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Füge eine Handlung in deiner Sprache hinzuThe cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.The cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.The cartoonist, Winsor McCay, brings the Dinosaurs back to life in the figure of his latest creation, Gertie the Dinosaur.
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WUSSTEST DU SCHON:
- WissenswertesSome film histories erroneously cite this as the first animated cartoon, ignoring not only Humorous Phases of Funny Faces (1906) (probably the first true animated cartoon), but even Winsor McCay's own earlier work, Little Nemo (1911) and How a Mosquito Operates (1912).
- Zitate
Winsor McCay: [Gertie swallows a large stump, later on, Gertie is thrilled to see a small mastodon] Gertie, don't hurt Jumbo.
- VerbindungenEdited into Los comienzos de la animación (1995)
Ausgewählte Rezension
Often erroneously touted as the first animation film ever made (J. Stuart Blackton's 'An Enchanted Drawing' of 1900 takes that title, at least in America), Gertie the Dinosaur remains, to this day, a charming example of early animation. The live-action segments bookending the animation scenes involve a group of real-life animators portraying themselves, as one of them, Winsor McCay, bets George McManus that he can make a "Dinosaurus" live again by a series of hand-drawn cartoons.
Six months and ten thousand hand-drawn cartoons later, McCay is ready to show off his hand-made creation. During dinner, McCay introduces his young, playful female Apatosaurus (?) named Gertie. She emerges somewhat tentatively from her cave, before proceeding to swallow a rock and then an entire tree. As McCay gives her instructions from off-screen, Gertie attempts to follow them, though her endless enthusiasm for mischief often leads her master to scold her. Gertie's playful persona is further explored when Jumbo, a passing Woolly Mammoth, threatens to steal her limelight. Though warned not to hurt the little creature, Gertie doesn't hesitate in picking up poor Jumbo by the tail and hurling him into the lake.
McCay's vision of a dinosaur allegedly the first time that one had appeared on film is a little scientifically shaky (I don't expect any dinosaurs to have been able to dance on their hind legs for any prolonged period of time), but I'm more than willing to forgive this in such an early film. What is a Woolly Mammoth doing back then, you may even find yourself asking? The trick is to completely shut out what we all know more than ninety years later, and to just appreciate what a stunning achievement this piece of animation actually was.
Just as the film explicitly states, the animation of Gertie required about ten thousand hand-drawn images (by both McCay and his assistant, John A. Fitzsimmons, who traced the backgrounds), which they inked on rice paper and mounted on cardboard. In the film, it took McCay six months. But, we might ask, shouldn't he have wagered something a little more valuable than just a single dinner? George got off easy, I say!
Six months and ten thousand hand-drawn cartoons later, McCay is ready to show off his hand-made creation. During dinner, McCay introduces his young, playful female Apatosaurus (?) named Gertie. She emerges somewhat tentatively from her cave, before proceeding to swallow a rock and then an entire tree. As McCay gives her instructions from off-screen, Gertie attempts to follow them, though her endless enthusiasm for mischief often leads her master to scold her. Gertie's playful persona is further explored when Jumbo, a passing Woolly Mammoth, threatens to steal her limelight. Though warned not to hurt the little creature, Gertie doesn't hesitate in picking up poor Jumbo by the tail and hurling him into the lake.
McCay's vision of a dinosaur allegedly the first time that one had appeared on film is a little scientifically shaky (I don't expect any dinosaurs to have been able to dance on their hind legs for any prolonged period of time), but I'm more than willing to forgive this in such an early film. What is a Woolly Mammoth doing back then, you may even find yourself asking? The trick is to completely shut out what we all know more than ninety years later, and to just appreciate what a stunning achievement this piece of animation actually was.
Just as the film explicitly states, the animation of Gertie required about ten thousand hand-drawn images (by both McCay and his assistant, John A. Fitzsimmons, who traced the backgrounds), which they inked on rice paper and mounted on cardboard. In the film, it took McCay six months. But, we might ask, shouldn't he have wagered something a little more valuable than just a single dinner? George got off easy, I say!
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Gertie
- Drehorte
- American Museum of Natural History - Central Park West at 79th Street, Manhattan, New York City, New York, USA(exterior and interior with dinosaur skeleton)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit12 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
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Oberste Lücke
By what name was Gertie the Dinosaur (1914) officially released in Canada in English?
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