Sturm über Asien

Originaltitel: Potomok Chingis-Khana

1928
2 Std. 7 Min.

IMDb-BEWERTUNG

IHRE BEWERTUNG

Füge eine Handlung in deiner Sprache hinzuAfter a run-in with the law, a Mongolian man becomes a fugitive and joins the Russian Civil War.After a run-in with the law, a Mongolian man becomes a fugitive and joins the Russian Civil War.After a run-in with the law, a Mongolian man becomes a fugitive and joins the Russian Civil War.

Siehe Produktionsinformationen bei IMDbPro

IMDb-BEWERTUNG

7,0/10

2382

IHRE BEWERTUNG

Siehe Produktionsinformationen bei IMDbPro

Auszeichnungen
- 1 wins total

Fotos22

+ 14

Topbesetzung12

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I. Inkizhinov

otets Baira
(Nicht genannt)

Valéry Inkijinoff

Bair- okhotnik
(as V. Inkizhinov)

A. Dedintsev

Nachalnik okkupatsionnyykx voysk

L. Belinskaya

Zhena nachalnika okkupatsionnykh voysk

Anel Sudakevich

Doch nachalnika okkupatsionnykh voysk
(as A. Sudakevich)

Viktor Tsoppi

Smith - skupshchik pushnini
(as V. Tsoppi)

Aleksandr Chistyakov

Komandir partizan
(as A. Chistyakov)

Karl Gurnyak

Angliyskiy soldat
(as K. Gurnyak)

Boris Barnet

Angliyskis soldat
(Nicht genannt)

Fyodor Ivanov

Lama
(Nicht genannt)

Leonid Obolensky

Adyutant nachalnika okkupstsionnykh voysk
(Nicht genannt)

V. Pro

Missioner
(Nicht genannt)

Handlung

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WUSSTEST DU SCHON:

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Wissenswertes
Valéry Inkijinoff was a friend and classmate of Vsevolod Pudovkin at Moscow film school and the film was conceived with him in the lead part.

Patzer
The British never ruled Mongolia. In fact, no European country ever did.

Verbindungen
Featured in A Million and One Nights of Film: Folge vom 28. Februar 1966 (1966)

Benutzerrezensionen18

Rezension

Ausgewählte Rezension

10/10

Like Napoleon, a dazzling editing tour-de-force

Contrary to what the English guy says (hey, the Brits are the bad guys in this movie, whaddaya expect), this is to my mind the most impressive work of Soviet silent cinema-- an epic with several dazzling sequences of rat-a-tat-tat editing that invite comparison with Gance's Napoleon, as well as a deliberate build to an explosive climax that, in its willingness to delay gratification until almost the breaking point, has the operatic grandeur of something like The Godfather. Highly recommended (in fact, highly recommended before you see less accessible works such as October or Potemkin).