Blonder Lockvogel

1946's Decoy is a fascinating noir, directed by Jack Bernhard, whose intention it was to showcase his wife, Jean Gille, for American audiences. Gille had worked since 1935 in British films. Unfortunately, two things happened to railroad Gille's career - she and Bernhard divorced, and then she died of pneumonia three years after this film was made.

Tall, slender, with silky blond hair and a British accent, Gille has a formidable role here as the noir femme fatale, Margot Shelby, who will stop at nothing to find and possess $400,000 a death row killer has hidden. To that end, she plays all ends against the middle. He plans to go to his grave with his secret, determined to be the only person who will ever spend that money. No matter how much he loves Margot, he won't tell her where it is. Margot finds out that methylene blue is the antidote for the gas used to execute prisoners and convinces a doctor (Herbert Rudley), who works at the prison, to administer it after the execution. Once you're dead, you're dead, except in this film, I guess. Well, somehow, the doc revives this guy, and Margot, the reluctant doctor, and her boyfriend (Edward Norris) go after the loot.

The story is told in flashback by Margot to Sergeant Portugal (Sheldon Leonard), though at the start of the film, we see the segment leading up to Margot telling her story. I actually went back and watched the beginning over.

Gille is tough as nails, and while her acting style is overt, it's perfect for this type of film. She might have enjoyed a career as a noir femme fatale in the U.S. were it not for her misfortune. Good movie, if you can buy resurrection.