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Santa Fe begins where Corti's 1982 film God Does Not Believe In Us Anymore leaves off. In 1940, a ship arrives in New York harbor filled with exhausted Jewish immigrants desperate to begin a new life. Freddy struggles to find work, learn English, and overcome his piercing alienation. His world of refugee acquaintances includes the depressed daughter of a poet/delicatessen owner, an aging surgeon who cannot find work, and a lovable charlatan photographer. A totally absorbing picture, which examines with complete assurance the hopes, doubts, and memories of immigrants who have no place to call home. Corti's trilogy continues with Welcome In Vienna.

While at his workshop in Puerto Rico, Pablo Casals prepares to conduct a Bach suite for a concert performance.

Sophie's husband suddenly leaves her and she runs out of money. She and her friend Steffi are both gifted cooks, and Steffi has the idea to open an agency for "Dinners for Two" to earn some extra money, and a couple of very odd people react to their advertisement.

The series illuminates the history of a Viennese family over several generations. Each of the feature-length episodes focuses on a protagonist of a new generation.

This film essay explores the strange case of G.W.Pabst, the Austrian filmmaker who was considered a giant of early cinema before his reputation went behind a cloud.

Two young girls who live in a small town in Lower Austria dream of America, men and love. They live in Ternitz, they dream of Tennessee.

In a small village, the lady tobacconist is raped and robbed. Suspicion is focused on the gypsies who live in a settlement on the edge of the village, a welcome pretext for razing the settlement to the ground.

Paul Feldmann has fought for the lives of small patients as a pediatric surgeon. Now he is 80 and is about to receive the Austrian Federal Cross of Merit. A neo-Nazi attack on a playground moves the doctor to face his past.