Füge eine Handlung in deiner Sprache hinzuIn New York's Bowery during the Gay Nineties, a saloon owner and a rebel share a rivalry.In New York's Bowery during the Gay Nineties, a saloon owner and a rebel share a rivalry.In New York's Bowery during the Gay Nineties, a saloon owner and a rebel share a rivalry.
Bull Anderson
- Pug
- (Nicht genannt)
Irving Bacon
- Hick
- (Nicht genannt)
Lucille Ball
- Blonde
- (Nicht genannt)
John Bleifer
- Mumbo the Mute
- (Nicht genannt)
Phil Bloom
- Pug
- (Nicht genannt)
James Burke
- Recruiting Sergeant
- (Nicht genannt)
Marguerite Caverley
- Undetermined Secondary Role
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesGeorge Raft and Wallace Beery were at odds during filming. According to Raft, before the fistfight scene, Beery asked Raft to let him throw the first punch and then proceeded to sucker-punch Raft, knocking him out for several minutes. "When I came to I got up and called him everything I could think of," Raft said. They then fought for real, and the crew had to break it up.
- PatzerThe name of George Raft's character, "Steve Brodie," is misspelled "Brody" in the opening credits.
- Zitate
Steve Brodie: Don't ever say I never give ya nothin'.
- Alternative VersionenThe version shown on Fox Movie Channel runs seven seconds over 87 minutes. Apparently it is a reissue copy, the missing five minutes due to reediting to fit post code rules. Though it was made for Twentieth Century Films, a new start up film studio organized by Joe Schenck, Bill Goetz (L.B. Mayer's son-in-law) and ex-Warner Bros. production chief Darryl Zanuck, the FMC version is presented under the post merger logo of Twentieth Century Fox complete with fanfare and an end title crediting distribution to TCF. This year a full uncut version was shown at New York's Film Forum which clocked several minutes over ninety minutes.
- VerbindungenEdited into Brooklyn Bridge (1981)
- SoundtracksThe Bowery
(uncredited)
Music by Percy Gaunt
Lyrics by Charles Hale Hoyt
Sung by a chorus at the beginning
Played often in the score
Ausgewählte Rezension
"The Bowery", along with "Me and My Gal"(1932), is probably director Raoul Walsh's best film at Fox. This is a one Walsh picture that will appeal to all kinds of audiences and perhaps turn you into a devoted Walsh enthusiast. I've always been a big Walsh fanatic and "Bowery" is one of few of his pictures that has eluded for quite some time. I finally saw it and was blown away by it.
"Bowery" is also Walsh's best film of 1933, easily eclipsing the ponderous "Going Hollywood". Inspired by Mae West's hugely successful comedy-riot "She Done Him Wrong", Walsh rightfully turned this pre-Code frolic into his own. All the Walsh touches are here in full bloom: the rousing ebullience & energy, the portrait of everyday life, the sheer innocence of its characters, the nostalgic evocation of the Gay 90s (Walsh's own impressionable years), and the unsophisticated resort to ribald humor, brawls, and jocularity. It also features John L. Sullavan, Errol Flynn's famous opponent in Walsh's 1942 boxing classic "Gentleman Jim".
George Raft and Wallace Beery are excellent as the two rivals in New York's Bowery of the 1890s. They are fighting for the love of Fay Wray (always a welcome sight). Jackie Cooper, playing the streetwise rascal, reunites with Beery after their successful teaming in Vidor's "The Champ" and it is great to watch them again.
Ultimately, though, it is Walsh's sheer exuberance that counts the most. "Bowery" is one of my all-time favorite films, the kind of picture that you would like to watch again and again. A must if you get a chance to see it.
"Bowery" is also Walsh's best film of 1933, easily eclipsing the ponderous "Going Hollywood". Inspired by Mae West's hugely successful comedy-riot "She Done Him Wrong", Walsh rightfully turned this pre-Code frolic into his own. All the Walsh touches are here in full bloom: the rousing ebullience & energy, the portrait of everyday life, the sheer innocence of its characters, the nostalgic evocation of the Gay 90s (Walsh's own impressionable years), and the unsophisticated resort to ribald humor, brawls, and jocularity. It also features John L. Sullavan, Errol Flynn's famous opponent in Walsh's 1942 boxing classic "Gentleman Jim".
George Raft and Wallace Beery are excellent as the two rivals in New York's Bowery of the 1890s. They are fighting for the love of Fay Wray (always a welcome sight). Jackie Cooper, playing the streetwise rascal, reunites with Beery after their successful teaming in Vidor's "The Champ" and it is great to watch them again.
Ultimately, though, it is Walsh's sheer exuberance that counts the most. "Bowery" is one of my all-time favorite films, the kind of picture that you would like to watch again and again. A must if you get a chance to see it.
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Details
Box Office
- Budget
- 421.496 $ (geschätzt)
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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