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Governmental oppression puts Reynaldo in a "reformatory" form which he manages to escape. He tries to survive on the streets of Havana. Hopes, disappointments, rum, humor, and hunger accompany him until he meets the two life artists.

In Vera Cruz in the 1940s, Nacho, an Indian, waits tables at Don Lázaro's café at Hotel Ofélia. He falls for Lola, an opium-addicted, alcoholic whore who's hopelessly in love with Gardenia Wilson, a masked wrestler who slept with her once but knows she's unbalanced. Don Lázaro warns Nacho about Lola, and Nacho knows his love will be unrequited, but he'll do anything, regardless of how degrading, to be near her. Lola, for her part, can be sadistic. Republican exiles who are regulars at the café encourage Lola's desire to assassinate Franco. Nacho in turn mixes this political mirage with his fascination with the plot of "The Mikado." Where do fantasies and obsessions lead?

The small, everyday stories of a group of neighbours who live in a suburb of Barcelona, and the little secrets that they hide.

Not every day you have the chance of fulfilling a dream: making a heist film.

In a small town in the Basque country, Lucas and Maria are an elderly brother and sister. They share a house with their memories and the ghosts of the people they have loved throughout their lifes. They know that sooner or later they will buy their ticket for their final journey. Marcos and Roma are young and alone. She's a nurse and paints windows that embellish the views from her room. Marcos is a street performer with no home of his own, clinging to his accordion and a pile of questions. They don't know that sooner or later they will all set out on a journey together.

When Laura receives a letter from her mother, whom she hasn't seen, nor has heard anything from in 10 years. She decides to go and look for her because she needs to answers to allot of questions, but first she will have to confront her older sister, who tries to prevent it.

A conceptual reimagining of painter François Augiéras' life as he believed that the best way to escape without a trace is to walk backwards.

Thanks to his drawings, DAVID can see colors through a black and white world. In his sketchbook's pages constantly appears DAVID, his best friend. Always playing, having fun. To PONS, DAVID has always meant joy. Until today. PONS is completely confused, his role model is no more: DAVID has comitted an absurd, horrible crime.