The years 1925 to 1931 were creatively rich for G.W.Pabst. The film under review comes between 'Loves of Jeanne Ney' and 'Pandora's Box'.
Siegfried Kracauer maintained that this film would be of no account at all but for the nightclub scenes but I think in this he has judged it too harshly.
Pabst does not waste any time on preliminaries as we are intrigued by and attracted to the main characters from the outset whilst the final reconciliation is beautifully understated.
Technically the film is faultless. This is one of three films that Pabst edited himself and he has the services of Theodor Sparkuhl whose camerawork in the nightclub sequence is breathtaking. The images in this sequence are both intoxicating and erotic.
A truly fascinating cast both on screen and off. Herta von Walther would eventually make a speedy exit to Brazil via Portugal rather than be a Gestapo agent whilst the eventful life of aristocratic Jack Trevor, including wrongful imprisonment for alleged collaboration, would make a film in itself. Gustav Diessl alas was taken far too early at only forty eight and the wondrous Brigitte Helm, greatly admired by Hitler, quit films in the mid 1930's never to return.
Although this would generally be regarded as 'minor' Pabst it is wonderfully stylish and a further example of this director's mastery of the visual and his talent for getting the best from his actors.
