IMDb-BEWERTUNG
7,4/10
2847
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn awkward teenager hopelessly in love with her older sister's boyfriend tries to make him notice her.An awkward teenager hopelessly in love with her older sister's boyfriend tries to make him notice her.An awkward teenager hopelessly in love with her older sister's boyfriend tries to make him notice her.
- Auszeichnungen
- 1 wins total
William A. Boardway
- Nightclub Patron
- (Nicht genannt)
Dick Gordon
- Nightclub Patron
- (Nicht genannt)
William H. O'Brien
- Waiter
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesMarion Davies impersonates movie stars Mae Murray, Pola Negri, and Lillian Gish in an attempt to gain the attention of Lawrence Gray.
- PatzerWhen Tony and the family get into their cars to go to the yacht-club dinner, the night sky is completely dark. But when Billy arrives at the pier in his boat after they've already started eating, the sky is much lighter.
- Zitate
Grace Harrington: Stupid! How do you feel now?
Patricia Harrington: [Pretending to be off her rocker in order to gain Ma's symphathy] You know how you feel when you don't know how you feel? That's how I feel.
- Alternative VersionenIn 2004, a TCM aired a restored print with a new score by Vivek Maddala which runs 77 minutes.
- VerbindungenFeatured in American Experience: The Battle Over Citizen Kane (1996)
Ausgewählte Rezension
A kooky younger daughter becomes THE PATSY of a social-climbing family when she falls in love with her older sister's beau.
The delightful Marion Davies gets to exhibit her considerable comedic skills in this very enjoyable silent film from MGM. Often dismissed as merely the pretty mistress of one of the nation's most powerful men, William Randolph Hearst, Davies was actually a very skilled actress. Better known for her stodgy costume dramas, director King Vidor invited her to star in THE PATSY after seeing her personality & talents unbridled whilst a guest at the fabulous home she shared with Hearst at San Simeon. Watching Marion moon over the man she secretly loves, acquire a very peculiar new personality, or attempt a riotous seduction of a notorious Lothario, is to see a very fine artist at her best.
Davies has her work cut out for her: playing her mother is the formidable Marie Dressler, who steals every scene with galumphing grace. With her large shapeless body and a face that probably scared dogs and small children, the marvelous Marie puts her genius for physical comedy into high gear as she grimaces, glares, pouts & flounces her way across the screen. This film is actually credited with saving her life: according to Hollywood legend the out-of-work Dressler was eating her last meal before committing suicide when she was spotted in the restaurant by Alan Dwan and offered the role of Davies' Ma. The rest is history--within a couple of years Dressler would be the movies' most popular star, a status she would hold until her untimely death in 1934.
Dell Henderson plays Davies' lovable, but thoroughly henpecked, father. Glamorous Jane Winton has the role of her spoiled older sister. Orville Caldwell is the earnest fellow Davies adores. Lawrence Gray is hilarious as the lively playboy who gets a late-night visit from Davies he'll never forget.
The three contemporaries which Davies mimics with such precision during the seduction scene are Mae Murray, Lillian Gish (amazing) and Gloria Swanson.
Vivek Maddala has contributed a perky score for the film's restoration.
The delightful Marion Davies gets to exhibit her considerable comedic skills in this very enjoyable silent film from MGM. Often dismissed as merely the pretty mistress of one of the nation's most powerful men, William Randolph Hearst, Davies was actually a very skilled actress. Better known for her stodgy costume dramas, director King Vidor invited her to star in THE PATSY after seeing her personality & talents unbridled whilst a guest at the fabulous home she shared with Hearst at San Simeon. Watching Marion moon over the man she secretly loves, acquire a very peculiar new personality, or attempt a riotous seduction of a notorious Lothario, is to see a very fine artist at her best.
Davies has her work cut out for her: playing her mother is the formidable Marie Dressler, who steals every scene with galumphing grace. With her large shapeless body and a face that probably scared dogs and small children, the marvelous Marie puts her genius for physical comedy into high gear as she grimaces, glares, pouts & flounces her way across the screen. This film is actually credited with saving her life: according to Hollywood legend the out-of-work Dressler was eating her last meal before committing suicide when she was spotted in the restaurant by Alan Dwan and offered the role of Davies' Ma. The rest is history--within a couple of years Dressler would be the movies' most popular star, a status she would hold until her untimely death in 1934.
Dell Henderson plays Davies' lovable, but thoroughly henpecked, father. Glamorous Jane Winton has the role of her spoiled older sister. Orville Caldwell is the earnest fellow Davies adores. Lawrence Gray is hilarious as the lively playboy who gets a late-night visit from Davies he'll never forget.
The three contemporaries which Davies mimics with such precision during the seduction scene are Mae Murray, Lillian Gish (amazing) and Gloria Swanson.
Vivek Maddala has contributed a perky score for the film's restoration.
- Ron Oliver
- 13. Sept. 2004
- Permalink
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- Budget
- 272.000 $ (geschätzt)
- Laufzeit1 Stunde 18 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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Oberste Lücke
By what name was Ein Mädel mit Tempo (1928) officially released in India in English?
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