IMDb-BEWERTUNG
7,0/10
1230
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuIn 1936, a young man arrives in Hitler's Germany, frantically seeking information about his missing German mother, and finds she is pending execution at a concentration camp.In 1936, a young man arrives in Hitler's Germany, frantically seeking information about his missing German mother, and finds she is pending execution at a concentration camp.In 1936, a young man arrives in Hitler's Germany, frantically seeking information about his missing German mother, and finds she is pending execution at a concentration camp.
- Auszeichnungen
- 1 wins total
Alla Nazimova
- Emmy Ritter
- (as Nazimova)
Edit Angold
- Hilda - Ditten's Housekeeper
- (Nicht genannt)
Walter Bonn
- Concentration Camp Guard
- (Nicht genannt)
Albert D'Arno
- Elevator Operator
- (Nicht genannt)
Helmut Dantine
- Porter
- (Nicht genannt)
Kay Deslys
- Beer Garden Waitress
- (Nicht genannt)
Ernst Deutsch
- Baron von Reiber
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesConrad Veidt won a NBR award for best acting for this movie.
- PatzerWhen Countess Ruby gets up after sitting next to General Kolb while he was playing piano, she picks up her white gloves. But on the next cut, she is now holding her hat which earlier she had placed on the mirror bureau on the other side of the room.
- Zitate
Mark Preysing: She knows nothing about international politics, she has the mind of an artist, she sees people as general humanity, not as separate races.
- Crazy CreditsIn the opening credits, the actual book is shown being taken off a library book shelf, turned and its cover shown as the title page.
- VerbindungenEdited into Mr. Blabbermouth! (1942)
- SoundtracksLiebestod
(1865) (uncredited)
from "Tristan und Isolde"
Written by Richard Wagner
Played on piano by Conrad Veidt
Played at a concert and as background
Ausgewählte Rezension
Robert Taylor is in Nazi Germany in search of his mother, a former prominent stage actress played by silent screen star Alla Nazimova. He meets a whole bunch of people in his quest, some who help and some who hinder. One of them is an expatriate American Norma Shearer who is the widow of a German Count and now involved with an Army General played by Conrad Veidt.
Essentially that's the plot of Escape and a clever plot is hatched to help Nazimova escape from a concentration camp. With a few unexpected curves thrown in the way and a not so happy ending for two of the principals, you can probably figure the rest of it out.
The most interesting character in the film is Conrad Veidt. He's a whole lot like the character Burt Lancaster played in Judgement at Nuremberg. A man who has disdain for the Nazis, but when they succeed in gaining power, he accomodates himself to the new regime as did so many in the German Armed Forces. But for something that happens to him in the film, I can see Veidt before the bar of justice at Nuremberg after World War II.
Robert Taylor plays a 20th century version of Armand Duval, the part he successfully played opposite Greta Garbo in Camille. It's another role as a callow youth. He was getting old for those kind of parts and I think upon seeing him in Escape, MGM realized this. Taylor would be getting more mature parts from then on.
Norma Shearer is the American girl essentially trapped by her now noble title in Germany. She's turned her spacious living quarters into a girl's school and she's living a genteel life, but one filled with anxiety. Eventually she has to choose between Taylor and Veidt and at the end of the film, fate makes the choice for her.
Veidt and Shearer do the best jobs here. Taylor was now 29 and not suited for the Armand kind of part anymore. Still he does a good job and others to watch for are the ever dependables Alfred Basserman, Felix Bressart and Phillip Dorn.
Essentially that's the plot of Escape and a clever plot is hatched to help Nazimova escape from a concentration camp. With a few unexpected curves thrown in the way and a not so happy ending for two of the principals, you can probably figure the rest of it out.
The most interesting character in the film is Conrad Veidt. He's a whole lot like the character Burt Lancaster played in Judgement at Nuremberg. A man who has disdain for the Nazis, but when they succeed in gaining power, he accomodates himself to the new regime as did so many in the German Armed Forces. But for something that happens to him in the film, I can see Veidt before the bar of justice at Nuremberg after World War II.
Robert Taylor plays a 20th century version of Armand Duval, the part he successfully played opposite Greta Garbo in Camille. It's another role as a callow youth. He was getting old for those kind of parts and I think upon seeing him in Escape, MGM realized this. Taylor would be getting more mature parts from then on.
Norma Shearer is the American girl essentially trapped by her now noble title in Germany. She's turned her spacious living quarters into a girl's school and she's living a genteel life, but one filled with anxiety. Eventually she has to choose between Taylor and Veidt and at the end of the film, fate makes the choice for her.
Veidt and Shearer do the best jobs here. Taylor was now 29 and not suited for the Armand kind of part anymore. Still he does a good job and others to watch for are the ever dependables Alfred Basserman, Felix Bressart and Phillip Dorn.
- bkoganbing
- 19. Jan. 2006
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Evasión
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.205.000 $ (geschätzt)
- Laufzeit1 Stunde 44 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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