Keep Your Powder Dry

1945
Approved
1 Std. 33 Min.

IMDb-BEWERTUNG

6,4/10

617

IHRE BEWERTUNG

A disparate group of women try to adjust to their new lives after enlisting in the Women's Army Corps.

trailer wiedergeben1:56

2 Videos

38 Fotos

Drama War

Füge eine Handlung in deiner Sprache hinzuA disparate group of women try to adjust to their new lives after enlisting in the Women's Army Corps.A disparate group of women try to adjust to their new lives after enlisting in the Women's Army Corps.A disparate group of women try to adjust to their new lives after enlisting in the Women's Army Corps.

Regie
- Edward Buzzell
Drehbuch
- Mary C. McCall Jr.
- George Bruce
Hauptbesetzung

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

6,4/10

617

IHRE BEWERTUNG

Regie
- Edward Buzzell
Drehbuch
- Mary C. McCall Jr.
- George Bruce
Hauptbesetzung

Siehe Produktionsinformationen bei IMDbPro

Videos2

Trailer 1:56

Original Theatrical Trailer

Clip 2:59

Keep Your Powder Dry: Hangover

Clip 2:59

Keep Your Powder Dry: Hangover

Fotos38

+ 32

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Handlung

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Wissenswertes
Lana Turner wrote in her 1982 autobiography that during pre-production she received a studio memo of reprimand about missing many of her wardrobe appointments--even though it was Irene who was not showing up. When Turner went to studio head Louis B. Mayer to defend herself, she was told that the memo was a face-saving device for Irene, who was an alcoholic but so valuable to MGM that the studio was willing to bear with her problems and delays.

Patzer
When the WACs are on a long march with cadence, they are marching six abreast. The camera pans closer to them, and they are now four abreast.

Zitate
Lt. Col. Spottiswoode: I'm sorry for you Rand, you've worked so hard to learn so many things so badly.

Verbindungen
Referenced in Lou Grant: Hollywood (1979)

Soundtracks
You're In The Army Now
(1917) (uncredited)
Music by Isham Jones
Lyrics by Tell Taylor and Ole Olsen
Played during the opening credits

Benutzerrezensionen18

Rezension

Ausgewählte Rezension

6/10

Classic 'studio contract' Lana with fun bits from Agnes Moorehead.

Loaded with lovely classic Lana WWII scenarios.

I wonder how many young women went off to join the W.A.C. thinking Sydney Guilaroff would be doing their hair and Irene (I) their uniform wardrobe.

We look at films like this as objects through which we can watch a moment in Hollywood time. Lana is simply delightful.

I watch a film like this just for a glimpse of wartime America through the eyes of jaded and spoiled Hollywood elites who are piping this 'dream' to a still highly naïve wartime America.

Watch for Mercury Theatre's -- also the character of Endora on Bewitched (1964)] -- Agnes Moorehead. I reckon that some would say that this glimpse of Moorehead is as fun as that of Lana Turner.