IMDb-BEWERTUNG
7,1/10
35.370
IHRE BEWERTUNG
Das erste Date eines Paares nimmt eine unerwartete Wendung, als ein Polizist sie anhält.Das erste Date eines Paares nimmt eine unerwartete Wendung, als ein Polizist sie anhält.Das erste Date eines Paares nimmt eine unerwartete Wendung, als ein Polizist sie anhält.
- Auszeichnungen
- 13 Gewinne & 44 Nominierungen insgesamt
D.A. Obahor
- Large Black Man
- (as Dickson Obahor)
Thom Gossom Jr.
- Slim's Father
- (as Thomas Gossom Jr.)
Handlung
WUSSTEST DU SCHON:
- WissenswertesAccording to the writer, the divergent world views of the two protagonists were based on the differences between Martin Luther King and Malcolm X.
- PatzerWhen hiding under the floor-boards the police search the room flipping the mattress to check under the bed. The following morning when leaving the hiding space under the floor-boards, the bed is made, whilst the home owners had been detained.
- Zitate
Queen: I want a guy to show me myself. I want him to love me so deeply that I'm not afraid to show how ugly I can be. I want him to show me scars I never knew I had. But I don't want him to make them go away, I want him to hold my hand while I nurse them myself. And I want him to cherish the bruises they leave behind.
- SoundtracksCome Running to Me
Written by Herbie Hancock and Allee Willis
Performed by Herbie Hancock
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Ausgewählte Rezension
Having seen this a few weeks ago, I was a blank slate going into it. Obviously I was familiar with Daniel Kaluuya, from Get Out and Black Panther and had read the film was a first time directorial effort (on this scale) but had no other preconceptions about it.
I was pleasantly surprised by just how accomplished it was. The film looks gorgeous. The cast all deliver on what feels like a fairly loose screenplay in keeping with the indie spirit of the film. Yes some plot points feel a little contrived in order to move the story on but nothing so bad that it derails the film.
The film very much reminds me of Badlands and to a lesser extent True Romance in its dreamier sequences, as the camera does an expert job of capturing the furtive glances and subconscious body language of the two protagonists deepening relationship. This is aided by an excellent soundtrack and the aforementioned top notch cinematography.
Special note to the landscape of Florida itself which as the film moves from the tight, dark confines of the city to the hot, wide open vistas serves as visual metaphor for the journey of the central characters.
It's hard enough (in 2020) to view anything outwith the prism of politics, and even harder with a film that touches on the tragedy of the black experience in modern America for some. If even the user reviews here are anything to go by, those of a caucasian persuasion (as i am) feel aggrieved at how white cops are portrayed. Forgetting that there are many incidents of "malpractice" every week and that this is a movie. Also there are plenty of films about honest, good police officers.
I would urge people to watch the film and see this is not the central point of the film. Nor does it make any strong judgement call one way or another. It simply uses what is a tragically all too common occurrence to light the spark of the story. Then holds up a lens to how that type of incident could play out. No real grandstanding, more a welcome subversion of the fugitive /romance genre from a different perspective.
It's a film that doesn't force its message or feel it has to show black people railing against injustice or overt oppression and overcoming all the odds. It just shows two people on the run, trying to survive.
As Slim says in one of the film's many great lines. "Why do black people have to be excellent, why can't we just be ourselves".
I was pleasantly surprised by just how accomplished it was. The film looks gorgeous. The cast all deliver on what feels like a fairly loose screenplay in keeping with the indie spirit of the film. Yes some plot points feel a little contrived in order to move the story on but nothing so bad that it derails the film.
The film very much reminds me of Badlands and to a lesser extent True Romance in its dreamier sequences, as the camera does an expert job of capturing the furtive glances and subconscious body language of the two protagonists deepening relationship. This is aided by an excellent soundtrack and the aforementioned top notch cinematography.
Special note to the landscape of Florida itself which as the film moves from the tight, dark confines of the city to the hot, wide open vistas serves as visual metaphor for the journey of the central characters.
It's hard enough (in 2020) to view anything outwith the prism of politics, and even harder with a film that touches on the tragedy of the black experience in modern America for some. If even the user reviews here are anything to go by, those of a caucasian persuasion (as i am) feel aggrieved at how white cops are portrayed. Forgetting that there are many incidents of "malpractice" every week and that this is a movie. Also there are plenty of films about honest, good police officers.
I would urge people to watch the film and see this is not the central point of the film. Nor does it make any strong judgement call one way or another. It simply uses what is a tragically all too common occurrence to light the spark of the story. Then holds up a lens to how that type of incident could play out. No real grandstanding, more a welcome subversion of the fugitive /romance genre from a different perspective.
It's a film that doesn't force its message or feel it has to show black people railing against injustice or overt oppression and overcoming all the odds. It just shows two people on the run, trying to survive.
As Slim says in one of the film's many great lines. "Why do black people have to be excellent, why can't we just be ourselves".
- Belldogg81
- 23. Mai 2020
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Queen Và Slim
- Drehorte
- 6900 St. Clair Avenue, Cleveland, Ohio, USA(Police pullover)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 18.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 43.808.310 $
- Eröffnungswochenende in den USA und in Kanada
- 11.890.490 $
- 1. Dez. 2019
- Weltweiter Bruttoertrag
- 47.834.125 $
- Laufzeit2 Stunden 12 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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