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Cambodian author and human rights activist Loung Ung recounts the horrors she suffered as a child under the rule of the deadly Khmer Rouge.

Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.

A troubled mother's spirit crumbles when her adult children strike out for independence. Feeling abandoned she contemplates taking drastic action.

The unexpected, uncertain love story of Sreykeo, a 21-year-old bar girl in Phnom Penh, and Ben, a young German student traveling to Cambodia on a post-graduation summer trip.

Two decades after forging an unlikely alliance in Pol Pot's Cambodia, a French ethnologist and a former Khmer Rouge official meet again after the latter is arrested for crimes against humanity.

Between 1975 and 1979, the Khmer Rouge regime caused the death of some 1.8 million people, representing one-quarter of the population of Cambodia. Kaing Guek Eav, better known as Duch, was in charge at M13, a Khmer Rouge-controlled prison, for four years before being appointed by the Angkar ("the Organisation", a faceless and omnipresent entity which reigned unopposed over the destiny of an entire people) to the S21 centre in Phnom Penh. As party secretary, he commanded from 1975 to 1979 the Khmer Rouge killing machine in which at least 12,280 people perished, according to the remaining archives. But how many others disappeared, "crushed and reduced to dust", with no trace of them ever being found? In 2009, Duch became the first leader of the Khmer Rouge organisation to be brought before an international criminal justice court. Rithy Panh records his unadorned words, without any trimmings, in the isolation of a face-to-face encounter. At the same time, he sets it into perspective with archive pictures and eye-witness accounts of survivors. As the narrative unfolds, the infernal machine of a system of destruction of humanity implacably emerges, through a manic description of the minutiae of its mechanisms.

This is a 2012 documentary film co-directed by Lida Chan and Guillaume Suon, which portrays a victim of forced marriage under the Khmer Rouge regime. The film premiered at the 2012 International Documentary Filmfestival Amsterdam and won the Award for Best Mid-Length Documentary.

Exil is a visionary narration of the exile of Cambodians during the Red Khmer regime, during which the country was renamed Democratic Kampuchea.

"Golden Slumbers" is an elegantly assembled and deeply moving remembrance of Cambodian cinema, which shone brightly from 1960 to 1975 .

When an American plane crashes in the Cambodian jungle, the pilot is taken captive by the Khmer Rouge. They instruct the kids of a village to keep an eye on the prisoner. While the younger kids gradually become friends with the stranger, the older boy called Pang has a different attitude. Since he grew up without parents, he accepted the Khmer rouge as his replacement parents and endears himself to them by betraying villagers. When Pang becomes responsible for watching the prisoner, things become worse for the pilot.

Aya is a former slave. At the age of 16, the young Cambodian peasant was sold to work as a maid in Malaysia. There, she was exploited during two years without receiving any salary. She was beaten and abused. Then she returned to her village - just as poor as before leaving - and brought back a child of rape. Dishonored and traumatized, what is left of her humanity? The film traces modern-day slavery in Cambodia by uncovering the fate of this young woman and following, in parallel, the daily lives of two human traffickers, a local recruiter and the head of an agency. Cambodian people call these traffickers Mey Kechol: The Storm Makers.

Camille, a young lady who has joined a Catholic mission in Cambodia and is ready to take her vows, crosses paths along a river and the Angkor ruins with a Cambodian man, Sambath, on a regular basis.

The film is situated as close as one can get to the life - and thus the spiritual death - of a prostitute.

In 1992, the survivors from 30 years of war in Cambodia were repatriated, among the 380,000 refugees, in the camps at the Thai border, to later be shifted to a village constructed for them by the UN. The film is a tribute to their stories.

Large and ancient canopies are leveled in the heart of Cambodia, along with the livelihoods of indigenous peoples. A young, educated protagonist returns to her ancestral Bunong village to document the devastation, revealing loss and resistance. Cambodia has one of the highest rates of deforestation in the world, with a removal of 2.85 million hectares of forest over the last two decades due to large-scale agro-industrial expansions. Multinationals remain anonymous in this film, reflecting the daily reality of the industrys lack of transparency. Through collected testimonies, the film delves into the traditional farming, harvesting and spiritual rituals of the Bunong in the forests of Cambodia that manifest as acts of resistance to this insatiable force. An observational style documentary, the film gives voice to a minority community and their generational struggle to preserve culture, language and an indigenous way of life.

Sokha is a 14- year-old Phnom Penh based daughter of Vietnamese immigrant parents. Due to their family's economic status they are barely able to make ends meet, let alone being able to send Sokha to school. Sokha instead goes to Tiny Toones, a vocational school that recruits children from the poorest slums of Phnom Penh to engage and educate them in break-dancing, Khmer, English and computing. Sokha dreams to be able to go to school one day like other kids, but as she puts, "what can I do when I come from a poor family?"

For the last trial in his career Francois Roux, a lawyer specialized in the defense of non-violent activists and a supporter of civil rights himself, chose to explore the boundaries of the law and the morals. Kaing Guek Eav, aka Douch, is considered one of the bloodiest tortures of our times. From the preparation of the defense strategy to the final pleading, this film follows the backstage of one of the major international trials in the last few years and without any hesitation confronts the banality of evil, challenging the absolute notion of 'good'.