The Three Musketeers

1939
Approved
1 Std. 13 Min.

IMDb-BEWERTUNG

IHRE BEWERTUNG

Don Ameche, Gloria Stuart, Pauline Moore, Al Ritz, Harry Ritz, Jimmy Ritz, and The Ritz Brothers in The Three Musketeers (1939)

Swashbuckler Action Adventure Comedy Musical Romance

D'Artagnan singt und spielt den feigen Brüdern Ritz, die sich als Musketiere ausgeben, die Stirn.D'Artagnan singt und spielt den feigen Brüdern Ritz, die sich als Musketiere ausgeben, die Stirn.D'Artagnan singt und spielt den feigen Brüdern Ritz, die sich als Musketiere ausgeben, die Stirn.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

5,9/10

702

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Wissenswertes
Mentioned in Leave It to Beaver Season 6, Episode 30, The Book Report. On the show, this version of The Three Musketeers airs on television. Beaver writes his book report based off of the movie instead of reading the book.

Patzer
During the scene where horsemen are chasing a carriage containing Milady and D'Artagnan along a country road, an electric power substation can briefly be seen in the background.

Zitate
D'Artagnan: She's a walking post office.

Verbindungen
Featured in Big Sky: Do No Harm (2022)

Soundtracks
Song of the Musketeers
(1939) (uncredited)
Music by Samuel Pokrass
Lyrics by Walter Bullock
Played during the opening credits
Performed by Don Ameche and The Ritz Brothers twice
Sung by all the marhcing musketeers at the end

Benutzerrezensionen15

Rezension

Ausgewählte Rezension

6/10

Musical-comedy retelling of "the Queen's Jewels" with the Ritz Bros as The Three Musketeers.

A musical comedy version of the swashbuckling classic starring Don Ameche and the Ritz Bros? It sounds like a Catskill burlesque sketch, but turns out to be a straight, if bare-bones, version of Dumas, with mistaken identity (times 3) swapping Al, Jim & Harry in for Athos, Aramis & Porthos. Vet megger Alan Dwan was an old hand at this type of material (his THE IRON MASK/'29 -- in the restored KINO edition, please -- is one of the great Dumas adaptations) and the production has a giddying pace and a surprisingly sumptuous look to it. But the songs are unmemorable (to put it nicely) and leave an already short film with hardly enough time to fit in a measly Cliff Notes edition of the narrative.