Ein kreativer Schreibauftrag führt zu komplexen Ergebnissen zwischen einem Lehrer und seinem begabten Schüler.Ein kreativer Schreibauftrag führt zu komplexen Ergebnissen zwischen einem Lehrer und seinem begabten Schüler.Ein kreativer Schreibauftrag führt zu komplexen Ergebnissen zwischen einem Lehrer und seinem begabten Schüler.
Dagmara Dominczyk
- Beatrice June Harker
- (as Dagmara Domińczyk)
Ray Fawley
- Restaurant Patron
- (Nicht genannt)
Trace Haynes
- Restaurant Patron
- (Nicht genannt)
André Wilkerson
- Restaurant Patron
- (Nicht genannt)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe blocking (where and when characters move during a scene) is very important when Mr. Miller tells Cairo she needs to rewrite her paper. Mr. Miller's desk is raised on a small platform. A character's elevation above one or more characters is often used to indicate who has the power or who is "winning" a scene. At the start when Mr. Miller tells Cairo he won't accept the paper, he is up on the platform and Cairo is on the floor. Cairo soon challenges him and gets on the platform while the two debate their relationship. By the end of the scene, Cairo has "won" and is now standing above Mr. Miller who has stepped off the platform.
- Zitate
Jonathan Miller: Don't you get scared, walking through those woods?
Cairo Sweet: I'm the scariest thing in there.
- VerbindungenReferenced in Latino Slant: Jenna Ortega's Kiss, PLUS Erotic Scene Reactions! (2024)
- SoundtracksThere's a Blessing
written by Johnny Copeland
performed by Johnny Copeland
Ausgewählte Rezension
It tries to have this sexual tension between the main characters all the time. They had no chemistry, they did supposedly have reasons for pursuing each other but it wasn't depicted in a convincing manner. Sometimes I liked it, sometimes I didn't. It had the potential to be something better. The only scene I enjoyed is when Cairo lit up a cigarette in the dark, that looked like something that could've been in a horror movie. The voice narration seemed over the top and unnatural. Felt like the movie was trying too hard. The narration also reminded me of Delores from Westworld.
Jenna Ortega and Martin Freeman were okay but the movie wasn't the most captivating. It's a story that's been done before so it really needed to offer something different. But in the end feels pretty unremarkable and you'll probably forget about it as you leave the theatre. I didn't really care much about what happens with the characters and some of the conversations made me sigh and roll my eyes. I did think it was interesting where the movie took the story and shift in power dynamic between the two, but it could've been written better. Especially if you go and watch gone girl or thoroughbreds. It could've been a more captivating revenge story.
Jenna Ortega and Martin Freeman were okay but the movie wasn't the most captivating. It's a story that's been done before so it really needed to offer something different. But in the end feels pretty unremarkable and you'll probably forget about it as you leave the theatre. I didn't really care much about what happens with the characters and some of the conversations made me sigh and roll my eyes. I did think it was interesting where the movie took the story and shift in power dynamic between the two, but it could've been written better. Especially if you go and watch gone girl or thoroughbreds. It could've been a more captivating revenge story.
- AfricanBro
- 28. Jan. 2024
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- La chica de Miller
- Drehorte
- Cartersville, Georgia, USA(Dellinger Park, Address: 100 Pine Grove Rd, Cartersville, GA 30120-4070)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 1.714.512 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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