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The parallel stories of a modern preacher and a medieval monk, Gabriel the Ascetic, who is killed by an ignorant mob for making a nude statue representing Truth, which is also represented by a ghostly naked girl who flits throughout the film.

Bob Van Buren's rescue of an upper-class Turkish girl and her duenna in Constantinople when they are waylaid by robbers paves the way for a romance between them. The romance progresses rapidly despite the hullabaloo raised by Demetra's father and by the Turk fiancé he is trying to force upon her; but the very thought of a girl, so highly educated, so gifted with needle and loom, so famously graceful as a dancer ending up in a harem instead of a respectable home, drives Bob Van Buren to desperation. At length he persuades Demetra to elope with him to America, where Demetra could be married at his mother's in New York. Getting wind of it, the malicious Osman hires a band of ruffians who make away with Bob Van Buren on the very eve of departure. With her young American mysteriously vanished, and the day of her now-all-the-more-odious wedding to Osman drawing near, Demetra can stand it no longer, and taking her duenna, flees to a cousin's in New York on the P. and O. boat on which Bob had reserved sailings. Osman pursues the little refugee, corners her in New York, and with oriental cunning sets a trap into which Demetra walks blindly. Having her in his toils again Osman summons a second Turkish priest and is just forcing Demetra to her knees before him when the door bursts open and in rushes Bob Van Buren, who had finally escaped the dungeon in Constantinople to which he had been consigned. He routes Osman and takes Demetra to his mother's. Mrs. Van Buren suggested that the lovers wait until September, but their hearts were set on June. And so, as you may very well imagine, June it was.

Mrs. Helen Barker, mother of son Jack, is married to Jerrold Scott. When Jack finishes college he returns home and is made a partner of his stepfather in the firm of Scott and Son, and at Scott's request he adopts his stepfather's surname. Scott and Son's reception room is full of girls waiting in answer to an advertisement for a stenographer. One pretty girl opens the wrong door and enters the room where Jack is waiting for his father. She and Jack get into conversation and she tells him of her troubles in finding a position; he tells her that it is his first day in business. Scott, entering, greets his son and shows him the sign on the door including him in the firm. Jack tells him that the girl is Gertie Meyer, who is looking for a position and who came to the wrong door. She is sent to the waiting room and Jack is taken to the auditing department to get his first training. The bookkeeper, Crane, who has been with the firm 20 years, and knows Scott's requirements for a secretary, selects those who are competent but lacking in physical charms, and sends them in for interview. One of these is Miss Wiggins, but she is too clever and is sent out to interview Crane. He retains her for some extra work on his own account. Scott, coming to the door, selects Gertie and dismisses the others. He asks her many personal questions, but nothing about her efficiency, and accepts her at a higher salary than she asked of him. Gertie, delighted with her position, begs her mother to leave the laundry where she is working, and brings her two small brothers home from the orphan asylum. All goes well the first week, except that with the first dictation Gertie makes a hopeless failure of the letters, and when she cries over her failure, Scott, in a fatherly way, puts his arms around her, and tells her that it was a difficult letter, and he will straighten it out. When he goes out, and while Gertie is making the corrections, Miss Wiggins slips into the private office and warns Gertie about Scott, tells her just what to expect, and asks her if he has taken her to luncheon yet. Gertie resents this and warmly defends her benefactor. When Scott returns and learns that Gertie has no money to pay for her luncheon, he persuades her to go to a restaurant and lunch with him. She dissents, but finally goes. She is awed by the fashionable people, the music, and the odd names on the menu. She refuses to have a cocktail, but Scott drinks. Seeing Paul Montgomery, his daughter's fiancé, in the restaurant, he feigns sudden illness to avoid speaking to him, gives Gertie a $10 bill and tells her he must rush off to meet an engagement and for her to pay for the meal. By the end of the first month at her position, Gertie has often dined with her employer, but her sense of propriety never ceases to be outraged by his amorous demonstrations. In the meantime, Jack Scott, who has had a growing interest in her since the morning she applied for the position, declares his love for her. and asks her to marry him. In her perplexity, Gertie goes to the Y.W.C.A. to call upon Miss Wiggins, who tells her to marry Jack if he really loves her, and receive no more attentions from the father. Gertie resolves to do this, even though she lose her position. The next day Scott asks Gertie to remain at the office in the evening, to do some work for him. Jack, not seeing Gertie leave the office, secretly waits for her. When the other employees are gone, Scott locks the door, seizes Gertie in his arms, and declares his love for her. In the struggle which follows, Gertie screams for help. Jack smashes through the door and defends the girl. Scott does not know of their love, and orders Jack out. In the excitement Gertie slips out. Jack, not knowing her address, hires detectives to locate her. Gertie, arriving home, is denounced by her mother for bringing the family to poverty again, and threatens to go to Scott's house herself and take a lawyer with her. Gertie goes out to a telephone and calls Jack, and at his request meets him at his home. Together they wait for his mother and sister, but when they come they do not receive Gertie with open arms. Scott and his lawyer Stuart are in the library discussing the affair when the butler gives away the fact that Jack and his fiancée are in the house with Mrs. Scott. Mrs. Meyers, enraged that detectives should be sent to her house, and fearing that the Scott millions have led away her little girl, bursts in and denounces Scott in her broken German-English. Stuart is authorized to provide financial aid for the Meyer family, and when Scott learns that Jack has not told the whole story to Mrs. Scott, he forgives everything, thanks his lucky stars that his wife does not know his perfidy, and accepts the situation in a truly happy way.

From a hard-won leadership of a hoodlum gang in Oakland, Cal., from a beach-comber's life in the South Seas, and from the inferno of the stokehole, Martin Eden, an unlearned sailor, wins his way to fame and fortune. But it is not until great odds have been conquered and much has been sacrificed that the goal is reached. And then it is too late. The odds are ridicule, poverty and lack of education. The great sacrifice, love. A chance meeting, in his hoodlum days, with Arthur Morse, a college man, proves the turning point of his life, for through him he meets Arthur's sister Ruth. This means the opening of a new world, and in the remaining reels of the play we see Martin's indomitable spirit and the development of his career. He makes two picturesque friends. One is Russ Brissenden, a poet, who encourages Martin when he sorely needs it, though his taking the latter to the Socialists' meeting had unfortunate results for the cub reporter as well as for Martin. The other is Maria, his warm-hearted Portuguese landlady, whose wildest flight of imagination, ""hoe all da roun' for da kids," Martin later is happily able to gratify. A third figure comes now and then into Martin's life: beautiful, wistful Lizzie Connelly, who loves him and whom he pities but cannot love. As in so many lives, matters are at their lowest ebb before the tide turns. Martin is penniless and without food or warmth. He has had only one sale of a manuscript in the many months of unceasing endeavor. Brissenden is dead. Ruth, losing her faith, has broken their engagement and refuses to see him. Then comes the sudden sweep of success, with publishers clamoring for his work and fame and wealth in his hand. But the tension that sustained him during his days of poverty and struggle breaks. Even Love, in the person of the repentant Ruth, knocks at his door in vain, and he sails for the South Seas, to find again, if he may, his old-time zest for life.

The cruel captain of a schooner dominates the shipwreck victims he picks up.

At the opening of the play Billy Roberts is successively a pugilist and a teamster, and Saxon, a young girl, works in a laundry. They meet at a Weazel Park picnic, the afternoon of the lively "roughhouse" between San Francisco and Oakland. They find each is of the race of the sturdy pioneers, which crossed the plains on foot and founded the new empire of the West. "We're just like old friends, with the same kind of folks behind us," says Billy. We see their simple wedding, and the happiness of the new life. Then comes the teamsters' strike, with its consequent poverty and unhappiness and the embittering of Billy's spirit. A succession of scenes shows the rioting that ensues when strike-breakers are imported. A thousand men were used in this part of the play. The action does not pause from the moment the strike-breakers leave the train until the riot culminates in front of Saxon's eyes, in the killing of Bert, Billy's chum. Things go from bad to worse, but it is when their fortunes are at the lowest ebb, when Billy is in jail and Saxon destitute, and while she sails on San Francisco Bay, that the great inspiration comes to her; the city is just a place to start from and that beyond the circling hills, out through the Golden Gate, somewhere they will find what they most desire. After his release and fired by her enthusiasm. Billy agrees and, with the thought that they are only following in the footsteps of their ancestors, they start out on foot to find a new home. Charming glimpses of the country through which they tramp are given, in the course of which we make the acquaintance of that delightful group of artists who call themselves the "Abalone Eaters," at Carmel, and attend a boxing match at which Billy earns a much-desired camping outfit in twenty-seven seconds. Finally they come to a cairn and view from it a valley that is all they have looked for. It is Sonoma, an Indian name, which means the Valley of the Moon. Our last view of them is in the midst of busy ranch life, and in a dell in Wildwater Canyon, where Saxon whispers to Billy the secret that crowns the summit of their happiness.

A sheriff and his posse shoot it out with a gang of robbers headed by Bad Jake Kennedy. The surviving robber, Buckshot John, won't tell where the gang's loot is hidden and gets 30 years in prison. Halfway through his sentence he "gets religion" and in order to save his soul, decides to tell where the gang has hidden its stash of gold. However, a phony clairvoyant, The Great Gilmore, finds out about John's intentions and tricks him into revealing where the gold is. When John finds out what happened, he decides to break out of prison and take care of matters himself.

When his long-suffering wife leaves him, the hard-driving captain of a whaling ship turns bitter and takes out his anger, resentment and frustrations on all those around him, leading to tensions with his crew that come up to the point of mutiny.

When Betty arrives from the Convent to visit her uncle's family they are careful to hide all the extreme low-necked gowns and other worldly things lest they shock the devout convent girl. Instead of shocking, Betty finds them fascinating and they install in her a desire to learn more about the fascinations of the world. When Jim Denning proposes to her, she says she loves him but she must see the world first. Angrily he leaves her as she sits beside the fireplace, whose dreamy flames inspire her to tempt a knowledge of things unknown to her. Out into the world she goes, where she sees and learns many things but with pangs and heartache. At a vital moment when she is about to faint dead away, the faithful Jim arrives and catches her in his arms. Betty awakens to find it has all been just a dream, and faithful Jim has no problem convincing her of the full meaning of a home and that the world and its false promises are not for her.

In 1898 friends John Thomas and Lars Larson travel to the Yukon with their wives to make their fortunes. While in Alaska Thomas' wife gives birth to a boy, and Larson's wife has a girl, Julia. However, Larson spots a birthmark on his daughter's shoulder that resembles one on Thomas' shoulder, and he begins to suspect that he may not actually be the girl's father. Over the next 20 years the two become millionaires, but Larson's wife dies. Julia and Thomas fall in love and wish to marry, but Larson is determined to oppose it. Complications ensue.

Artist Richard Alden goes to Laguna, California to paint the beautiful cliffs and shore which make this village one of the most talked-of places in Southern California. There he meets a young lady from the city, and their acquaintance soon ripens into love. For a while all goes well, and the little elfin sprite, a waif of the beach, who unknown to them watches them every day and weaves the dreams of romance and fairyland around them, sees only happiness. Soon, however, comes a young millionaire, and choosing between love and worldly ambition the young lady sails away with the millionaire, both questing for happiness along the paths of wealth and power. Brokenhearted, the artist feels that his pursuit of happiness has been in vain. How the little waif of the beach, budding into womanhood, shows him the true path, and how in later years the son of the rich man and the daughter of the artist bring the two men together again in a stirring revelation of what life has meant to each of them, is told in the latter part of this play.

In 1840, while California is ruled by Mexico, American settlers are in constant danger from Mexican marauders. After a band of Mexican soldiers led by American renegade George Granville kill the parents of Leonardo Davis, he vows vengeance and begins a career as a masked highwayman who terrorizes the Mexican offenders. Because Leonardo gives his plunder to those Americans who have been robbed, and he protects the women, children, poor, and helpless from attacks, he becomes known as "Captain Courtesy." At the San Fernando Mission, Leonardo falls in love with Eleanor, the orphaned ward of Father Reinaldo. For Eleanor's sake, Leonard renounces his mission of vengeance and joins the California Riflemen. When Granville learns about a cache of gold hidden at the Mission, he organizes an attack. Leonardo crashes through the stained glass window on his horse and rides to General Stephen Kearny's troops encamped in Los Angeles, who then rout the Mexicans. When Granville boldly admits that he slew the Davises, Leonardo fights him, but Eleanor persuades him to spare Granville's life.

A tale following a boys relationship with alcohol.

To Cal Galbraith's cabin in the Klondike, one winter night, comes a starving, frost-bitten figure. Cal recognizes it as Naass, an Esquimau dog-driver, to whom he had lent sixty ounces of gold dust that he might buy release from the service, and who thereupon had left for a prospecting trip with Axel Gunderson and his wife many weeks before. Crouching by the fire, Naass tells his story. We see the feud in the Esquimau village between the descendants of two shipwrecked sailors, which terminates at the wedding plotlach of the last of the two lines, Naass and Unga. We see Axel carry Unga off to his ship, where he later wins her love and marries her. Knowing nothing of this, but always remembering the last appeal in Unga's eyes. Naass follows as best he can. From city to city he journeys, till a clue carries him to the sealing grounds. With Axel's ship in sight. Naass' ship is captured by Russians in waters forbidden to sealers, and he is sent to Siberia. Not even the horrors of the salt mines and the knout daunt him and he escapes, to make his way hack through Alaska to San Francisco. There he learns that Axel and Unga had left the day before for the Klondike, but at least he has a definite clue and a bait to trap Axel with in the shape of a map leading to a wonderful mine in the unknown mountains of interior Alaska, given him by a dying prospector, so with renewed courage he starts out again. At Dawson the long search is ended, but they do not remember one who had paid for Unga's love an untold price, and he easily persuades them to go with him in search of the mine in the mountains. The odyssey is over, the never-forgotten appeal in Unga's eyes will now be answered, and Axel is in his power. He destroys the caches for the return trip, kills the dogs, and watches with the exultation of the just avenger Axel's slow death from starvation and frost. Then when death has come to Axel and is very near himself and Unga, he reveals his identity, "I am Naass, the last of the blood, as you are the last of the blood." To his bewilderment, Unga laughs wildly, then denouncing him in a passionate outburst, throws herself beside the dead body of her husband and refuses to leave him. "But upon me there lay your debt, which would not let me rest. I repay." And giving Cal a bag of gold, taken from the far mountains, Naass turns again to the fire.

"Sunshine Molly'' enters the oil town in search of work. Her first good deed is to help old Pete, whom she had met on the road, to carry his heavy bundle. She is seen to do this by "Bull" Forrest. Old Pete shows her the boarding house and she applies for work. Mrs. O'Brien and her daughter, Patsy, a slovenly girl, who have to do all the work, are tired out and seeing in Molly a willing worker, hire her and she starts in at once. "Bull" Forrest enters the dining room at this point and announces: "There's a new female in town." He is reproved by old Pete as Molly enters with food, and Bull in a spirit of bravado pinches her. Molly is furious, breaks a plate on his head and tells him to keep his hands to himself. Bull leaves the dining room in a rage. Pat O'Brien, whose wife runs the boarding house, owns an oil well in which he has sunk all his money and is greatly worried because it shows no sign of producing. Old Pete, now very weak and near the end, makes Bull a witness to his will in which he leaves his land and all on it to Molly. In the meantime Pat's well turns out to be a gusher and the O'Brien family move to town and enter society. The Widow Budd takes charge of the eating house during their absence and falls hopelessly in love with all her boarders, who show a preference for her daughter. At this juncture Mrs. O'Brien engages a professional matchmaker to find a man of family to marry her daughter. She is successful and on making known her intention of giving a reception to announce the engagement. Pat thinks it will be a good chance to give his old cronies in the oil fields a treat, so he secretly invites them to the reception. The night arrives and Mrs. O'Brien and her daughter, whom she now calls Patricia, are flattered by the large attendance of polite society, when who should file in but the workmen from the oil fields. Consternation follows, and Pat's wife is furious that he should have dared to invite such common people. Pat, angry at the insult to his cronies, departs with them to the oil fields, leaving his wife and daughter in sore straits, as the fiancée demands a marriage settlement. Bull Forrest has been shunned by his fellow workmen on account of his insult to Molly, and worried so over it that his nerves became affected, his sight troubled him and caused him to act so queerly that he was thought to be insane, and all avoided him. Molly discovered him stricken senseless one night, took him to his room and doctored him and his hate turned to love. Mrs. O'Brien with Patricia and her fiancée were compelled to follow Pat to Oilfield and on arriving were given a cool reception by the workmen, and the fiancée in retaliation tells them that he knows "Sunshine Molly" and that she has been a jailbird. The men are enraged at this insult to one whom they all think so highly of, and hurry him into the dining room where Molly is and demand to hear what he knows about her. Molly says that he is quite right as she was arrested once for attacking a man who would not keep his hands to himself, and pointing to him, tells the men that they will find a scar on his left shoulder. Bull tears the clothes away and reveals the scar, the men at once kick him out and he swears to be revenged. That night he sets fire to the oil field, which is destroyed, and Bull seeing him do the dastardly deed, pursues him to an old derrick where he climbs to the top, pursued by Bull. A part of the ladder breaks and the traducer is dashed to the ground and killed. Bull is carried to the boarding house and placed in Molly's room where he is tenderly cared for by Molly. Overcome by her kindness he sends a note to her by Pat asking her to have someone else wait on him, as "he can't keep his hands off her." Molly answers the note in person and tells him that loving each other as they do, it would not be long before, "a man can lay his hands on his wife."

When Billy Balderson and his two cronies, Charlie and Ed, get together on Bill's porch to discuss the high-handed ways in which the railroad is putting it over on the farmers, cross-roads politics develop a latent spring of eloquence, and poor, dowdy little Addie, Billy's wife, thinks that her husband is the most wonderful orator she ever heard. A few days later they dress-up in their second best and go to a meeting on the Common, where George Marshall, suave, well-dressed and condescending, explains to the voters that the railroad is their only hope of salvation and that in the approaching election they should vote for representatives who will support that institution. Billy questions Marshall. The crowd is with Billy, and almost before he knows it he is on the platform, annihilating Marshall's argument in a rousing speech. Between excitement and pride Addie is reduced almost to hysterics, and when Charlie, seizing the psychological moment, nominates Billy for the Legislature, she is nearly overcome. The most exciting days of her hard-working, colorless life follow, culminating in the fete day when Billy entertains all the townsmen at their farm to celebrate his election. With their arrival at the State Capitol a new era begins, and Addie soon learns that the years of drudgery and plain living on the farm are poor preparation for coping with the political circle of the State Capitol. Shy and bewildered, and lacking the poise that a sense of his position gives Billy, she quickly finds herself outstripped by him in adapting themselves to the changed conditions of their lives. Addie can only look nervously about and wish she was at home; as she and Billy attend their first reception and she notices the covert laughter of the people about them. Two persons notice them particularly, George Marshall, the speaker Billy answered during the campaign, and his wife, Myrtle. As Billy is recognized as a coming man, and his vote will be needed on an impending railroad bill, Marshall quietly gives his instructions to Myrtle, then recalls himself to Billy, and tries to put him and the embarrassed Addie at their ease. Taken up by the Marshalls, Billy makes rapid progress in the social life of the capitol, but only until Addie learns that Mrs. Marshall is monopolizing her Billy's time, and that she herself is looked upon by the women of the political circle as a poor little frump with no spirit. With a blank signed check from Billy, she calls in the services of Mme. Pauline, proprietor of a beauty parlor, and the result is so astoundingly transforming that she can hardly believe her eyes. She passes Billy on the street and he does not know her, though the thought flashes through his mind that his little country mouse of a wife might have looked like that. When he reaches home, there is Addle, still the little, dowdy country mouse, who seems to shrink from the very thought of the reception and ball to which they are invited, and who later sees him off to it with an air of relief. The relief at least is not feigned, for it has been hard work to keep Mme. Pauline and her maid quiet in the kitchen, while she gets Billy out of the way. The transformation takes place quickly, and the country mouse appears at the ball as a wonderfully charming and brilliant woman. Marshall is distinctly impressed, and so ardently seized the opportunity of persuading Addie to influence Billy's vote on the railroad bill, that Billy is furiously jealous. The denouement is cleverly turned to a comedy finish and the play closes happily as Addie begins to teach her husband the tango.

"Little Sunset" is the red-haired, fiery-tempered son of a minor league baseball player named Jones. The boy worships Gus Bergstrom, the star outfielder for the Apaches, and is overjoyed to learn one day that his father has been signed to the "Terrible Swede's" team. Following the death of Little Sunset's mother, the boy accompanies his father on the road as the team's mascot. He and Gus become great friends, and when Little Sunset falls ill, the "Terrible Swede" plays miserably. At an important game, Gus makes a serious mistake, and the manager angrily upbraids him. Weary of baseball after fifteen years as a player, Gus takes the opportunity to quit the team and return home to tend to his business affairs. Hearing that the team is in trouble, however, he rejoins the Apaches and leads them to a pennant victory. Little Sunset, who had been outraged when Gus deserted the team, finally decides to forgive his pal.

To escape the dreary formality of her born life, Drucilla marries a missionary, Ferdinand Smith, and goes with him to Africa. Here her life proves anything but happy. Denied the pleasures enjoyed by most girls of her age, she endures her husband's cold severity as long as possible and then leaves him, returning to America, where she visits her old school friend, Letitia Proudfoot. It is while attending a reception with Letitia that she meets the poet, Forrest Smith, whose attentions are welcome after the austerity of the frigid Ferdinand. A friendship springs up between them which soon ripens into love. On the news that Ferdinand has been lost at sea, she and the poet marry. Love in a cottage is hardly more satisfactory to pretty Drucilla than life among the heathen. Forrest is not a good provider, and when she threatens a suit for non-support, he disappears, leaving a note of farewell pinned to his coat, which is found at the edge of the sea. Free again, Drucilla for the first time really falls in love, this time with Frank Smith, a wealthy club man, athletically inclined. Frank turns out to possess a very jealous nature. Drucilla puts up with his doubts and suspicions patiently, but before long a climax arrives which precipitates a suit for divorce. Drucilla welcomes this conclusion to her unhappy domestic affairs with relief and sets off with Letitia in search of repose. Now it happens that Ferdinand was not lost at sea, and Forrest did not commit suicide, and each develops a desire to be reunited with his wife. Forthwith they set out in search of her, and eventually meet at the same hotel. Here also comes Frank, who, too, has undergone a change of heart. Thus instead of finding repose, as she hoped, Drucilla is plunged deeper than ever into marital tribulations. Her tender heart prompts her to make up with Frank. But no sooner is this done than Forrest puts in an appearance and makes his claim. Drucilla cries, "I am a bigamist," but belated Ferdinand, entering the scene, answers, "No, you are a trigamist." Which one of the husbands will Drucilla take, and how will she evade the law? This is the question. The clever authors have so arranged that this will be a guess until the very last, and then it ends just right for everybody.

That a fork was ever meant for anything but spearing bread never dawned on Frederica Calhoun until the arrival at her father's big Montana ranch of Lord Cecil Grosvenor, a prospective buyer. He opened her eyes to an hitherto undreamed of world of refinement and good form, and she in turn appealed to his imagination by her crack riding, her beautiful lariat dances which the cowboys had taught her, and her unfailing sweet disposition and sunny bubbling good spirits. But on their betrothal, with its subsequent visit to Lord Grosvenor's sister, a New York society woman the idyll showed a flaw. Redfern gowns, afternoon teas and the formal social routine of the patrician Knickerbockers did wonders for Frederica, transforming the cocoon into a butterfly. But to Grosvenor it was demoralizing, and word of his escapades reached Frederica's ears. The night of the French Ball she borrowed a suit of men's evening clothes and hid by a stage door where with her own eyes she saw her fiancé come out with the dashing show girl with whom his name had been connected. Indeed, Frederica's "young man" makeup was so complete that Grosvenor grew jealous when Frederica eyed his companion so straight and hard. The fatal breach was widened when Frederica's prospective sister-in-law peeked into her room after her return and deceived as her brother had been, felt it her duty to inform him she had seen "a man." This Frederica spiritedly admitted, inasmuch as the "man" was none other than herself, but Grosvenor presumed to wax furious, and the absurdity of such a stand disgusted her and she tossed the Englishman over. As a matter of fact, she was glad of the excuse, for she had all the time been playing straight with him only at the expense of holding off an old Montana sweetheart who had come to New York and made good. Her hands free, Frederica returned to a man whose word she knew was good as his bond, and, thanking her stars she had learned in time that a man was not to be judged by the way he handled a fork.

Judge Randolph Kent repudiates his son when the latter makes no satisfactory explanation of how the jewels which were stolen at Mrs. Monroe's ball came to be found in his coat pocket. That young Kent, heretofore the idol of the little city and the apple of his father's eye, was, after all, hopeless from the beginning seemed proven when he was later indicted for embezzlement. By an irony of fate Judge Kent himself is forced to hear the case, and on considering the incontrovertible evidence instantly gives his son the maximum sentence, ten years in state's prison. But before the sheriff starts with the condemned youth it is discovered that young Kent has all along been sacrificing himself to shield others. Innocent himself, he protected the thief of the jewels at the Monroes' because it was the brother of the girl he was about to marry, and shouldered the crime of the real embezzler because the latter had befriended Kent and got him his position at the bank when the Monroe scandal had made him an outcast.

Nicknamed "Wild Olive," Miriam Strange learns that her mother was an Indian, she moves to a hut near an Allegheny lumber camp. Norrie Ford, fresh from college, visits his uncle, the bullying boss of the camp, and meets Miriam. After his uncle is murdered with a knife found hidden under Norrie's mattress, Norrie is sentenced to die. He escapes a guard and, after staying a night in Miriam's hut, leaves for Buenos Aires with her letter of introduction for employment. Although he vowed to marry her, after his letters to "Wild Olive" return undelivered, Norrie, sporting a beard and an assumed name, becomes engaged to Evie Wayne, Miriam's stepsister. When Norrie is sent to be his firm's New York manager, he meets Miriam again. She sacrifices her love and agrees to marry lawyer Charles Conquest, if he will prove Norrie's innocence. After Evie learns about Norrie's past and breaks the engagement, the murderer makes a deathbed confession. Conquest releases Miriam when he sees that she loves Norrie.

Caveman Long Biceps courts cavewoman Lithesome using the direct method, force, while Lithesome's father, Hard Muscle, opposes the brutish union. Centuries later, during the American Civil War, Prudence Alden leaves her Boston home to tend to her wounded brother in the South and falls in love with Frank Warren, a Rebel whose father, Colonel Warren, places considerable obstacles in the lovers' path. Just as Long Biceps overcomes Hard Muscle and wins Lithesome, so Frank defeats the colonel and gains Prudence. In 1915, Marian Gordon aspires to a career as a novelist, but when she is told by a hard-nosed publisher, John Rogers, to get out and learn about life, she takes a job as a maid in his household. While studying life, she has a romance with John's reckless son Jack and wins not only his heart, but the father's as well. A bestselling novel follows.