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Un niño debe restaurar el orden cuando un grupo de matones roba el libro mágico que sirve como un portal entre la Tierra y el mundo imaginario de Fantasía.

Un gato debe investigar los brutales asesinatos de otros gatos en un vecindario al que se ha mudado con su dueño.

Richard Wagner's last opera has remained controversial since its first performance for its unique, and, for some, unsavory blending of religious and erotic themes and imagery. Based on one of the medieval epic romances of King Arthur and the search for the holy grail (the chalice touched by the lips of Christ at the last supper), it recounts over three long acts how a "wild child" unwittingly invades the sacred precincts of the grail, fulfilling a prophecy that only such a one can save the grail's protectors from a curse fallen upon them. Interpreters of the work have found everything from mystical revelation to proto-fascist propaganda in it. Hans-Jurgen Syberberg's production doesn't avoid either aspect, but tries synthesize them by seeking their roots in the divided soul of Wagner himself. The action unfolds on a craggy landscape which turns out to be a gigantic enlargement of the composer's death mask, among deliberately tatty theatrical devices: puppets, scale models, magic-lantern projections. The eponymous hero is sung by the specified tenor voice (Reiner Goldberg) but mimed on screen by a male and a female performer alternately, reflecting what the director takes to be the creator's own sexual conflicts. Syberberg's pacing, dictated by the majestic pace of Wagner's score, is slow, but enlivened by constant subtle shifts in point of view, and memorable performances by actress Edith Clever as the villainess/heroine Kundry (sung by Yvonne Minton), orchestra conductor Armin Jordan as the remorseful knight Amfortas (sung by Wolfgang Schoene), and Robert Lloyd (the faithful retainer Gurnemanz).

When God distributed wiseness and foolishness through a newly created world, one of the cherubs accidentally dropped all the foolishness on a tiny village called Chelm. So everyone in the village is very dumb. Recently orphaned boy Aaron and his friendly goat Zlateh live there with Aaron's uncle Shlemiel. When an evil sorcerer and his monster attack the village, Aaron and Zlateh have to defend it themselves.

Tommie works as mechanic in a garage and loves crazy exhausts. But when he steals the exhaust of the procurer Jupp a lot of trouble starts: Jupp gives Tommie an ultimatum to replace the exhaust and to buy a box of "Ramsdorfer Koelsch".

This cinematic adaptation of the autobiography of Anna Wimschneider depicts her life's experiences and workaday routines as a woman born on a farm in lower Bavaria, Germany in the 1920s. Anna's mother died young in childbirth and Anna had to take her place and work very hard. At a Nazi rally she meets young Albert, who owns a farm. They realize that they both don't believe in fascism and go to a coffee bar where he starts wooing her. Against her prior decision to leave farm life as soon as possible, she agrees to marry him, hoping that her life will become easier on Albert's farm.

The last day of a vacation at the sea, Thomas Ritter met two women: the shy and warm hearted Sabine and the rich Melanie. He settled with Melanie, who could help him with his career as a composer - but came to regret it much when she annoyed him with her unfounded jealousy and suicide threats during all the years of their marriage. When he finally overcomes his scruples and seeks refuge with Sabine, who he kept a friendship to, Melanie is found dead the next day, and it's arranged in a way that suggests Thomas as her murderer...

Police inspector Lanz has long been trailing a serial killer who strikes while on vacation and loves to needle him with words "Wish you were here" on a postcard. When the killer turns up in London, Lanz takes up the chase, but before he can nail his suspect, the man falls to his death from a rooftop. The case is closed, Lanz goes on a vacation to Vienna with his lovely wife Karen, not knowing that there is already someone waiting for him...

Dieter dreams of the great career as a pop singer. His parents, both sworn relics of the hippie era, are worrying, because Dieter doesn't want to get to know any girls. So they push him to go to discotecs. There he meets Petra, who is already engaged to the heir of millions, Hilmar. But the power of their feelings is stronger and beams the couple back to the year 1972. But while Dieter comes to his senses in a shared flat in Berlin, Petra arrives in the English Garden in Munich - and both know they must find each other. Dieter sets off on a journey...

In this sequel to the German cult TV series Pumuckl leaves Meister Eder and Munich. He joins a steamboat on the river Danube where he hopes the blue 'Klabauter' (another sprite of his own kind) will teach him the art of magic.

Leo and Marili grow up in a working class neighborhood in post world war one Munich in Germany. They make their first holy communion, fall in love for the first time, graduate from school and start working, bury a loved one for the first time in their lives, and generally try to get as much out of life as they can under the circumstances in the 1920s and 1930s, up until the first day of the second world war.

About the "lack of history" of women at the time. This is what the series' ambiguous title alludes to: an unheard (unknown) story and unheard of not yet been told (heard). The history of the German women's movement from 1830 to the present day. This 12-part series was produced by the NDR, the WDR and the HR and was broadcast in 1987 on channel three. The pieces were all made by seven different women filmmakers.

On July 19, 1937, an exhibition entitled "Degenerate Art" was opened in the Munich Hofgartenarkaden, a National Socialist propaganda event. It took place parallel to the "First Great German Art Exhibition".