Eine fromme Krankenschwester, die in gefährlicher Weise davon besessen ist, die Seele ihres sterbenden Patienten zu retten.Eine fromme Krankenschwester, die in gefährlicher Weise davon besessen ist, die Seele ihres sterbenden Patienten zu retten.Eine fromme Krankenschwester, die in gefährlicher Weise davon besessen ist, die Seele ihres sterbenden Patienten zu retten.
- Nominiert für 2 BAFTA Awards
- 11 Gewinne & 33 Nominierungen insgesamt
Sona Vyas
- Agency Worker
- (as Sona Vyas Dunne)
Antony Barlow
- Passerby
- (Nicht genannt)
- …
Handlung
WUSSTEST DU SCHON:
- WissenswertesRose Glass originally wrote Maud with a more explicit backstory, but removed most of it in the final draft as she found it too similar to Carrie (1976), saying: "In early drafts, the character's backstory was quite different, she had this very extreme religious upbringing, went to Catholic school, all that stuff. But it just felt like a story I'd seen before, and it wasn't one I was particularly interested in retelling."
- Crazy CreditsThe cockroach is credited as Nancy and is presumably named after Nancy Spungen. "Bug Wrangler," Grace Dickinson had another one called Sid.
- SoundtracksCareless
Performed by Al Bowlly
Written by Lew Quadling, Dick Jurgens and Eddy Howard
Bourne Co. (ASCAP)
All Rights Administered by Warner Chappell Music Ltd
Licensed Courtesy of Warner Music UK
Ausgewählte Rezension
My problem with Saint Maud is I was expecting a horror movie and this isn't. Maud is a character study of a young nurse (Morfydd Clark) in emotional turmoil. Saint Maud sets a dour mood. It favors symbolism over hard core action. I'm not saying it's a bad movie. I didn't find enough to hold on to. Details about Maud, the person, are sparse and come too late in the movie. By then I had lost interest.
Maud is a hospice nurse for Amanda (Jennifer Ehle), a former dancer suffering from terminal cancer. She holds to her devout faith with slavish piousness. She left her previous nursing job abruptly, we aren't sure why. She sees things no one else sees that border on the paranormal. She comes to believe she has been sent to save Amanda's soul. Why? I didn't understand why Maud was obsessed with Amanda. The two women didn't really connect and had little in common.
The character of Amanda is excellent, by the way. She was full of contradictions, capable of great tenderness and terrible cruelty. When she is on screen I wanted to know more about her but the focus remains squarely on Maud.
Clark's performance as Maud is empathetic but a bit one note. She too often has a deer in the headlights gaze and seems out of step with the world around her. If that is the intent, Clark did her job well. I wasn't able to connect with the character. She experiences one ominous happening after another, but the action doesn't build to a focused point. I felt like I was drifting at sea watching Maud. She is clearly a young woman full of doubt and conflict. Yet, I wasn't getting to know the real her.
The strange events happening may be real or may all be in the mind of one disturbed individual. We are never given enough concrete evidence to decide. Perhaps that's the point but after a while I felt like I was running on a treadmill. It takes until the last few scenes to move the narrative forward. These scenes are genuinely scary, disturbing and moving. Sadly, the payoff comes too late, in my opinion.
Maud is a hospice nurse for Amanda (Jennifer Ehle), a former dancer suffering from terminal cancer. She holds to her devout faith with slavish piousness. She left her previous nursing job abruptly, we aren't sure why. She sees things no one else sees that border on the paranormal. She comes to believe she has been sent to save Amanda's soul. Why? I didn't understand why Maud was obsessed with Amanda. The two women didn't really connect and had little in common.
The character of Amanda is excellent, by the way. She was full of contradictions, capable of great tenderness and terrible cruelty. When she is on screen I wanted to know more about her but the focus remains squarely on Maud.
Clark's performance as Maud is empathetic but a bit one note. She too often has a deer in the headlights gaze and seems out of step with the world around her. If that is the intent, Clark did her job well. I wasn't able to connect with the character. She experiences one ominous happening after another, but the action doesn't build to a focused point. I felt like I was drifting at sea watching Maud. She is clearly a young woman full of doubt and conflict. Yet, I wasn't getting to know the real her.
The strange events happening may be real or may all be in the mind of one disturbed individual. We are never given enough concrete evidence to decide. Perhaps that's the point but after a while I felt like I was running on a treadmill. It takes until the last few scenes to move the narrative forward. These scenes are genuinely scary, disturbing and moving. Sadly, the payoff comes too late, in my opinion.
- themick2008
- 14. Dez. 2021
- Permalink
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Salvando almas
- Drehorte
- Produktionsfirmen
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Box Office
- Weltweiter Bruttoertrag
- 1.383.868 $
- Laufzeit1 Stunde 24 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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