IMDb-BEWERTUNG
7,2/10
14.121
IHRE BEWERTUNG
Ein pokerspielender Gastronom und ehemaliger Handlungsreisender freundet sich mit einem gerade in Finnland angekommenen Flüchtling an.Ein pokerspielender Gastronom und ehemaliger Handlungsreisender freundet sich mit einem gerade in Finnland angekommenen Flüchtling an.Ein pokerspielender Gastronom und ehemaliger Handlungsreisender freundet sich mit einem gerade in Finnland angekommenen Flüchtling an.
- Auszeichnungen
- 8 Gewinne & 24 Nominierungen insgesamt
Abdi Jama
- Aseman kassa
- (as Abdi alias 'Lii' Jama)
Simon Al-Bazoon
- Mazdak
- (as Simon Hussein Al-Bazoon)
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe actors playing siblings Khaled and Miriam are real-life siblings.
- VerbindungenFeatured in Ismo Haavisto One Man Band: Midnight Man (2017)
- SoundtracksOi mutsi, mutsi
Written and performed by Tuomari Nurmio
Ausgewählte Rezension
After 'Le Havre', this is Kaurismäki's second film about refugees. This is a hot topic, now even more than ever. Europe is still trying to digest the influx of refugees from Syria and Iraq, a process with major political consequences.
There is no doubt about Kaurismäki's moral position. The lead characters in 'The other side of hope' don't even discuss if they should help the Syrian refugee Khaled, they just do it as if there is no other choice. In perhaps Kaurismäki's most political scene ever, a police officer tells Khaled that Aleppo, the city where he came from, is not unsafe according to the Finnish immigration authority, so he should be deported back to Syria. Immediately after the verdict, Kaurismäki shows a news report on Finnish television about the atrocities going on in Aleppo.
The complete lack of emotions, a trademark feature of Kaurismäki's work, adds an extra dimension to the message. The refugee doesn't complain, his protectors don't discuss, the violent racists don't explain. Everything just happens.
Of course, this being a Kaurismäki film, there are the typical elements of his movies: the fifties aesthetics, the deadpan humor, the stripped-to-the-bone dialogue. Music is also an important element in this film. It is, without exception, source music from musicians playing in bars, café's or in the street. It is all sung in Finnish, but has a very bluesy feeling, perfectly matching the overall mood of the film.
The screenplay has a special structure: for the most part of the film, the viewer is watching two separate stories. One is about the refugee Khaled entering the country as a stowaway in a cargo ship, trying to find his way in society and being processed by the immigration authority. The other is about a business man trying to revive an unprofitable restaurant. Of course, the two are destined to run into each other.
Kaurismäki is one of those film makers whose style is unique and doesn't resemble anything else. For that reason alone, his work is worth watching. In this film, he adds a political message which is as urgent as can be.
There is no doubt about Kaurismäki's moral position. The lead characters in 'The other side of hope' don't even discuss if they should help the Syrian refugee Khaled, they just do it as if there is no other choice. In perhaps Kaurismäki's most political scene ever, a police officer tells Khaled that Aleppo, the city where he came from, is not unsafe according to the Finnish immigration authority, so he should be deported back to Syria. Immediately after the verdict, Kaurismäki shows a news report on Finnish television about the atrocities going on in Aleppo.
The complete lack of emotions, a trademark feature of Kaurismäki's work, adds an extra dimension to the message. The refugee doesn't complain, his protectors don't discuss, the violent racists don't explain. Everything just happens.
Of course, this being a Kaurismäki film, there are the typical elements of his movies: the fifties aesthetics, the deadpan humor, the stripped-to-the-bone dialogue. Music is also an important element in this film. It is, without exception, source music from musicians playing in bars, café's or in the street. It is all sung in Finnish, but has a very bluesy feeling, perfectly matching the overall mood of the film.
The screenplay has a special structure: for the most part of the film, the viewer is watching two separate stories. One is about the refugee Khaled entering the country as a stowaway in a cargo ship, trying to find his way in society and being processed by the immigration authority. The other is about a business man trying to revive an unprofitable restaurant. Of course, the two are destined to run into each other.
Kaurismäki is one of those film makers whose style is unique and doesn't resemble anything else. For that reason alone, his work is worth watching. In this film, he adds a political message which is as urgent as can be.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- The Other Side of Hope
- Drehorte
- Helsinki, Finnland(The city)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.600.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 183.943 $
- Eröffnungswochenende in den USA und in Kanada
- 15.495 $
- 3. Dez. 2017
- Weltweiter Bruttoertrag
- 4.282.973 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Die andere Seite der Hoffnung (2017) officially released in India in English?
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