Ein Paar setzt sich mit fortschreitender Entwicklung der Beziehung mit kulturellen Unterschieden auseinander.Ein Paar setzt sich mit fortschreitender Entwicklung der Beziehung mit kulturellen Unterschieden auseinander.Ein Paar setzt sich mit fortschreitender Entwicklung der Beziehung mit kulturellen Unterschieden auseinander.
- Für 1 Oscar nominiert
- 19 Gewinne & 101 Nominierungen insgesamt
- Fatima
- (as Shenaz Treasurywala)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe film was released in the United States on Kumail Nanjiani and Emily V. Gordon's tenth wedding anniversary.
- PatzerWhen Kumail is eating fast food and receives a text saying that he is supposed to be on stage in 20 minutes, the text is marked as being sent 1 day beforehand.
- Zitate
Terry: So, uh, 9/11.
[everyone looks at Terry expectantly]
Terry: No I mean, I've always wanted to have a conversation with
[gestures at Kumail]
Terry: about it. With
[gestures again at Kumail]
Terry: people.
Kumail: You've never talked to people about 9/11?
Terry: No what's your, what's your stance?
Kumail: What's my stance on 9/11? Oh um, anti. It was a tragedy, I mean we lost 19 of our best guys.
Beth: Huh?
Kumail: That was a joke, obviously. 9/11 was a terrible tragedy. And it's not funny to joke about it.
- Crazy CreditsIn the beginning of the end credits, photos of shown of the real-life inspiration behind the Emily character, as well as the wedding between Emily V. Gordon and Kumail Nanjiani and Nanjiani's real-life parents.
- VerbindungenFeatured in Conan: Holly Hunter/Natasha Lyonne/Robert Cray & Hi Rhythm (2017)
- SoundtracksDevil's Haircut
Written by Beck (as Beck Hansen), James Brown, Phil Coulter (as Philip Coulter), Thomas Kilpatrick, Tom Scott (as Tommy Scott), Michael Simpson & John King
Performed by Beck
Courtesy of Geffen Records under license from Universal Music Enterprises
Courtesy of BMG Rights Management (US) LLC
Courtesy of Picadilly Music Corporation
Used by permission of Fort Knox Music, Inc.
As a white guy from a middle class family, I already have to process my thoughts if I'm going to go against my parents. I can't imagine how much harder that has to be for those from backgrounds with thicker backgrounds. A good friend of mine is marrying into a Mexican-catholic family despite being nonreligious. He's told me that it's taken him a while to win over his brides family and to be accepted into their traditions. Another friend of mine married an African-American, despite some resistance from his family. Today, I know them as one of the most loving families around. The Big Sick examines love and conflicting with traditions.
Uber driver Kumail (played by Kumail Nanjiani) is an aspiring stand up comedian who is on the verge of acquiring his big break by possibly getting a spot in a popular Canadian comedy festival. He also does a one person play about his experience of growing up in Pakistan and the U.S.A. and how he's adopted the American way of living, despite his family staying safe within their Pakistan values. This includes weekly dinners where his parents keep trying to set him up with potential women from Pakistan to lead into an arraigned marriage. This changes during one of his shows when a heckler stops his show.
Aspiring therapist Emily (played by Zoe Kazan) talks to Kumail about his act and the two end up going home. Though they keep claiming they won't do it again, it leads them to date (without Kumail's parents knowing of course). After a fight and her walking out, Kumail gets a phone call about her in the hospital. He agrees with the doctor to put her in a medical induced coma and uses her phone to contact her parents. Her father Terry (played by Ray Romano) and mother Beth (played by Holly Hunter) arrive as the two and Kumail try to help them deal with their daughter. The Big Sick happens to not only be very cute, but this is a nice examination at these kinds of relationships. You usually don't see many interracial kinships (with the exception of this years Get Out), but this one examines a lot of the complications that arise from both families opinions to between the lovers. It even manages to subvert a lot of tropes you typically find in these romance comedies, like how the couple has their "blowout" much earlier, which only makes the situation even more complicated if she recovers.
The main star and scriptwriter, Kumail Nanjuani, clearly has based this off of his experiences (just wait for the end credits). He knows how to juggle the balance of what probably happened and which moments were exaggerated. He also understands just how much he can hurt his family and how high the consequences were. Though his performance as himself was good, the bigger surprise comes from both Ray Romano and Holly Hunter, both actors I haven't seen in a while. If you think Romano is just repeating his character from Everybody Loves Raymond, then you'll be in for a surprise by how sincere his character is. While I can't spoil the best parts, I can be sure he may have earned himself an Oscar nomination.
The Big Sick also dwells into stand up comedy, which is rarely done on film, into new territory I haven't seen. While most deal with trying to be funny, this one seems to care about how much storytelling is involved. As someone whose done some stand up, I can say that the film is accurate and honest about how hard it is to get noticed. While we're not all trying to get on Saturday Night Live, we at least have different perspectives that are worth addressing.
I'll give this ten stuffed giraffes out of ten. I was taken aback with how much I liked this and hope that a lot of people realize that all kinds of love are worth talking about. The biggest sacrifice you can make depends on what you value, and I hope that this movie can help. I can definitely recommend The Big Sick.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Bệnh Lạ
- Drehorte
- Chicago, Illinois, USA(location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 42.873.127 $
- Eröffnungswochenende in den USA und in Kanada
- 421.577 $
- 25. Juni 2017
- Weltweiter Bruttoertrag
- 56.411.585 $
- Laufzeit2 Stunden
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1