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Pramit, an independent filmmaker who is yet to experience the spell of love in his otherwise not-so exciting life, starts shooting a documentary film on love. His exploration leads him to the baffling knowledge of an unforetold mysterious village, existent on what is believed to be the threshold of reality and fantasy. If anyone ever reaches there, stumbling upon a series of coincidences, cannot steer clear of the cupid's arrow, and readily falls in love. Pramit, along with his cameraperson starts looking for the village and subsequently passes through a succession of events which can be termed nothing but magical! Love, with all its colours - sublime as well as physical - doesn't fail to come his way too, or, does it really?

Three girlfriends--Preenita, Rhea, and Shreemoyee--share everything with one another from the angst of the "will-he-or-won't-he-call" debates, to the addictive gossip sessions, the analysis of dumping and getting dumped, the complaining about husbands, boyfriends, or the lack of boyfriends; over cups and cups of coffee, as they let their hair down on their 'girls-gone-wild' nights on the town.Is this chick-flick a female-buddy film? Sure. Is it a Girl-Power Flick? Absolutely.

"A love letter to Calcutta," declares Mainak. "It's about a typical Bengali family of dadu (grandfather), parents and three brothers and their love interests. Then there's the Marwari community which plays a big part in today's cosmopolitan Calcutta. This is a film about the Calcutta we see now. It's urban and young and yet the Bong idiosyncrasies are very much there."

A man in his forties faces the realization that he cannot write in Bengali any more. In an attempt to regain his abilities to write in Bengali, he visits a psychiatrist. So to find out the root psychological problem, psychiatrist asks him to narrate his life, his dreams and his frustrations. The story is about his efforts to regain his ability of writing in Bengali.