Füge eine Handlung in deiner Sprache hinzuTwo telephone repairmen have many adventures and romance a pair of blondes.Two telephone repairmen have many adventures and romance a pair of blondes.Two telephone repairmen have many adventures and romance a pair of blondes.
Selmer Jackson
- Joe - Gangster
- (as Selmar Jackson)
Margaret Armstrong
- Seance Participant
- (Nicht genannt)
Joseph E. Bernard
- Headwaiter
- (Nicht genannt)
Clay Clement
- Mr. Stephenso - -Hotel Manager
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe ending, with Joan Blondell in bed, was filmed in her home. She was recovering from an emergency appendectomy and her doctor would not let her travel to the studio.
- PatzerWhen Loretta and Turk join Marie on her table, there are customers dining in the background. On the following cut, the customers change.
- Zitate
Marie Lawson: [to Terry, who's aggressively flirting with her] I had a kid brother like you once, but we found out he was an idiot so we drowned him.
Ausgewählte Rezension
.. like Joan's dependable sassiness and some funny bits from Allen Jenkins, but this isn't a DVD I'd put under anyone's Christmas tree. The plot, very briefly, revolves around Joan as a switchboard operator who is used (more than once) to help someone else commit a crime, and Pat O'Brien is a phone line repairman who (separately) becomes involved with her.
O'Brien's character is a sleaze, to say the least. We see early on that he treats women like samples in a meat market, but once he sets his sights on Joan, he goes all out, first insulting and bullying her into giving him a tumble, then eventually overturning her dining table so her dinner will be ruined and she'll then let him take her to a restaurant! (I kid not...) Joan gives as good as she gets, of course, but inexplicably, his boorish behavior wears her down and she falls in love with him. Okay, I realize this was made in the 1930s, but really!
As mentioned, I liked Allen Jenkins and his comic moments, one with a bogus palm reader (the great Louise Beavers), another when he's needed to listen in on dirty dealings by phone, and while there is mayhem going on he is there, fast asleep! His frequent delivery of the line, "Let's get outta here!!" in an exasperated voice is funny and doesn't get old.
Thumbs up to Eugene Pallette's performance, too. He sees O'Brien for the worm that he is and isn't shy about expressing it. I'd recommend it mainly for brassy Joan Blondell.
O'Brien's character is a sleaze, to say the least. We see early on that he treats women like samples in a meat market, but once he sets his sights on Joan, he goes all out, first insulting and bullying her into giving him a tumble, then eventually overturning her dining table so her dinner will be ruined and she'll then let him take her to a restaurant! (I kid not...) Joan gives as good as she gets, of course, but inexplicably, his boorish behavior wears her down and she falls in love with him. Okay, I realize this was made in the 1930s, but really!
As mentioned, I liked Allen Jenkins and his comic moments, one with a bogus palm reader (the great Louise Beavers), another when he's needed to listen in on dirty dealings by phone, and while there is mayhem going on he is there, fast asleep! His frequent delivery of the line, "Let's get outta here!!" in an exasperated voice is funny and doesn't get old.
Thumbs up to Eugene Pallette's performance, too. He sees O'Brien for the worm that he is and isn't shy about expressing it. I'd recommend it mainly for brassy Joan Blondell.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Hell's Bells
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 9 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was I've Got Your Number (1934) officially released in India in English?
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