IMDb-BEWERTUNG
5,3/10
3607
IHRE BEWERTUNG
Ein rivalisierendes Geschäftspaar entdeckt, dass sie eineiige Zwillinge sind, und beschließt, die Plätze zu tauschen, um ihre geschiedenen Eltern zu überlisten, damit sie wieder zusammenkomm... Alles lesenEin rivalisierendes Geschäftspaar entdeckt, dass sie eineiige Zwillinge sind, und beschließt, die Plätze zu tauschen, um ihre geschiedenen Eltern zu überlisten, damit sie wieder zusammenkommen.Ein rivalisierendes Geschäftspaar entdeckt, dass sie eineiige Zwillinge sind, und beschließt, die Plätze zu tauschen, um ihre geschiedenen Eltern zu überlisten, damit sie wieder zusammenkommen.
- Auszeichnungen
- 1 Gewinn & 5 Nominierungen insgesamt
Yolimar Lara
- Blonde
- (as Yoli Lara)
Desiree Alexandra Estrada
- Brunette
- (as Desiree Estrada)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe movie is a musical retelling of Aaron Jackson and Josh Sharp's two-man comedy act.
- PatzerWhen the camera moves back after Craig and Trevor had quarreled and part ways to go back to their apartments, the dolly tracks it moved on are highly visible.
- SoundtracksI'll Always Be on Top
Performed by Aaron Jackson, Josh Sharp, and Megan Thee Stallion
Written by Aaron Jackson, Josh Sharp, and Karl Saint Lucy
Produced by Marius De Vries
Mixed by Justin Moshkevich
Published by Ministry of Jazz Hands
Megan Thee Stallion appears courtesy of 1501 Certified Entertainment & 300 Entertainment, a division of Warner Music Group
Ausgewählte Rezension
This is a reboot of The Parent Trap as a musical. Identical twins separated at birth, each brought up by a single parent, both become top salesman at the same company. When they are brought together, they realize their relationship. Hankering for a "normal" 2-parent family, they hatch a plot to get their parents together and re-marry.
Switching identities, they each visit the other parent's apartments, and work on getting their reclusive parents to go out to dinner, where they would then meet. However, rather than detail the parents' eccentricities to each other in advance, they both jump in uninformed, and are shocked at what they find.
Originating as a 2-person play, most scenes are 2-person scenes, except for the extravagant musical numbers. Bowen Yang does an amusing turn as God, leading the ensemble in the song "Love is Love". Megan Thee Stallion plays the business founder, and her song is about a power woman dominating men. Nathan Lane is the father who has come out as gay, and is reasonably (but not overly) flamboyant. Having worked together for years, the main characters are very comfortable with each other.
I saw this at the world premiere weekend at the Toronto International Film Festival, where the directors were present, even though as the main actors they would be on strike. This was presented as part of the Midnight Madness program, and they were awed at seeing their "little" project on really big screens (my presentation was on an IMAX screen, and that was not the biggest screen the film played on). In response to a question, they said that they had no trouble getting their "dream team" to work on the film, as the various big-name actors had a positive reaction to the script.
I did find some parts overwhelming - the mother's apartment decor, and the father's pets. Also, the twins did not make any attempt to look alike, despite everyone around them keeping confusing them for each other. This suspension of disbelief is common in live theater, but seems iffy on film.
This film won the TIFF People's Choice Award in the Midnight Madness category.
Switching identities, they each visit the other parent's apartments, and work on getting their reclusive parents to go out to dinner, where they would then meet. However, rather than detail the parents' eccentricities to each other in advance, they both jump in uninformed, and are shocked at what they find.
Originating as a 2-person play, most scenes are 2-person scenes, except for the extravagant musical numbers. Bowen Yang does an amusing turn as God, leading the ensemble in the song "Love is Love". Megan Thee Stallion plays the business founder, and her song is about a power woman dominating men. Nathan Lane is the father who has come out as gay, and is reasonably (but not overly) flamboyant. Having worked together for years, the main characters are very comfortable with each other.
I saw this at the world premiere weekend at the Toronto International Film Festival, where the directors were present, even though as the main actors they would be on strike. This was presented as part of the Midnight Madness program, and they were awed at seeing their "little" project on really big screens (my presentation was on an IMAX screen, and that was not the biggest screen the film played on). In response to a question, they said that they had no trouble getting their "dream team" to work on the film, as the various big-name actors had a positive reaction to the script.
I did find some parts overwhelming - the mother's apartment decor, and the father's pets. Also, the twins did not make any attempt to look alike, despite everyone around them keeping confusing them for each other. This suspension of disbelief is common in live theater, but seems iffy on film.
This film won the TIFF People's Choice Award in the Midnight Madness category.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Rabos: El musical
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.453.012 $
- Eröffnungswochenende in den USA und in Kanada
- 201.951 $
- 8. Okt. 2023
- Weltweiter Bruttoertrag
- 1.472.114 $
- Laufzeit1 Stunde 26 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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