IMDb-BEWERTUNG
7,5/10
2206
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA professional clown and a self-indulgent count learn to help each other with their problems, but then become romantic rivals.A professional clown and a self-indulgent count learn to help each other with their problems, but then become romantic rivals.A professional clown and a self-indulgent count learn to help each other with their problems, but then become romantic rivals.
- Auszeichnungen
- 4 Gewinne & 2 Nominierungen insgesamt
Cissy Fitzgerald
- Giancinta
- (as Cissy Fitz-Gerald)
Robert Brower
- Stage Manager
- (Nicht genannt)
Julie DeValora
- Nurse
- (Nicht genannt)
Helena Dime
- Lady at Luigi's Party
- (Nicht genannt)
Leo Feodoroff
- Minor Role
- (Nicht genannt)
Frankie Genardi
- Little Boy at Tito's Death
- (Nicht genannt)
Lilliana Genardi
- Little Girl at Tito's Death
- (Nicht genannt)
Betsy Ann Hisle
- Little Girl at Tito's Death
- (Nicht genannt)
Emmett King
- Doctor
- (Nicht genannt)
Carl M. Leviness
- Party Guest
- (Nicht genannt)
Mickey McBan
- Oldest Boy at Tito's Death
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesHerbert Brenon reportedly loved to pick on and ridicule a 14-year-old Loretta Young (Note: Young turned 15 on day 18 of the 45-day shoot.) in her first big role, but was civil with her whenever Lon Chaney was present on the set. Chaney noticed this and never left her side, even if his character wasn't needed for shooting that day. He directed her throughout the shoot and became her surrogate father on the project. "I shall be beholden to that sensitive, sweet man until I die", said Young of Chaney.
- Zitate
Simon, aka Flok: Laugh, clown, laugh... even though your heart is breaking!
- Alternative VersionenAn alternate "happier" ending was shot and was available to theaters who did not like the original. Unfortunately this no longer exists.
- VerbindungenFeatured in Lon Chaney: A Thousand Faces (2000)
Ausgewählte Rezension
"Laugh, Clown, Laugh" is a very sad movie, much like "He Who Gets Slapped", only much more heartrending. There is no horror, and the only special makeup is clown makeup. Lon Chaney finds an abandoned toddler, naming her Simonetta to appease his partner Simon. The movie wastes no time into getting to the main plot, involving a teenaged Simonetta (played by a 15-year old Loretta Young), who the circus coordinator says should look like a woman in order to join Tito's and Simon's act.
Tito (Chaney) has loved Simonetta from the time he finds her as a toddler. When he tells her she needs a rose in her hair, Simonetta goes to the gardens of Count Ravelli (Nils Asther), where they grow. She scrapes her legs over the barbed wire fence, and Count Ravelli sees her and takes her into his house to tend to her. He is a womanizer, and immediately becomes infatuated with her. He verbalizes his love, and says the prophetic "What an alluring woman you could be." Maybe it encourages her, even after she learns to her horror that he is a womanizer, because later that day, she is dressed like a woman and amazes Tito.
Both men are now passionately in love with her, and suffer uncontrollable emotions as a result (the Count's is laughter, and Tito's is crying). Three years later, the two men meet at a neurologist's and decide to cure each other, not yet knowing they are both in love with Simonetta.
After they recover, they learn. Count Ravelli gives Simonetta some pearls, which Loretta and Lon Chaney initially reject--until they read the accompanying note. Then, things get really complicated.
Each performance is excellent throughout. Chaney gives an excellent performance, though his quick transformation from a fatherly love to one that borders on incest. Tito is not the kind of man who is given to that kind of passion, and he doesn't like it, knowing it is wrong. Nils Asther is not dramatic or as convincing as Lon Chaney, but then, who can outshine Chaney? No one. Count Ravelli's transformation is more plausible because Loretta Young makes Simonetta innocent and pure, who by her virtues slowly changes him from a reckless womanizer to a devoted lover. All three deserve praise, and don't be surprised if you want to watch it more than once. It may be sad, but it is also sweet.
Tito (Chaney) has loved Simonetta from the time he finds her as a toddler. When he tells her she needs a rose in her hair, Simonetta goes to the gardens of Count Ravelli (Nils Asther), where they grow. She scrapes her legs over the barbed wire fence, and Count Ravelli sees her and takes her into his house to tend to her. He is a womanizer, and immediately becomes infatuated with her. He verbalizes his love, and says the prophetic "What an alluring woman you could be." Maybe it encourages her, even after she learns to her horror that he is a womanizer, because later that day, she is dressed like a woman and amazes Tito.
Both men are now passionately in love with her, and suffer uncontrollable emotions as a result (the Count's is laughter, and Tito's is crying). Three years later, the two men meet at a neurologist's and decide to cure each other, not yet knowing they are both in love with Simonetta.
After they recover, they learn. Count Ravelli gives Simonetta some pearls, which Loretta and Lon Chaney initially reject--until they read the accompanying note. Then, things get really complicated.
Each performance is excellent throughout. Chaney gives an excellent performance, though his quick transformation from a fatherly love to one that borders on incest. Tito is not the kind of man who is given to that kind of passion, and he doesn't like it, knowing it is wrong. Nils Asther is not dramatic or as convincing as Lon Chaney, but then, who can outshine Chaney? No one. Count Ravelli's transformation is more plausible because Loretta Young makes Simonetta innocent and pure, who by her virtues slowly changes him from a reckless womanizer to a devoted lover. All three deserve praise, and don't be surprised if you want to watch it more than once. It may be sad, but it is also sweet.
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Laugh, Clown, Laugh
- Drehorte
- Jewett Estate, 1145 Arden Road, Pasadena, Kalifornien, USA(Count's estate)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 293.000 $ (geschätzt)
- Laufzeit1 Stunde 13 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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Oberste Lücke
By what name was Lach, Clown, lach! (1928) officially released in Canada in English?
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