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A lonely construction worker from China goes missing at a Singapore land reclamation site, and a sleepless police investigator must put himself in the mind of the migrant to uncover the truth beneath all that sand.

1965, Malaysia. A small village helps Khalid and Siti prepare for their wedding day. Soon after, a great darkness falls upon the village as a string of horrific deaths and supernatural happenings create widespread fear and paranoia amongst the villagers. The events force a confession from Khalid to a murder of a girl he made pregnant years before, now believed to have returned as a Pontianak. To kill this vengeful vampire, he rallies all the men of the village and sets out into the jungle to hunt her down. But can the village stop her?

Ah Bee goes on a comedic odyssey through Tiong Bahru Social Club, a data-driven project to create the happiest neighborhood in the world. Little by little, his encounters with the neighborhood's residents reveal the absurdity of life.

A woman is interrogated by a man over one long night revealing the story of a bizarre tombstone trial in 1980s Singapore.

Rachel and her two friends explore an abandoned railway track that runs through a dense forest, but an unforeseen incident brings their little adventure to an abrupt end. Elsewhere, 26-year-old Rachel rekindles an old friendship with a high school friend. When a little boy from her past reappears, Rachel finds herself retracing a trail of iron and wood. Wistful and mysterious, the film depicts a world littered with incongruity, absences and traces of childhood dreams.

A young actress struggles to come to terms with the price she has to pay for making art.

It is the year 2066, and the sole survivor of an enigmatic cult recounts his country's traumatic history and the events that led to the rise and collapse of this cult. As he reminiscences, ghosts from 2014 and the years before appear as witnesses. Part dream documentary, part city symphony, this hybrid film traces the lineage of oppression as inscribed both in Singapore's physical landscape, as well as its collective unconscious. The narrative voice-over reflects on that which is forgotten, subjective, and polymorphic in history. This unusual film is a thoughtful look at the legacy and future of this strange Southeast Asian island.

A music documentary that traces the history of Singapore's music scene through its most influential band - The Observatory

Guohui and Peiling were childhood sweethearts who met again after years of being apart and became a couple. On an idyllic island south of Singapore, they spend their last moments together as their relationship falls apart. The film is about the impossibility to know what has made people change. Through the ever-changing landscape, Guohui and Peiling realise that what is transitory is also eternal.

03-FLATS follows the domestic experiences of three single women who are at different stages of their lives. It records how domestic resilience might resist the ennui of mass housing, turning housing into home.

Twenty years ago, Habiba and Eric were neighbours. When Eric revisits her home to find her still living there with her husband, what seems like a friendly reunion turns into the gradual revelation of a painful secret from the past. An unflinching look at the consequences of abuse, Fundamentally Happy explores without judgment or condemnation critical issues such as trust, memory, relationships and consent.

Over the summer break, Zhi Wen decides to move out of his parents' house to live with two friends. After discovering that Ah Pin and Mark are professional bicycle thieves, Zhi Wen slowly finds himself entrapped in a strange world of vice and deception. A magical personality game they play will finally cause them to switch identities with one another. The film is the tale of the three little pigs set in the modern landscape of urbanized Singapore. Will the three little pigs live happily ever after?

On the 11th of March, 2011, Yasuo Takamatsu lost his wife to the tsunami during the Great East Japan earthquake. Since that fateful day, he has been diving in the sea every week in search for her. Compelled and inspired to share his story, 'I Want To Go Home' is a journey from Singapore to Onagawa through the lens of the intrigued to meet him. A story of survival and faith, the film speaks of a man's loss, recovery and determination to reunite with his loved one, and the unlikely friendships forged across borders and languages.

Dreaming of a trip to Taiwan but stuck in a city they can't seem to leave from, three young people get together to create a friendship net that would save them from their inanimate loneliness. An unsterilized black & white image, with a documentary-like gray realism, provides the setting for a series of conversations and situations that have as much everyday nihilism as religious theories bordering the ridicule. With an overwhelming contemporary spirit, and a lucid pop art cinephilia, Tsai Ming-liang and Richard Linklater come together as explicit and essential references for White Days' main characters, but also for its director, who combines the theme of young lethargic people engaging in sharp dialog -Linkater's slackers- with the challenging aesthetics that implies taking a wide shot and creating a universe populated by Tsai's vanishing point.

Deep in the tropical rainforest of Southeast Asia, a series of incantations invokes the spirits of yore, including those of the nimble, tricksy Kancil (mouse-deer) and the ferocious Buaya (crocodile).

In Siem Reap, a young woman, haunted by loss, mourning, melancholia and the imperfections of memory, dances with two men-one of whom she is married to, while the other is engaged to be married.

The frontman of The Observatory and Humpback Oak, back to his beginnings at Kent Ridge and Normanton Park.

What if suddenly the water supply runs dry in Singapore? This fusion of documentary and fiction narrative depicts the lives of foreign migrants as an impending water crisis begins to seep into their lives. With water, or the lack of it, becoming the central motif, this two-part feature length film takes us on a journey across 8 interweaved stories and 10 languages, as the protagonists, consisting of non-professional actors, grapple with this hopefully temporary discomfort, amidst their dalliance with human foibles, and their fantasies of everlasting loves and broken romances. This aberration is a memento mori as the narratives grazed across the vague impressions of the racial tensions lingering past the 1997 riots in Indonesia, World War II, ritual beliefs, and ethnic discrimination in Southeast Asia which has been ingrained over generations and transported along with the migrant communities. Nonetheless, amidst the sporadic ventures into death and violence, sexual relations and sexualities, these are the lines of division that bind us to each other, in one way or another, as people survive through their crises.

Ikram brings home his classmates to feed Julia, his blood-sucking stepmum. When Julia starts flirting with a classmate Ikram has been secretly admiring, he flies into a rage of jealousy.

Smith arrives in Dar es Salaam to tie up loose ends. He is helped by others on quests of their own.