IMDb-BEWERTUNG
6,3/10
1184
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA mistress of one man has a shipboard romance with another and is torn between both men.A mistress of one man has a shipboard romance with another and is torn between both men.A mistress of one man has a shipboard romance with another and is torn between both men.
Ernie Alexander
- Deck Steward with Food Cart
- (Nicht genannt)
Hooper Atchley
- S.S. Official
- (Nicht genannt)
Ward Bond
- Ship Steward
- (Nicht genannt)
Wade Boteler
- Max - Mechanic
- (Nicht genannt)
Tommy Bupp
- Boy Fishing on Dock
- (Nicht genannt)
Francis X. Bushman Jr.
- Gun Salesman
- (Nicht genannt)
Nora Cecil
- Edith - a Shipboard Spinster
- (Nicht genannt)
Colin Chase
- Photographer
- (Nicht genannt)
Theresa Maxwell Conover
- Miss Roberts - Richard's Secretary
- (Nicht genannt)
Nick Copeland
- Roy - Richard's Chauffeur
- (Nicht genannt)
Gino Corrado
- Cafe Waiter
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesJoan Crawford met her biological father only once when he visited her on the set of In goldenen Ketten (1934). She would never see him again.
- PatzerIn the opening scene, Joan Crawford's character, Diane Lovering, is shown sitting in the back of an open-cockpit racing boat, racing across New York harbor for an extended period. We see her get splashed and sprayed on from all different directions. Yet a moment later when the boat docks and Diane steps out, she is completely dry - not a drop of water anywhere on her, and her hair and clothing are perfectly neat.
- Zitate
Diane Lovering: Catch anything yet?
Boy Fishing on Dock: Nope, but I will.
Diane Lovering: You bet you will... when you get home.
- VerbindungenEdited into Hollywood: The Dream Factory (1972)
Ausgewählte Rezension
Forget the plot, as it's the typical 1930s love triangle. You've seen it all before, probably, but Clarence Brown adds his usual sure touch, and the plot unfolds satisfyingly. Crawford is at her most beautiful and glamorous in the role of Diane Lovering. Each scene is like part of a fashion show, with Crawford modeling the latest and greatest of 1934 fashions by Adrian. She is given the full MGM star treatment here, ala Garbo or Shearer. It was said that this was the film in which the cinematographer, and Joan, learned of the lighting which produced what we recognize now as the Joan Crawford face. The viewer can certainly tell in the stunning closeups. Gable is again playing dashing, robust, virile, and has plenty of clever dialog. It's not a standout role for him, but Crawford and Gable always create plenty of sexual chemistry to keep the viewer interested. Overall, CHAINED is an entertaining film, thanks to gorgeous art deco sets, costumes, fine performances by the entire cast, and the usual Gable-Crawford chemistry. The big stars, sex, and glamour manage to carry a fairly routine script.
- beyondtheforest
- 14. Nov. 2009
- Permalink
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Details
Box Office
- Budget
- 544.000 $ (geschätzt)
- Laufzeit1 Stunde 16 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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Oberste Lücke
By what name was In goldenen Ketten (1934) officially released in India in English?
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