Füge eine Handlung in deiner Sprache hinzuUS art dealer returns to his native Germany for a visit and is attracted by Nazi propaganda.US art dealer returns to his native Germany for a visit and is attracted by Nazi propaganda.US art dealer returns to his native Germany for a visit and is attracted by Nazi propaganda.
- Für 2 Oscars nominiert
- 2 Nominierungen insgesamt
- Youngest Schulz Boy
- (as Larry Joe Olsen)
- Rock-Tossing Rioter
- (Nicht genannt)
- Nazi Party Member
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesK.T. Stevens (real name: Gloria Wood) is the daughter of the film's producer, Sam Wood.
- PatzerWhen Griselle first puts her bloody hand on the frame of Schulz's entrance door after he opens up, the right hand is placed at a certain height and angle while the fingers are spread in a certain shape. But in the following cuts, the hand and fingers have constantly changed angles and positions. In addition, the shape of the bloody hand-print left on the door frame after Schulz closes the door does not match the shape and location Griselle originally placed her hand.
- Zitate
Baron von Friesche: Does he know the conditions he doesn't like? I find that hard to understand. I myself would hesitate to form conclusions without firsthand evidence. You must set him right. I suppose it isn't easy for a foreigner to understand the agonies our people have suffered since the Treaty of Versailles. What years of less and less bread, of leaner bodies, of the end of hope...
[pauses to offer Herr Schulz a cigarette]
Martin Schulz: [accepting a cigarette] Oh, thank you.
Baron von Friesche: The quicksand of despair held us. Then just before we died, a man came and pulled us out.
Baron von Friesche: [turning to Herr Professor] You are a native of Munich, Herr Professor?
Professor Schmidt: Well, uh...
Baron von Friesche: You have *witnessed* this deliverance.
Professor Schmidt: If it *is* a deliverance...
Baron von Friesche: [turning to Herr Schulz] You know, there's a surge, my friend. A surge. Our whole despair has been thrown aside like a forgotten coat. No longer do we wrap ourselves in shame.
Baron von Friesche: [turning to Herr Professor] What can be wrong about a man who affects people so?
Professor Schmidt: When people are hungry, they don't care *what* kind of a man it is who gives them bread.
- Crazy CreditsThe final fade-out is a closeup of the returned letter, specifically the "Address Unknown" stamped in English. It forms an end title card, which was itself unusual for its time.
Lukas and Morris Carnovsky play partners in San Francisco with their art dealing business. Nursing a bit of nostalgia for Germany, the Wilhelmine Germany he grew up in Lukas moves back to Germany as he says it might be better business wise for him to acquire the art on the scene and for Carnovsky to sell it in America. With the exception of his oldest son Peter Van Eyck who stays with Carnovsky, Lukas moves wife Mady Christians and his children back to Germany post World War I. Later on Carnovsky's daughter K.T. Stevens goes to Europe to pursue her acting career. Carnovsky is also Jewish.
Which is not looked kindly on by people who are rising in power. But Lukas who probably was not all that political is seduced by all the promises the Nazis and their leader. He gradually loses his entire moral compass. In that he was far from alone. K.T. Stevens is the one who loses her life tragically.
Lukas and Carnovsky are an interesting story of old friends torn apart. Carnovsky registers well as a man who cannot believe his old friend has turned on their past friendship and what it meant for business and personal reasons. Carnovsky cannot comprehend what is happening in the old homeland. In that he wasn't alone, those targeted by the Nazis including Jews couldn't quite believe it either. Remember Address Unknown was made before the concentration camps were liberated, but rumors were growing stronger by the day about what was happening.
As for Lukas he's brilliant with what he does as a man who loses it all. The ending is a truly original piece of vengeance and betrayal of Lukas, fitting payback for all he betrayed.
Address Unknown got two Oscar nominations for Art&Set Design and for music score. With William Cameron Menzies directing I'm sure he had a big hand in creating the set that got said nomination. But with what he does with Lukas and Carnovsky, Menzies shows how well he can direct people too.
One of the better films to come out of the World War II era it holds up brilliantly for today.
- bkoganbing
- 7. Feb. 2016
- Permalink
Top-Auswahl
Details
- Laufzeit1 Stunde 15 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1