Füge eine Handlung in deiner Sprache hinzuBertrand Tavernier's personal journey through French cinema, from films he enjoyed as a boy to his own early career, told through portraits of key creative figures.Bertrand Tavernier's personal journey through French cinema, from films he enjoyed as a boy to his own early career, told through portraits of key creative figures.Bertrand Tavernier's personal journey through French cinema, from films he enjoyed as a boy to his own early career, told through portraits of key creative figures.
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Handlung
WUSSTEST DU SCHON:
- WissenswertesPrologue: "Something unites Bertrand and me: We are both of the Liberation and of the Cinemathèque.---Jean-Luc Godard"
- Zitate
Bertrand Tavernier: "Dernier Atout" is a brilliant but minor film of Becker's. The real shock cam in seeing "Casque d'Or" at the Noctambule on Rue Champollion where I used to play hooky. I was staggered by the serene assurance with which Becker managed to create a tragic climate that he usually distilled with more restraint... Here the tragedy hits you frontally. What's striking is his formal and visual command, the narrative elegance, and the way this mastery never interferes with the emotion, never makes the work impersonal. It's a film in which you constantly feel the character's heartbeat. The mise en scène flexes emotion like you flex your muscles.
- VerbindungenFeatures Unter den Dächern von Paris (1930)
- SoundtracksLa Complainte des Infidèles
Music by Georges Van Parys
Lyrics by Carlo Rim
Performed by Marcel Mouloudji
This is by no means the most excitingly framed documentary ever made. It features only Tavernier as an interview subject, with famous French directors and actors popping up intermittently in historical footage.
Tavernier wonderfully narrates the odyssey through his youth, and the amount of personal history he brings to it is charming, but there isn't enough effort put into the presentation outside of the film clips. It's fun to see Jean Claude Belmondo in "Léon Morin, Priest" and Alain Delon in "Le Samourai," but when we cut back to the same stale office setting with Tavernier for a few brief, fleeting seconds before being thrust back into a three-hour film history lecture, the film only nurses its disconnect between subject and audience.
Consider "David Lynch: The Art Life" or "Listen to Me, Marlon," two documentaries of immense power that draw all of their flair, excitement, intrigue and depth from how they choose to approach their subjects. Here, Tavernier structures his film as a lecture. There, those documentaries are art. The final product of Tavernier's work is a passionate study of French cinema, but one that cannot hold appeal for those unfamiliar with "Le Grande Illusion," "Army of Shadows" or "Breathless."
- horsebeaverfoxman
- 30. Sept. 2017
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- My Journey Through French Cinema
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Box Office
- Bruttoertrag in den USA und Kanada
- 52.214 $
- Eröffnungswochenende in den USA und in Kanada
- 10.636 $
- 25. Juni 2017
- Weltweiter Bruttoertrag
- 73.514 $
- Laufzeit3 Stunden 21 Minuten
- Farbe
- Seitenverhältnis
- 1.78 : 1