Harry Davenport(1866-1949)
- Besetzung
- Regie
- Soundtrack
Harry Davenport wurde am 19 Januar 1866 in New York City, New York, USA geboren. Er war Schauspieler und Regisseur, bekannt für Vom Winde verweht (1939), Heimweh nach St. Louis (1944) und Der Glöckner von Notre Dame (1939). Er war mit Phyllis Rankin und Alice Davenport verheiratet. Er starb am 9 August 1949 in Los Angeles, California, USA.
- Auszeichnungen
- 1 wins total
Besetzung
- 1950
- 1949
- 1949
- 1949
- 1949
- 1948
- 1948
- 1948
- 1948
- 1948
- 1947
- 1947
- 1947
- 1947
- Sport of Kings
- Maj. Denning
- 1947
Regie
- A Man's Law
- Regie
- 1917
- A Son of the Hills
- Regie
- 1917
- The False Friend
- Regie
- 1917
- 1917
- 1917
- A Woman Alone
- Regie
- 1917
- 1916
- 1916
- 1916
- 1916
- 1916
- 1916
- 1916
- 1916
- 1916
Soundtrack
- 1944
- Die Braut kam per Nachnahme6,9
- performer: "Bridal Chorus" (1850), "I Love You Truly" (1906) (Nicht genannt)
- 1941
- 1938
- 1937
- Alternativer Name
- H. Davenport
- Größe
- 1,70 m
- Geboren am
- Verstorben
- 9. August 1949
- Los Angeles, Kalifornien, USA(Herzattacke)
- EhepartnerPhyllis Rankin2. Mai 1901 - 17. November 1934 (sie verstorben, 2 Kinder)
- Kinder
- Verwandte
- Diana Barrymore(Niece or Nephew)
- Andere ArbeitenActive on Broadway in the following productions:
- Publicity-Angebote
- WissenswertesHarry Davenport was a co-founder along with Eddie Foy of what would later become known as Actors Equity Association. The original organization, which Mr. Davenport spearheaded, was known as The White Rats. It was this group of actors who finally, after a nine month effort, united in their opposition to the treatment of actors by the likes of the Shubert brothers, David Belasco and others, and refused to appear on stage by striking. Their actions resulted in the closing of all of the Broadway theaters, with the exception of George M. Cohan and his company. In answer to the actors strike, the Broadway producers were forced to give in to such demands as plumbing in the dressing rooms, a six-day work week, and other such necessities that were considered outrageous by the theatrical owners and producers.
- Spitzname
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