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Phong grew up in a small town in the center of Vietnam - the youngest of six children. From the time he was a young boy, Phong felt like he was a girl with a mismatched boy's body. Not until he moved to Hanoi to attend university at age 20 did Phong discover that he was not the only one in the world with this predicament. His dream to 'find himself' by physically changing sex becomes a reality several years later. The movie follows Phong's struggle during these years, with excerpts from his intimate video journal, along with his encounters with family, friends and doctors - all of whom must come to terms with the boy's determination to become a complete girl.

Where does theatre begin and real life end? Endearing Madame Phung and her transvestite singers travel around Vietnam, sparking fascination and hostility from the local people.

May El-Hossamy brings her family members and others in front of the camera to discuss love, marriage and relationships between Muslims and Christians in Egyptian society.

Random encounters in Ivry's cemetery make our memories resonate.

A diary of my body. By writer, director Isidora Bulatovic.

In Ary Left For the City, a country girl leaves her village for a life as a "taxi-girl" in the city. She goes out with foreigners, dances with men in nightclubs, and makes good money.

After attending the Ateliers Varan organized in Cairo in 2012, Noha Al Madaawy was able to make a film that is impossible to summarize. We encounter a bride dressed in white, a manicured father, a choreographed dance of mopeds set to the Rite of Spring, some sequences of old-school Egyptian cinema and the Muslim Brotherhood. The graceful editing creates an intimate and captivating evocation of the status of women.

Ibrahim, Bathily, Martin... They don't live in Paris but La Place de la République is their meeting point. Across the city, always keeping an eye on their smartphone, these new kinds of workers ride through Paris following the orders of the applications.

We can only be spectators as long as we're not asleep and when we do, we are not even spectators anymore.

Jelena was raised in a family that considered the partisan victory over the Fascists of 1945 the day of their own defeat. For her, the communist liberators had always been known as "Them". But in 1981 Jelena was the character of a poster which celebrated the birthday of a then just deceased Josip Broz Tito, the high commander and founding president of the Socialist Federative Republic of Yugoslavia. 25 years later Jelena visits Tito's grave on his birthday, when all his followers gather, in order to finally see the other side. There she meets Cujka, a sweet old ex-communist partisan woman and colonel in Tito's army. For the first time Jelena sees "Them" as human beings.

This documentary shows an outsider community struggling against the odds for education.