Im Urlaub am Nil muss Hercule Poirot den Mord an einer jungen Erbin untersuchen.Im Urlaub am Nil muss Hercule Poirot den Mord an einer jungen Erbin untersuchen.Im Urlaub am Nil muss Hercule Poirot den Mord an einer jungen Erbin untersuchen.
- Auszeichnungen
- 1 Gewinn & 9 Nominierungen insgesamt
Handlung
WUSSTEST DU SCHON:
- WissenswertesMany of the characters are combinations or alterations of characters from the novel, to make for a smaller cast and a less confusing plot:
- Salome and Rosalie Otterbourne, a romance novelist and her daughter, become a singer and her niece/manager.
- Andrew Pennington becomes cousin Andrew Katchadourian.
- Marie Van Schuyler, a socialite and no relation to Linnet, becomes Linnet's godmother who has the ideals of Mr. Ferguson, the aristocrat turned socialist.
- Windlesham, a character mentioned in the first chapter, is combined with Dr. Bessner to become Dr./Lord Windlesham.
- Bouc, a character who appears only in Murder on the Orient Express, takes on elements of Col. Race, while his choice of traveling companion, his mother Euphemia, is reminiscent of the relationship between Tim and Mrs. Allerton.
- PatzerPoirot grows a mustache to hide the scar tissue that covers most of his upper lip and cheek. Scar tissue cannot grow hair at all, as it does not contain follicles or sweat glands; it is a connective tissue that grows between the dermis after it is split. Poirot's mustache could therefore never be as full as depicted, and should have several holes or irregularities.
- Zitate
Marie Van Schuyler: You accuse me now of murder?
Bouc: Oh, no, he accuses everyone of murder.
Hercule Poirot: It is a problem, I admit.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: Death on the Nile (2022)
- SoundtracksThat's All (Live)
Written and Performed by Sister Rosetta Tharpe
Courtesy of Institut National de L'Audiovisuel
Ausgewählte Rezension
What is it with Branagh and Poirot? Why does he feel the need to modernize Agatha Christie's work so? If he has no respect for the original, or no faith that it can succeed with modern audiences, why not adapt instead a modern novel? Because this adaptation is thoroughly fake.
Poirot feels the need to be running around after suspects and waving (even shooting) guns. Instead of grey cells, Branagh gives him plenty of emotions, a tragic love story, even a motivation for his moustache. He sure is not Poirot. And why? Just adapt a modern detective story, with their traumatized detectives.
The strength to this story, apart from the clever trick the killer used and the setting, is in the characters. And what do we have? Instead of 1930s characters, we get a collection of 21st century identity politics talking points, lecturing about racism, sexism and lesbophobia. Seriously, if that's what you want, why not adapt a modern story instead of one written and set in the early 20th century? Are they unable to do a period piece now?
The CGI-fest cinematography looks expensive but also fake. Not as fake as the previous Poirot movie by Branagh (Murder on the Orient Express), but still fake.
All in all a missed opportunity. Watchable, but try to forget that it's supposed to be a Poirot story, and when it is supposed to be set.
Poirot feels the need to be running around after suspects and waving (even shooting) guns. Instead of grey cells, Branagh gives him plenty of emotions, a tragic love story, even a motivation for his moustache. He sure is not Poirot. And why? Just adapt a modern detective story, with their traumatized detectives.
The strength to this story, apart from the clever trick the killer used and the setting, is in the characters. And what do we have? Instead of 1930s characters, we get a collection of 21st century identity politics talking points, lecturing about racism, sexism and lesbophobia. Seriously, if that's what you want, why not adapt a modern story instead of one written and set in the early 20th century? Are they unable to do a period piece now?
The CGI-fest cinematography looks expensive but also fake. Not as fake as the previous Poirot movie by Branagh (Murder on the Orient Express), but still fake.
All in all a missed opportunity. Watchable, but try to forget that it's supposed to be a Poirot story, and when it is supposed to be set.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Muerte En El Nilo
- Drehorte
- Aswan, Ägypten(Second unit)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 90.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 45.630.104 $
- Eröffnungswochenende in den USA und in Kanada
- 12.891.123 $
- 13. Feb. 2022
- Weltweiter Bruttoertrag
- 137.307.235 $
- Laufzeit2 Stunden 7 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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