Die Reise nach Tokio

Originaltitel: Tôkyô monogatari

1953
12
2 Std. 17 Min.

IMDb-BEWERTUNG

8,1/10

71.468

IHRE BEWERTUNG

Setsuko Hara and Chishû Ryû in Die Reise nach Tokio (1953)

trailer wiedergeben4:16

1 Video

99+ Fotos

Psychological Drama Drama

Ein älteres Ehepaar besucht seine Kinder und Enkelkinder in der Stadt; doch die Kinder haben kaum Zeit für sie.Ein älteres Ehepaar besucht seine Kinder und Enkelkinder in der Stadt; doch die Kinder haben kaum Zeit für sie.Ein älteres Ehepaar besucht seine Kinder und Enkelkinder in der Stadt; doch die Kinder haben kaum Zeit für sie.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

8,1/10

71.468

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Am besten bewerteter Film #215

Auszeichnungen
- 3 wins total

Wissenswertes
The film is notable for its use of the "tatami-mat" shot, in which the camera height is low and remains largely static throughout.

Patzer
During the scene when the character Tomi Hirayama is lying on the floor, supposedly dead, the actress playing her can clearly be seen breathing.

Zitate
Kyoko: [after the rest of the family had left] I think they should have stayed a bit longer.
Noriko: But they're busy.
Kyoko: They're selfish. Demanding things and leaving like this.
Noriko: They have their own affairs.
Kyoko: But you have yours too. They're selfish.
Noriko: But Kyoko...
Kyoko: Wanting her clothes right after her death. I felt so sorry for poor mother. Even strangers would have been more considerate!
Noriko: But look Kyoko. At your age I thought so too. But children do drift away from their parents. A woman has her own life, apart from her parents, when she becomes Shige's age. She meant no harm I'm sure. They have to look after their own lives.
Kyoko: I wonder: I won't ever be like that. Then what's the point of family?
Noriko: But children become like that, gradually.
Kyoko: Then... you, too?
Noriko: I may become like that in spite of myself.
Kyoko: Isn't life disappointing?
Noriko: Yes, it is.

Verbindungen
Featured in Tokyo-Ga (1985)

Benutzerrezensionen221

Rezension

Ausgewählte Rezension

9/10

Now that I am alone, I feel that the days are too long.

Japanese cinema is full of great and creative directors. From Kurosawa and Mizugochi to more modern filmmakers like Kobayashi and Nagisa Oshima and Shishihara. Yet Ozu, like a detached taffeta of them all, deserves the title of the most Japanese filmmaker in the history of cinema. A filmmaker who, if they show you a shot of a film you have not seen before, you will immediately know that it was made by artist Yasujiro Ozu.

The Tokyo Story is one of the best films ever made and one of the most important works of art of the twentieth century. As an artist and, of course, a great teacher, Ozu slowly creates the structure of his masterpiece with his inherent camera and inherent calmness, so that the viewer suddenly finds himself in the middle of it without realizing it.

"The passage of irreversible moments" Life is the field of our right and wrong choices, and the Tokyo Story is a small corner of this life and choices, and with all its beauties and ugliness, it is full of flips and lessons. Look at the Tokyo Story movie not as a fun movie but as a lasting impact on your life forever, so that we may pay a little more attention to what we have today that may not be tomorrow.