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- After enjoying a currywurst with his friend Max, Casper realizes his personal narrative is increasingly at risk. Max brings surprising news: "BOND'S DAUGHTER" has apparently been adapted into a movie and has even secured a nomination for the European Film Award in Reykjavik, Iceland. Shockingly, Casper, the writer of the story, was completely unaware of this development. Strangely, his name or authorship isn't acknowledged anywhere - Justine must have something to do with it. Without any strategy in mind, Casper embarks on a journey to Iceland with his friend Max. For his own sake, he must understand this intellectual theft. Iceland meets his toxic pride with the sheer beauty of nature, yet at the same time with its entire severity. Justine Laser avoids any interaction, but the seemingly innocent leading actress of BOND's DAUGHTER doesn't shy away from contact. However, before Casper learns the truth from her, she slips some knock-out drops into his drink and Casper ends up spending the entire film awards gala in a deep sleep. When Max wakes him up, Justine is already on her way back to California. Casper and Max decide not to give up.
- Erik and his best friend Sebastian are two teenagers in a small town on the German border that once ran between East and West. Their parents are struggling with their own demons and they are bullied at school. Life doesn't seem to offer the two outsiders any perspective either. And so they start planning their revenge on their tormentors and do shooting exercises with the old NVA rifle of Erik's father. Driven by a voice from the swamp, Erik increasingly drifts into the darkness. Only when he meets a young punk girl his world suddenly turn upside down. And so he has to choose between what makes him happy and his dark thoughts, which seem inseparable from his friendship with Sebastian. But in a world of violence, there is inevitably an escalation that will shake the foundations of the small village on the edge of the former German-German border forever.
- Jessika, a precocious teenage girl with loving parents and a good-natured older sister, is the center of a slightly eccentric family. A series of small events disrupts their delicately balanced ecosystem. Jessika's father loses his job and becomes bored and despondent, while Jessika's mother reenters the workforce and becomes empowered. These events act as catalysts for the slow, painful disintegration of the family, with each member committing shocking acts of alienation and self-destruction. Desperately wanting her family but at the same time desiring her adolescent independence, Jessika struggles to find the best way to restore a balance.
- 16 women, 16 stories, 16 fates in Teheran. Women between 20 and 80. 16 women finding their self conception. Snapshots. What are their thoughts, feelings, actions? What is it they expect from their lives? This film by Bahar Ebrahim is an appraisal of 16 women in every day situations, their ideas, visions and perceptions. 16 Iranian women and their views on the past, loneliness, men, fashion, love, freedom and self determination. Two of them remain silent, convincing the others to immerse in music and dance. Art in shape of a warming coat for the soul. "Life is a prison, my eyes an ocean of tears. Oh Life, sweet life, I have had enough of you, let me go."
- A city, a man, a woman. This time it's glittering Zurich. The protagonists: Karl and Lisa. They fall in love. The usual. But Karl is a so-called 'loser'. Does drugs, borrows money and is in debt everywhere. Responsibility is alien to him. He lives day to day, detests relationships and he's heading straight for the abyss. Finally, when he loses Lisa, too, he has a major breakdown and finally begins to fight for both her and himself. Lisa is disappointed by Karl's way of life, even though she isn't a shining example of responsibility herself. Both are running from reality. And what was that about 'devotion', 'freedom' and 'trust'? This is a film about love. Not the conquering-all kind but real love. With all its weaknesses, its volatility, and its egoism.
- It's been 50 years since the infamous panel discussion »A Dialogue on Women's Liberation« took place in New York's Town Hall: Norman Mailer, Germaine Greer, Jill Johnston, Jaqueline Ceballos and Diana Trilling argue, laugh and perform on stage. In the audience Susan Sontag, Cynthia Ozick, Betty Friedan and Lucy Komisar - the intellectual elite of New York. 50 years later in Berlin - Saralisa Volm and RP Kahl fight against and with each other as Germaine Greer and Norman Mailer in a reenactment for the theatre stage and continue the discussion outside of their stage roles together with Luise Helm, Heike Melba-Fendel and Celine Yildirim. The rehearsals for the reenactment condense into a profound exchange of blows in the now, the age of »Me Too«. What the hell has happened in the past 50 years? A film about the fierce beginnings of feminism and their reverberation in our days.
