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The mise-en-scene, the whole story, takes place in one location, the artist's studio. A delicate psychological allegory on 'a day in the life of' anchors the displacement of (filmic) reality and the alienation of the (players) self. Devices such as incongruity between the image and the soundtrack, odd camera angles, and plays on objective focus are integral and explicit components of the narrative. Altered to Suit diverges from preceding films in that the dialogue is not solely related to the work; rather the work serves as a central frame of reference from which the story unfolds. This is also the first time that narrative dominates the structure of the film. It is shot in black and white with very sensual, very seductive photography. First Screening: Mudd Club, New York City, April 23, 1979.

In "Do You Believe in Water?", conceptual artist Lawrence Weiner employs minimalist props and scenarios to stage an oblique psychological drama. In a nearly bare loft space, Weiner's performers cluster around an octagonal pink table, enacting a series of what seem to be choreographed exercises or processes: playing patty-cake, grappling for possession of rectangular blocks, kissing and embracing, engaging in bizarrely coded conversations. The performers' physical actions and interactions with one another - and with the distinctively colored and shaped objects in the space - evolve in constantly shifting relationships that become a kind of language of inflected meaning. As these relationships unfold, viewers must synthesize these cues, together with a multi-layered soundtrack that suggests linguistic, rhetorical and philosophical puzzles. This performance translates themes and strategies seen in Weiner's conceptual artworks into the realm of theater. First presentation: The Kitchen, New York City, 1976, as a component of the exhibition "With Relation to the Various Manners of Use," September 25-October 18, 1976.