Füge eine Handlung in deiner Sprache hinzuExhausted from wartime riveting, a chorus girl (Ann Sothern) goes to Nevada and falls for a card dealer (John Hodiak).Exhausted from wartime riveting, a chorus girl (Ann Sothern) goes to Nevada and falls for a card dealer (John Hodiak).Exhausted from wartime riveting, a chorus girl (Ann Sothern) goes to Nevada and falls for a card dealer (John Hodiak).
Lynn Arlen
- Girl at Party
- (Nicht genannt)
William Bailey
- Nightclub Patron
- (Nicht genannt)
Larry J. Blake
- Policeman
- (Nicht genannt)
Billy Bletcher
- Public Address Announcer
- (Synchronisation)
- (Nicht genannt)
Karin Booth
- Girl at Party
- (Nicht genannt)
Anthony Caruso
- George - Blackjack Dealer
- (Nicht genannt)
Wally Cassell
- Reporter
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThis was Ava Gardner's 23rd film over three years in Hollywood, but only her third credited role. It would be another two years before she would land her first lead role in Whistle Stop (1946) and her breakout starring role in Rächer der Unterwelt (1946).
- PatzerWhile Maisie and the soldier are talking in the diner, the glass of coke she's drinking changes positions and goes from full to empty at the end of the scene. Likewise, the amount of lemonade in her glass goes up and down from shot to shot when she's on a date with Flip at the casino.
- Zitate
Tommy Cutter: Say, what's with that bellboy?
Maisie Ravier: He's stuck on me.
Tommy Cutter: That little kid?
Maisie Ravier: Listen, honey, these days you don't even throw the little ones back.
- VerbindungenFollowed by Up Goes Maisie (1946)
Ausgewählte Rezension
Plot-- Maisie takes a vacation to Reno from her demanding wartime job. At the train station she gets caught up with a likable soldier being sent abroad. There she agrees to take a letter to his wife in Reno pleading with her to stop divorce proceedings. Trouble is things are not what they seem at the wife's Reno household.
Lesser entry in the Maisie series. The series draw, of course, is Sothern's spunky turn as the sassy blonde. Problem here is that the supporting roles are all sober-sides (except for Byron Foulger's last-minute goofy doctor), who too often squelch Maisie's comedic spark. Thus the amusement doesn't spread. Then too, the slender plot gets dragged out over 90-minutes minus needed comedic mood. Then too, the storyline meanders rather than builds.
On the other hand, the opening scenes are a good taste of wartime America, with crowded trains, ration cards, and Maisie the Riveter. I wish that had carried over to the body of the movie. Also, I thought we'd get more swing-time band numbers given Maisie's employment with a band.
Anyway, the tall, striking Hodiak is made for film noir not comedy, while the equally striking Gardner is largely wasted in a lesser role, still early in her career. At the same time, 1944 was a big year for all-American boy Tom Drake, what with his key role in the classic Meet Me In St. Louis (1944). Too bad his career never flowered. And what about that Mickey Rooney look- alike as the bellhop. I kept having to tell myself it's really not Rooney.
All in all, the series and actress Sothern are better than this particular installment.
Lesser entry in the Maisie series. The series draw, of course, is Sothern's spunky turn as the sassy blonde. Problem here is that the supporting roles are all sober-sides (except for Byron Foulger's last-minute goofy doctor), who too often squelch Maisie's comedic spark. Thus the amusement doesn't spread. Then too, the slender plot gets dragged out over 90-minutes minus needed comedic mood. Then too, the storyline meanders rather than builds.
On the other hand, the opening scenes are a good taste of wartime America, with crowded trains, ration cards, and Maisie the Riveter. I wish that had carried over to the body of the movie. Also, I thought we'd get more swing-time band numbers given Maisie's employment with a band.
Anyway, the tall, striking Hodiak is made for film noir not comedy, while the equally striking Gardner is largely wasted in a lesser role, still early in her career. At the same time, 1944 was a big year for all-American boy Tom Drake, what with his key role in the classic Meet Me In St. Louis (1944). Too bad his career never flowered. And what about that Mickey Rooney look- alike as the bellhop. I kept having to tell myself it's really not Rooney.
All in all, the series and actress Sothern are better than this particular installment.
- dougdoepke
- 2. Mai 2017
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- You Can't Do That to Me
- Drehorte
- Virginia Street, Reno, Nevada, USA(establishing shot of the Reno arch)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Maisie Goes to Reno (1944) officially released in India in English?
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