Füge eine Handlung in deiner Sprache hinzuTwo wisecracking manicurists flee an irate gangster.Two wisecracking manicurists flee an irate gangster.Two wisecracking manicurists flee an irate gangster.
Brooks Benedict
- Man on Dance Floor
- (Nicht genannt)
André Cheron
- Jacques
- (Nicht genannt)
Yola d'Avril
- French Manicurist
- (Nicht genannt)
Maxine Doyle
- Silent Outdoor Girl of America
- (Nicht genannt)
Jay Eaton
- Man on Dance Floor
- (Nicht genannt)
Lillian Harmer
- Outdoor Girls of America Leader
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe film was completed three months before its release, but Warner Bros. decided to delay the release of the film until after the birth of Joan Blondell's child so that Blondell would not be off the screen for too long a period.
- PatzerAfter Ashcraft tells Marie to get out of his room, she heads toward Rosie's room. Marie does a frantic knock on the door then tries the door handle but the door is locked. Since she wasn't aware that Dr. Sascha had locked Rosie's room; Marie should have first tried the door handle and upon discovering that it was locked then start banging on the door frantically. Glenda Farrell as the actor knowing that the door was locked caused the character to react prematurely thus leading to an error.
- Zitate
Dynamite 'Dynie' Carson: You been sniffin' that nose candy again?
- VerbindungenReferenced in Geheimagent des FBI (1959)
Ausgewählte Rezension
From the first few bars of Leo Forbstein's jaunty, jolly intro music you know what to expect and that's exactly what you get: Joan and Glenda's smart and sassy comedy double act guaranteed to make you smile.
You'll certainly smile but probably not laugh at this one. Joan Blondell and Glenda Farrell are both brilliant as are Robert Armstrong and Frank McHugh but this is one of the weaker pictures in the series. It's entertaining enough (in fact, very entertaining) but somehow doesn't feel as funny as it should be. Some critics have blamed the ridiculous story but it's no less believable than those of their other ones. Possibly this wasn't quite as sparky because it was made at the time when the new Production Code regulations were being introduced - it must have been difficult adapting such a racy, raunchy double act to conform with Hollywood's new pseudo-puritanical regime.
It's not a fabulous film, the story is makes no sense, the acting flips between over the top overacting and uninspired just reading by rote but.... I still loved this. It's harmless, good natured fun.
You'll certainly smile but probably not laugh at this one. Joan Blondell and Glenda Farrell are both brilliant as are Robert Armstrong and Frank McHugh but this is one of the weaker pictures in the series. It's entertaining enough (in fact, very entertaining) but somehow doesn't feel as funny as it should be. Some critics have blamed the ridiculous story but it's no less believable than those of their other ones. Possibly this wasn't quite as sparky because it was made at the time when the new Production Code regulations were being introduced - it must have been difficult adapting such a racy, raunchy double act to conform with Hollywood's new pseudo-puritanical regime.
It's not a fabulous film, the story is makes no sense, the acting flips between over the top overacting and uninspired just reading by rote but.... I still loved this. It's harmless, good natured fun.
- 1930s_Time_Machine
- 12. März 2023
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Princess of Kansas City
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 4 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was Kansas City Princess (1934) officially released in Canada in English?
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