Morgenrot des Ruhms

"Morning Glory" (1933): Katherine Hepburn won her first Oscar in the role of a naive, romantic young woman who wants to become a New York stage star. The story is of that climb, and were it kept this direct, might not be a brain teaser, but at least it wouldn't end muddled. Her character begins as a wonderfully flaky, idealistic, bubble-headed but assertive hopeful, who stumbles her way into the hearts of calloused stage people. You can't help but like her. However… whether it's in the script or the editing, the sense of TIMING becomes very odd. Her character is given plenty of attention and patience in the first half of the film, and then the story is increasingly horse-whipped into a faster & faster, more compressed, rushed explanation, until finally – at the end (if you can call it that) – the entire idea simply SCREECHES TO A SUDDEN HALT – and you're left looking around the room, wondering if the electricity just went out.