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A documentary on a Palestinian farmer's chronicle of his nonviolent resistance to the actions of the Israeli army.

A band from Natania is moving to the big city - Tel Aviv. They meet a girl who is gonna change the rules.. Well, you just need to listen to their music...

Food Matters examines how the food we eat can help or hurt our health. Nutritionists, naturopaths, doctors, and journalists weigh in on such topics as organic food, food safety, raw foodism, and nutritional therapy.

As a documentarian cleans out the flat that belonged to his grandparents--both immigrants from Nazi Germany--he uncovers clues pointing to a complicated, shocking story.

An Israeli tv show about 6 kids who discover one day, under an asteroid attack on earth that kills everything but them what their true destiny is- to save the world. Together they go through an amazing ride that includes supernatural powers, time travel, teleportation, joined enemies, hope and love. A highly popular tv show among the Israeli population.

A group of teenagers discover a super power that can change everything.

A look into the lives of teenage male prostitutes working the area known as the "Electricity Garden" in Tel Aviv.

The incredible trial of an appallingly ordinary man. Drawn entirely on the 350 hours of rare footage recorded during the trial of Adolf Eichmann, in 1961, in Jerusalem, this film about obedience and responsibility is the portrait of an expert in problems resolving, a modern criminal. The film is inspired from the controversial book by Hannah Arendt : "Eichmann in Jerusalem, report on the banality of evil".

Two girls, decided to form their own football team, because they reveal that the Football Association does not allow girls over the age of 14 to play with the boys in the same group.

Seventy years after the 1929 Hebron massacre, directors Noit and Dan Geva bring us the personal testimony of 12 people who survived the atrocity. Noit Geva's grandmother, who was only 16 years old at the time of the massacre, was so traumatized by the event that she never spoke of her experience, but recorded what she witnessed in a journal entry entitled "What I Saw in Hebron." This gripping documentary allows a rare glimpse into a little-known moment in Israel's history.

The series follows the agricultural school "Gnoth" and the layer of the "Alifim" and the traditional conflict with the layer of the "Dalidim" The series is based on the book with the same name by Esther Streit-Wurzel. The book is being adapted into the years the series was on air

Summer vacation begins. 6th graders Ido, Tomer & Yuval are investigating a question concerning everyone: Who stole the Hand Sculpture? During this mystery adventure, Ido learns to trust his friends and deal with family and social issues.

The film tells the very real and ongoing story of what many claim is the biggest cover up in aviation history. Passengers and crews for nearly fifty years have been supplied with unfiltered air to breath, taken directly from the engines, even though this air supply is known to sometimes become contaminated with neurotoxins, carcinogens and other hazardous chemicals. With unique access into the aviation industry the film reveals the cover up and serious exposure consequences on flight safety, passenger and crew health, of those who have and continue to be unknowingly exposed.

Documents the saga of thousands of Jews hidden in shelters in Vienna and Bratislava in the hope of embarking on the 'Atlantic' - a makeshift vessel which would hopefully take them to safety.

It's a very educational seers about kids who helps animals while their learning on them

A documentary thriller. When Taliya was young, she never knew for sure whether her uncle was a KGB agent in disguise or a true member of the family. Her father claimed that his brother had been murdered in a Ukrainian prison and substituted by an imposter from the KGB, forced on the family by the old soviet regime. Her father presented his claims in a way that made his family believe this unlikely story. After the tragic death of the father, the mystery surrounding his stories continued to grow. Five years after his death, filmmaker Taliya Finkel goes on a fascinating journey in order to unfold the mystery around her departed father. Guided by a private investigator, she travels from Israel to the Ukraine and back in a desperate quest to find proof of her father's story. During the voyage, Taliya investigates the thin line that separates imagination and reality, sanity and madness.

The Junction is an obscure crossroad in the Gaza Strip, separating the Israeli settlement of Nezarim from the Palestinian refugee camp of Nussierat. Ringed by a teeming Palestinian neighborhood, the Junction became a battleground in September 2000 when the Second Intifada erupted. The violence destroyed many lives there, Palestinian civilians and Israeli soldiers. Once a busy intersection and a flourishing neighborhood, it is now a desert. The film reaches far into the social fabric of both Israelis and Palestinians to explore the culture of death which both stems from and feeds the violence currently consuming both societies.

Palestinian testimonies collected after the second Intifada revealed a harsh daily life reality that, for Israelis, had always belonged to the "others" - the Palestinians - and hence was denied. A few years later, trespassing what had been taboo until then, Israeli officers who served during the Intifada told of their memories. Memories of violence, of suffering, of humiliation. The stories from both sides matched. Against the backdrop of local empty landscapes, an Israeli officer remembers... a Palestinian civilian remembers as well. A journey into the collective memory of Palestine and Israel takes place.

Mamadrama combines film clips, cultural commentary, interviews with Hollywood and Israeli filmmakers and footage from Schwarz's earlier films in an exploration of the image of the Jewish mother in film beginning with early silent and Yiddish films up through contemporary movies. Hollywood directors Paul Mazursky, Paul Bogart, Larry Peerce and actress Lainie Kazan reflect on their Jewish mothers. Critics Patricia Erens, J. Hoberman, Michael Medved, Amy Kronish and Sharon Rivo discuss the changing image of the Jewish mother on screen. Israeli filmmakers Avram Hefner and Zepel Yeshurun and actress Gila Almagor illustrate the uniqueness of Israeli filmic images. Mamadrama includes selections from Come Blow Your Horn, Goodbye Columbus, Next Stop Greenwich Village, Jazz Singer, Portnoy's Complaint, Where's Poppa, Torch Song Trilogy, a compilation of rare Yiddish films and recent Israeli features.

10 oclock, Saturday morning. A group of elderly women and men carry plastic lawn chairs across the Mount Herzl National Cemetery in Jerusalem. In the shade of an old pine tree, they sit down, in a circle and discuss matters sublime and elevated. For over two decades, the "Mt. Herzl Academy has held its weekly meeting at this cemetery. Seated between the graves of the nation's dignitaries, they debate the history of modern philosophy, read poetry, eat lunch and determine the fate of the Jewish nation. Director Tali Shemesh has been following the "Academy" for the last 5 years, focusing on two members: Minia, the director's grandmother, and Lena, her great aunt. The film unravels the jagged, intense, almost impossible relationship between these two extremely different women, who each bereaved of the man she loved remain bound together by history and Fate. As death decimates the group that has given meaning to their lives, the film explores the conflicts between Lena and Minia, and the family secrets that haunt them. The result is a poignant, intimate, sometimes hilarious portrait of the Holocaust generation like youve never seen it before.

"If I saw someone else screaming like my mother, I would be sure that person was mentally disturbed, if it wasn't 100% authentic..." This is what Israel Meir says about his mother, Rabbanit Lea Kook, whose discourse, according to him, stems from absolutely authentic belief. The ultra orthodox community in general & its women in particular are extremely wary of media exposure. The film therefore provides a rare look into the lives of ultra orthodox women, their activities & their grasp of their identities. Tikkun portrays the phenomenon of the Rabbanit (the wife of a Rabbi) of Tiberius, Leah Kook, an orthodox leader followed by many Israeli women. This film is a vivid picture of the routines and customs of life in an ultra-orthodox household and introduces a very charismatic,yet highly controversial main character. Rabbanit Kook, a staunch believer in a prophecy the world refuses to hear, such an extrovert enthusiast that the filmmaker documented her intensively for two entire years. As the maker of the film disguised herself and became one of the members of the house she could explore the backyard of the scene. The surprising cooperation demonstrated by the rabbanit in making this film, and her agreement to such intimate exposure of her physical & spiritual world for two years were a form of "Tikkun" for her. By watching the Rabanit from almost no distance at all, one could reach a conclusion to the controversial attitude of the Israeli society towards Lea Kook: is she genuine or a fraud?