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- In the colorful future, a cab driver unwittingly becomes the central figure in the search for a legendary cosmic weapon to keep Evil and Mr. Zorg at bay.
- Stephen Hawking gets unprecedented success in the field of physics despite being diagnosed with motor neuron disease at the age of 21. He defeats awful odds as his first wife Jane aids him loyally.
- A talented young boy becomes torn between his unexpected love of dance and the disintegration of his family.
- A man against capital punishment is accused of murdering a fellow activist and is sent to death row.
- A young ballet dancer is torn between the man she loves and her pursuit to become a prima ballerina.
- When her daughter joins a ballet company, a former dancer is forced to confront her long-ago decision to give up the stage to have a family.
- This is the Andrei Tarkovsky production of the famous Pushkin/Mussorgsky opera, performed in 1990 at the Mariinsky Theatre in St. Petersburg, Russia, conducted by Valery Gergiev.
- The story of opera soprano Dame Nellie Melba.
- One of the most iconic operas of all time; "The Magic Flute" (Die Zauberflöte) by Wolfgang Amadeus Mozart is about a Prince, Tamino, conquering all odds to be wise and to rescue the daughter, Pamina, of the Queen of the Night. This is one of the best known productions of this opera, in Covent Garden- London 2003. Conducted by Sir Colin Davis, performers include Simon Keenlyside as Papageno, Dorothea Röschmann as Pamina, Will Hartmann as Tamino and the legendary Diana Damrau as the Queen of the Night (Königin Der Nacht).
- Operatic version of George Orwell's totalitarian masterpiece "Nineteen Eighty-Four."
- Ballet. At a party, Victorian teenager Alice (Francesca Hayward) receives a book from friend Lewis Carroll. Mother rejects Alice's growing love for gardener Jack (William Bracewell) Distraught, the girl dreams herself into Carroll's book.
- An aging actor remembers his past stage triumphs and contemplates a dim future on the stage of an empty theatre.
- Maria Callas' legendary live performances from the Royal Opera House, Covent Garden, from 1962 and 1964 celebrate her triumphant return to the Covent Garden stage. Repertoire from these performances include Verdi: Tu che le vanità (Don Carlo), Bizet: Habanera and Séguedille (Carmen) and Puccini: Tosca (Act II complete). Her vivid portrayals of the tragic Elisabeth de Valois, the tantalising Carmen, and her vulnerable Tosca (directed by Franco Zeffirelli) captured the hearts of the London audiences. This is Maria Callas as the world remembers her. Renato Cioni, Tito Gobbi, Robert Bowman, Dennis Wicks Orchestra and Chorus of the Royal Opera House, Covent Garden- Conducted by Georges Prêtre and Carlo Felice Cillario.
- A TV screening of a production of "Alice's Adventures in Wonderland" by the Royal Ballet, staged at the Royal Opera House in London. It's the first full-length score commissioned for the Royal Ballet in 20 years.
- Arthur Pita created his award-winning dance-theatre adaptation of Franz Kafka's 1915 novella in 2011 on Royal Ballet Principal Edward Watson, and it was first performed in the Linbury Studio Theatre. The extraordinary choreography captures the devastation of Gregor Samsa's transformation into a monstrous insect and his family's struggle to accept him. Frank Moon's evocative score and stark designs by Simon Daw become sinister and claustrophobic as Gregor's life turns into a dark, surrealist nightmare. The Metamorphosis won a South Bank Sky Arts Award and, for his role Edward Watson won the Olivier Award for Outstanding Achievement in Dance.
- Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.
- Given its premiere by The Royal Ballet in 1965 with Rudolf Nureyev and Margot Fonteyn dancing the title roles, Kenneth MacMillan's first full-evening ballet has become a signature work for the Company. From the outset, the production teems with life and colour as the townspeople, market traders and servants of the rival Montagues and Capulets go about their daily business in vibrant crowd scenes. But Romeo and Juliet take centre stage for those great pas de deux: the meeting in the ballroom, the balcony scene, the morning after the wedding and the final devastating tomb scene. Although The Royal Ballet has performed Romeo and Juliet more than 400 times, each performance and pairing is subtly different, and Lauren Cuthbertson and Federico Bonelli are utterly captivating in the title roles.
- Werther loves Charlotte, but she promised her mother on her deathbed that she would marry Albert. After the marriage Charlotte suggests that Werther should travel - but not forget her.
- Tchaikovsky's Sleeping Beauty, choreographed by Marius Petipa, is one of the best loved of classical ballets, combining in a single work all the enchantment and virtuosity that ballet has to offer.