Of Human Bondage

1946
Approved
1 Std. 45 Min.

IMDb-BEWERTUNG

6,3/10

782

IHRE BEWERTUNG

Paul Henreid, Eleanor Parker, and Alexis Smith in Of Human Bondage (1946)

A medical student with a club foot falls for a beautiful but ambitious waitress. She soon leaves him, but gets pregnant and comes back to him for help.

trailer wiedergeben2:35

1 Video

11 Fotos

Drama

Füge eine Handlung in deiner Sprache hinzuA medical student with a club foot falls for a beautiful but ambitious waitress. Based on a novel by W. Somerset Maugham.A medical student with a club foot falls for a beautiful but ambitious waitress. Based on a novel by W. Somerset Maugham.A medical student with a club foot falls for a beautiful but ambitious waitress. Based on a novel by W. Somerset Maugham.

Regie
- Edmund Goulding
Drehbuch
- W. Somerset Maugham
- Catherine Turney
Hauptbesetzung

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

6,3/10

782

IHRE BEWERTUNG

Regie
- Edmund Goulding
Drehbuch
- W. Somerset Maugham
- Catherine Turney
Hauptbesetzung

Siehe Produktionsinformationen bei IMDbPro

Emil Miller
(as Richard Nugent)

Phyllis Adair

Older Sister
(Nicht genannt)

John Alban

Waiter
(Nicht genannt)

Charles Andre

Artist
(Nicht genannt)

Sylvia Andrew

Wife
(Nicht genannt)

Nina Bara

Model
(Nicht genannt)

Bobby Barber

Waiter
(Nicht genannt)

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Handlung

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Wissenswertes
In an exchange which had Warner Bros. loaning to RKO the services of Joan Leslie for The Sky's the Limit (1943) and John Garfield for The Fallen Sparrow (1943), Warners acquired the production rights to W. Somerset Maugham's classic novel, which RKO already had adapted to the screen in 1934, featuring memorable performances by Bette Davis and Leslie Howard.

Verbindungen
Featured in Okay for Sound (1946)

Benutzerrezensionen23

Rezension

Ausgewählte Rezension

Parker is dynamite!

This retelling of Somerset Maugham's classic is very handsomely "got up", and features a wonderful performance by the gifted Eleanor Parker as the heartless heartbreaker Mildred Rogers. But Eleanor's go at the role didn't produce quite the same results as it did for Bette Davis twelve years before. However, if it weren't for Davis' triumphant performance, the 1934 version would be just as forgettable as the others that followed. The 1964 take with Kim Novak/Laurence Harvey is certainly the weakest.