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Freddy Krueger returns once again to terrorize the dreams of the remaining Dream Warriors, as well as those of a young woman who may be able to defeat him for good.

A cop and an FBI agent race for answers after law abiding people suddenly become violent criminals.

A small-town farmer's son reluctantly joins a traveling group of vampires after he is bitten by a beautiful drifter.

Kids left home alone accidentally unleash a horde of malevolent demons from a mysterious hole in their suburban backyard.

When Frank Castle's family is murdered by criminals, he wages war on crime as a vigilante assassin known only as The Punisher.

Eggs of the small but voracious alien creatures called Crites are left behind on earth and, after hatching, set their appetites on the small farm town of Grover's Bend.

A rude, contemptuous talk show host becomes overwhelmed by the hatred that surrounds his program just before it goes national.

After a string of bad luck, a debt collector has no other choice than to spend the night in a haunted temple, where he encounters a ravishing female ghost and later battles to save her soul from the control of a wicked tree demon.

Mary-Jane, a lonely mother in her forties, gets absorbed in a sentimental affair with a 14-year-old boy.

Harry Voss' life spans three pivotal days: his carefree youth, high school graduation, and lonely middle age, exploring life's fleeting moments and unfulfilled dreams.

"I'll look at you, but not at the camera. It could be a trap," whispers Jane Birkin shyly into Agnès Varda's ear at the start of JANE B. PAR AGNES V. The director of CLEO FROM 5 TO 7 and VAGABOND once again paints a portrait of a woman, this time in a marvelously Expressionistic way. "It's like an imaginary bio-pic," says Varda. Jane, of course, is the famed singer ("Je t'aime ... Moi non plus"), actress (BLOW UP), fashion icon (the Hermes Birkin bag) and longtime muse to Serge Gainsbourg. As Varda implies, JANE B. PAR AGNÈS V. abandons the traditional bio-pic format, favoring instead a freewheeling mix of gorgeous and unexpected fantasy sequences. In each, Jane inhabits a new character, playing a cat & mouse game with Varda as they explore the role of the Muse and the Artist, all the while showcasing the multifaceted nature of Birkin's talent. "I'd like to be filmed as if I were transparent, anonymous, like everyone else," says Birkin. But her wish to be a "famous nobody" is impossible to achieve; Birkin is simply too magnificent, too mesmerizing. Here, Varda's signature mix of aesthetic innovation and generosity of emotion results in a surreal and captivating essay on Art, Fame, Love, Children and Staircases. For its first-ever U.S. theatrical release the film has been newly-restored from the original 35mm camera negative, overseen by director Varda herself.

A plump loser, after being left at the alter by his fiancee, is invited to Christmas dinner by a beautiful woman, but her family are cannibals who intend to have *him* as the main course.

This movie tells the story of a group of right-wing cops have begun carrying out vigilante justice on drug dealers and other crime figures who might otherwise avoid punishment for their misdeeds. Police inspector Grindel (Delon) understands the feelings which motivate these deeds, but does not approve. However, he is not highly motivated to put an end to the group's activities until it begins to appear that they are now attacking fellow cops for reasons which are unclear. Grindel sets to work to uncover the culprits, and in a climactic scene, confronts his colleague Scatti

A composition of symbolic, surreal and almost mystic images.

A women's prison. Women arrive, some for as long as eight years. They work making teddy bears. Dessombes, the head matron, misses little. She gets intelligence from Marthe, an older convict. When the uncompromising and difficult Nelly is sent to the hole for something she didn't do, the women suspect that Marthe had a hand in it. Brigitte breaks off their friendship, so Marthe adopts Nicole, guilty of infanticide and shunned by the other prisoners, as her surrogate daughter. Sabine, young, energetic, and one of the few with a husband who visits her, falls in love with Lucie, a woman who has given up on life and fears the day of her release. Tensions mount.

A young woman gives in to a man who reminds her of another.

At 16, Tony is an English-speaking high-school drop-out in Montreal. In trouble with the law and at odds with his struggling single parent mother, Tony is sent to Juvie where he realizes that he's neither as tough or as disadvantaged as he thought. Then he comes home on a weekend pass only to find his younger brother following in his footsteps.

A new gardener arrives at the superb property of a French cultural attaché in Portugal. This frail young man does not have the head nor the figure for the job. And for good reason: Johann is a painter who, after a recent break-up, has fled to find the calm necessary for his work. This intrusion causes disturbances, admitted or not, in this small protected world.

João is the spiritual heir (the term he prefers to bastard) of Manuel Brandão, his dying godfather, and at the same time the political leader of a small party of a disintegrating governmental coalition.

A grenade robbery has been committed. It bears the trademark of Rock and yet it is in fact Tango, a professional poker gambler who is its author. Rock is furious and sets out to find the usurper. He picks up his track, abducts Alice, Tango's mistress, and, by means of threat, tries to oblige Tango to go on holding up banks for him. Tango refuses but, surprisingly, Rock does not insist. Maybe because he feels more and more attracted to Alice. The two men end up becoming friends. But police superintendent Luther, who is after Rock, is drawing closer...

Jean-Honoré Fragonard, an 18th century painter, decides to use as a model a young washerwoman, Marianne, with whom he ends up falling in love.

Two would be producers launch a singer's career .