IMDb-BEWERTUNG
7,6/10
9193
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuStanley and Ollie are enlisted to deliver the deed to a goldmine in a small village, only for it to be stolen.Stanley and Ollie are enlisted to deliver the deed to a goldmine in a small village, only for it to be stolen.Stanley and Ollie are enlisted to deliver the deed to a goldmine in a small village, only for it to be stolen.
- Für 1 Oscar nominiert
- 1 Nominierung insgesamt
Sharon Lynn
- Lola Marcel
- (as Sharon Lynne)
Don Brookins
- Member of the Singing Quartette
- (as The Avalon Boys)
Art Green
- Member of the Singing Quartette
- (as The Avalon Boys)
Walter Trask
- Member of the Singing Quartette
- (as The Avalon Boys)
Chill Wills
- Lead Singer of the Singing Quartette
- (as The Avalon Boys)
- …
Victor Adamson
- Barfly
- (Nicht genannt)
Silver Tip Baker
- Townsman
- (Nicht genannt)
Harry Bernard
- Man Eating at Bar
- (Nicht genannt)
Eddie Borden
- Barfly
- (Nicht genannt)
Ed Brandenburg
- Barfly
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAlthough credited as "A Stan Laurel Production," Stan really didn't produce the picture; it was a gesture from Hal Roach after one of their squabbles. "Producer" is one of the few things Stan didn't do on a picture; he wrote, directed, supervised and edited, all without credit.
- PatzerWhen The Avalon Boys are singing "At The Ball, That's All", there is only one verse to the song that is sung 5-6 times. The first two times it's sung, The Avalon Boys' lips are moving, but for the rest, they sit whilst the song continues, obviously not singing, as their lips are no longer moving. They just watch Stan and Ollie dance.
- Zitate
Lola Marcel, the Singing Nightingale: Tell me, tell me about my dear, dear Daddy! Is it true that he's dead?
Stan: Well, we hope he is, they buried him.
- Alternative VersionenThis film was one of the first few features to be released in a computer-colorized version.
- VerbindungenEdited into Brooklyn Bridge (1981)
- SoundtracksWill You Be My Lovey-Dovey?
(1936) (uncredited)
Music by Marvin Hatley
Lyrics by Portia Lanning
Performed by Sharon Lynn and Chorus
Ausgewählte Rezension
As with any classic Laurel & Hardy, the plot is unimportant and just a frame on which to showcase their sweetly innocent brand of humor. Here they're trying to keep ownership of a goldmine out of the greedy clutches of a saloon owner and his blonde canary. The boys don't show up until 10 minutes into the proceedings, but from then on they are center stage with one routine after another.
Most are pretty funny, though the keep-away parlor chase goes on a shade too long as does the break-in escapade. However, when Hardy smugly revels in his superiority only to lose his outer garments and dignity to Laurel's witless bungling, we get a good look at the core of their appeal.
The comedy bits may be entertaining, but the several song and dance numbers are sublime. Notice how effortlessly the duo picks up on the hiccuping beat of the musical Avalon Boys. The resulting dance duet is among the most charming in film annals. Hardy in particular transforms from ungainly fat man into nimble blithe spirit, a beguiling triumph of grace over bulk, and more meaningful in its implications than the miles of over-produced, over- choreographed numbers from Hollywood's army of Big Musicals.
Sadly, theirs is the fey, gentle humor of an era gone by. Quite simply, there's been no one like them before or since. But at least a permanent record of their achievement remains for the rest of us who enjoy this lighthearted look at classic comedy.
Most are pretty funny, though the keep-away parlor chase goes on a shade too long as does the break-in escapade. However, when Hardy smugly revels in his superiority only to lose his outer garments and dignity to Laurel's witless bungling, we get a good look at the core of their appeal.
The comedy bits may be entertaining, but the several song and dance numbers are sublime. Notice how effortlessly the duo picks up on the hiccuping beat of the musical Avalon Boys. The resulting dance duet is among the most charming in film annals. Hardy in particular transforms from ungainly fat man into nimble blithe spirit, a beguiling triumph of grace over bulk, and more meaningful in its implications than the miles of over-produced, over- choreographed numbers from Hollywood's army of Big Musicals.
Sadly, theirs is the fey, gentle humor of an era gone by. Quite simply, there's been no one like them before or since. But at least a permanent record of their achievement remains for the rest of us who enjoy this lighthearted look at classic comedy.
- dougdoepke
- 10. Jan. 2014
- Permalink
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By what name was Ritter ohne Furcht und Tadel (1937) officially released in India in English?
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