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A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

A vengeful Jew adopts an abducted Roman child, who grows up and unknowingly falls in love with a Roman.

An American journalist travels to India to cover Bollywood weddings, only to uncover a mosaic of cultural clashes, transgender tangles and lost loves with her travels culminating at a destination where the only journey is the one within.

A heartwarming tale of good-samaritanism: A poor but large-hearted young man gives shelter to three helpless, forlorn people in his home--an abandoned railway coach. However, tensions arise in the group when he marries one of the inmates, a destitute young girl, since one of the other inmates loves her too.The group breaks up and the coach is abandoned. Time passes, fortunes turn, and penitence brings the group back together.

A wealthy mill owner, Durgadas Prasad, hires a secretary to handle his office work. She falls in love with Billoo, who incidentally happens to be Durgadas' estranged grandson.

Living a poor lifestyle with his widowed mother, Shankar sells toys for a living, but is addicted to alcohol. He is attracted to Parvati, who also lives a poor lifestyle along with her step-brother, Jagat Narayan, his wife, and their daughter, Pushpa. After an argument with his mother, Shankar departs to the city, gives up drinking, earns a lot of money, and returns home just to time to pay off his mortgage. But his world will soon be shattered after he goes to ask for the hand of a now wealthy Parvati. This is where he will be forced to face his past, and ultimately be told that Parvati's marriage has been arranged elsewhere. Unable to live without Parvati, he takes up drinking again and heads on to a path of self-destruction.

Prem Shankar lives a wealthy life-style circa after the British Rule in India, with his businessman father, Girija, and housewife mother, Kamini. He is now of marriageable age, and his parents would like him to marry Seth Heerachand's daughter, but Prem wants to marry someone of his own choice, without any pressure from his parents. He befriends a young woman named Kasturi, who falls in love with him. Prem also meets with a gypsy woman named Dulari, and falls head over heels in love with her. When his father finds out, he is enraged, forbids Prem to ever see Dulari again, and warns him that he can only marry a woman from a good and wealthy family background. It is now up to Prem to decide to follow his father's instructions or do as his heart tells him.

Indira (Suraiya) is an orphan brought up the strict and uprighteous Rani (Veena). Indira grows up to be a beauty and is sought by three suitors Raj (Raj Kapoor), Kundan (Al Nasir), and Ramesh (Suresh). Rani does not like Indira to marry into her family as both Raj and Kundan are her brothers, and she wants Indira to marry Ramesh, and as such arranges a meeting with Ramesh's mom (Pratima Devi) and finalizes the marriage. Indira does not appreciate this and refuses to marry Ramesh. Raj speaks of his love with Rani, and Rani warns him that Indira is to marry Ramesh, but also has an on-going affair with his brother Kundan. Who does Indira really love? Will she ever marry her dream man?

Dilip, spoilt and careless grandson of wealthy Rai Bahadur, is in love with film actress Nayantara and wants to marry her. However, Nayantara wants to marry him only for his wealth. Rai Bahadur totally disapproves this. However, film actor Ashok Kumar knows the truth as he also loves Nayantara. Dilip, unaware of Nayantara's ulterior motives, deceives Rai Bahadur time & again. On a day, Rai Bahadur with the help of his doctor friend, plays a trick. He pretends to be on his death bed and asks Dilip to change his ways. Dilip tries to assure him that he is out of the alliance with Nayantara and is in love with a nice girl who he plans to marry with. Rai Bahadur asks him to bring that girl in. Helpless Dilip ropes in Kiran. Rai Bahadur likes Kiran and hires her to take care of his house and himself until Dilip marries her. Unwillingly, Dilip co-op with the situation but falls in love with Kiran as he is now aware of what Nayantara wants. But he cannot marry Kiran as Nayantara starts blackmailing him at the pretext of some photographs she has in her possession. She threatens to sue Dilip but Ashok Kumar comes in and saves Dilip.

Rich guy Puran is not allowed to marry poor girl Asha. Will his Zid (stubbornness) win over the family forms the plot of this film

When Shekhar comes to know that Rani became disabled because of him, he decides to help her by hiding his real identity.

Based on Bankimchandra's novel Rajani (1877), this romance addresses property rights. Samar (Kumar) and Tarangini (Sumitra Devi) are childhood lovers. Samar feels betrayed when she obeys her father's decision and marries a wealthy zamindar. When Samar becomes a successful lawyer, he tries to take revenge on Tarangini and marries a blind flower-girl who, he discovers, owns the property on which the zamindar has built his fortune. The plot is complicated by the fact that the blind girl loves Jatin, the zamindar's son.

Two movie actors are confronted by startling and hilarious obstacles.

Lata (Devika Rani), daughter of a dancing girl, is brought up by social worker Mathuradas (Prasad) and is engaged to marry the rich Ranjit (Ashok Kumar) when the villain Chand (S.N. Tripathi) arrives to blackmail her with her undisclosed ancestry. Lata is forced to disclose the truth to Ranjit and the assembled wedding guests. Ranjit disowns her but they are reunited when Ranjit, blinded by an explosion, is nursed back to health by a devoted woman who turns out to be his wife.

Radha earns a living begging in order to support herself and her crippled and ailing father. They live in a small tenament, under the constant threat of eviction by their landlord for unpaid rent for several months. One day, while begging, Radha meets a young man, Nirmal Chander, who would like to see her improve her status by getting employment, he even goes to the extent of assisting her find work in a mill. He subsequently invites her over to meet his mother, and asks her to marry him, to which she agrees. Nirmal also seeks the permission of her dad. When he goes to get her to make arrangements for their marriage, he finds her and her dad gone. His attempts to locate her are in vain. Then after several months he finds her living in a small dilapidated hut with a young man named Mastram and a child - she calls her own - but claims that she is unmarried. Who is the biological father of this child? Where is he located?

International brand ambassador of Sanskrit, Megastar Aazaad created a mega movie titled Aham Brahmasmi to project, promote and protect the oldest ancient Language of the world, Sanskrit which is the first mainstream feature film in world history. 6th September 2019, went as a remarkable day for Indian Cinema, as Capital of India New Delhi and spiritual capital of India Kashi ( Varanasi ) witnessed a historic moment with the first screening of timeless creation Aham Brahmasmi and Sanatani Nationalist Filmmaker Megastar Aazaad marked his great presence among the Sanskrit lovers. The cine lovers had welcome Megastar Aazaad's movie of creating cinematic extravaganza in Dev Bhasha Sanskrit. Viewers of all ages witnessed the mega show with the Writer, Editor, Music Director, Director and lead actor Megastar Aazaad with chanting "Har Har Mahadev", " Bum-Bum Bol Raha Hai Kashi " and "Jayatu Jayatu Sanskritam" as if Aham Brahmasmi is not merely a movie but a cultural maha-yagna. The great purpose of movie is to rejuvenate the ancient language of the world and to create meaningful relevant and thought-provoking cinema. So that the world of today, acquaint with the forgotten languages and traditions. The ambition behind making this cinematic extravaganza is to rejuvenate Sanskrit among common people and unite the global audience by means of cinema. The historical Mega Movie Aham Brahmasmi is produced by Cinematic Giant Rajnarayan Dube's Legendary Film Company The Bombay Talkies Studios along with Kamini Dube, Vishwa Sahitya Parishad, Bombay Talkies Foundation, Aazaad Federation and World Literature Organization. Sanatani Filmmaker Kamini Dube is one of the most eminent female personality of India. After the grand success of first mainstream Sanskrit film in the history of world cinema Aham Brahmasmi, following the mission to promote, protect and strengthen the art, cultural languages and literature through cinematic creations, Megastar Aazaad is coming up with his Tamil venture namely Mahanayakan in one of the world's oldest language to unite the northern and southern part of India. To fill up any gap or remove any barrier of language, Aazaad is here to create a cinematic and rashtradharma for all and is ready with his timeless creation Mahanayakan in Tamil. Filmmaker and Megastar Aazaad has created his cinematic extravaganza Mahanayakan in Tamil to salute and pay respect to the enthusiastic and enlightened cine lovers of south India and has devoted his whole life to the mission of rejuvenating the ancient and forgotten languages worldwide and to unite the lingual division throughout the world by the means of art, literature, and cinematic creations.

The son of a priest falls in love with a Harijan girl and elopes with her. The film was a social drama that deals with untouchability prevalent in pre-independent India.

A disgraced widow is forced to work as a maid for her fatherless child.

A boy is raised by a wealthy family and grows up to become a doctor. He visits a small village for a medical camp and falls in love with Hamida. Meanwhile, the rich man's daughter pines away for him.

A romantic crime thriller. Kamala elopes on her wedding day with her childhood friend Ratanlal. Her father Manganlal chases the couple and catches them on a train. His furious exchanges with Ratanlal are interrupted by gunfire and in the mysterious gloom of the evening a body is thrown off the train. The suspects are Ratanlal, who cannot furnish an alibi, Kamala, who insists on being the murderess, ex-convict Sukhdev, who confesses to the murder claiming robbery to be the motive, and the lunatic Tarachand, who also admits his guilt.

Naive Saroop romantically renounces earthly pleasures under the influence of a sadhu. He is arrested at a fairground; in jail, fellow convicts change his view of the world. Working in the prison's garden, he meets Superintendent Sohanlal's daughter Durga, who was married as a child to a boy now believed dead. Nasty Ranjit covets her, and on their wedding day, it is discovered that Saroop was her child-husband.