not ending up like you!
- Alternative VersionenThe Prime Video master, circulating on subscription services such as FilmBox, has been censored to blur out shots of actors smoking.
- VerbindungenEdited into Geschichte(n) des Kinos: La monnaie de l'absolu (1999)
Technically, "Il Bidone" is a very strong film with memorable performances, including the smaller cameos. Fellini's directing is as satisfying as always and many scenes remind of his future triumphs (New Year party is a stunning sequence and brings to mind "La Dolce Vita", 1960 ). Nino Rota's music and Otello Martinelli's cinematography add to many pleasures of the film, one of them is Giulietta Masina who plays supporting role of Iris, the wife of Picasso (Richard Basehart), the younger con artist with a dream to become an Artist. Both, Masina and Basehart starred in Fellini's first chapter of "trilogy of loneliness", "La Strada" (1954).
- Galina_movie_fan
- 22. Feb. 2007
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